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Spring 2012, The Occupy Issue  |  Masthead

Natasha Trethewey, photo Crampton

Natasha Trethewey, photo Crampton

Interviews

Natasha Trethewey, United States Poet Laureate

interviewed by Daniel Reinhold

Gregory Boyle, Author and Activist

interviewed by John Paulett

Rick Moody, Author

interviewed by Robert Egan

Francesca Lia Block, Author

interviewed by Yolanda Bridges

Abandoned Breakfast, Lance Nizami

Abandoned Breakfast, Lance Nizami

Essays

Fiction and Social Responsibility: Where Do They Intersect?

by Naomi Benaron

An Alumnus Reports from the Field: Occupy The Globe

by Nancy L. Conyers

Power Lines, Andrew R. Ko

Power Lines, Andrew R. Ko

Fiction

Acrocomia aculeate

by Jennifer A. Orth-Veillon

This Is Chicken Country

by Jessica Pitchford

Feng Shui

by Diane Payne

Flash Pieces

by Kyle Hemmings

Knuckles

by Jenny Dunning

A Dry and Level Space

by Terry Sanville

The View

by LaToya Watkins

Manchester Scene, Eleanor Bennett

Manchester Scene, Eleanor Bennett

Creative Nonfiction

Wince: George and Trayvon

by Andy Johnson

Sucker

by Mark Brazaitis

Anything but Oatmeal

by Sion Dayson

Alien

by John Calderazzo

That’s a Big Check, Eydea Studios

That’s a Big Check, Eydea Studios

Writing for Young People

Horses in the ’Hood

by G. Neri

Untitled, Chuck U. Farley

Untitled, Chuck U. Farley

Poetry

Everything’s Fine

by Andrei Guruianu

Spoke

by Hugh Behm-Steinberg

Poem Composed Entirely with Last Lines from Tony Hoagland Poems

by James Valvis

No Hidden Portals

by Nate Pritts

The B-Team

by Martin Ott and John F. Buckley

My Secret

by Sheila Black

Child Reaching For Maps On a Bus

by George Bishop

Leaves Fall, Then New Ones

by Yim Tan Wong

The Blindfolded Man III

by R L Swihart

Un Instant Inévitable

by Derek Pollard

Grandma and the Football Team

by Eleanor Levine

Breadcrumbs

by Lois Marie Harrod

Folklore     pg. 2650     Folklore

by Dina Hardy

Actor on a Bicycle in the Sun

by Ricky Garni

The Geometry of Us

by Valentina Cano

Black Coffee and Skinned Pigs

by Gabriel Cabrera

AULA

A literary journal from the MFA community at Antioch University Los Angeles.
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A Word from the Editor

What matters to me is the story. Too many writers are afraid of offending. Afraid of bad words, negative emotions, family secrets, public opinion. But those writers who don’t want to make their characters ugly or stupid or stubborn won’t go on to write great works.

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