I often work in series creating bodies of work that highlights certain interests such as architecture, space, and scale. I like to investigate the way in which spaces are constructed and how the environment shapes the times we inhabit—influencing our identities, senses, and emotions […]
dialogue and invitations If y’all have babies I hope they have his hair. You have a lot of potential. You’re so well spoken. silence ignored I have a job this summer cleaning my house, if you’re interested. money tossed on the counter. no eye contact You’re going to be fly … what does that mean? […]
Look at our bones laid bare on the metal or in the grass. Slides spill like memories across the wall and while he sees his favorite legend again Scully has to hold her science in her chest. What even is real in 1999? In 2018 when I turn off cable news call my grandmother stuff […]
Our world is constantly being reloaded with data, images, opportunities, options for reinterpretation, and fleeting impressions. In a continuously evolving world, the paintings in this series of work act as a snapshot of this maelstrom of information overload and show a scene apparently caught in limbo between reality and a dream. By using the everyday […]
Born in Iran in 1984, Elham Hajesmaeili received a BFA in handicrafts from the Shiraz University in 2006, an MA in art studies from the University of Art, Tehran, Iran in 2010, and an MFA in painting and drawing from the Pennsylvania State University, US in 2017. She has held multiple groups and solo exhibitions […]
[flash] We had arrived in France two days before, and it was already our third croque monsieur. We bought it at a little Carrefour store, where we also got two cans of Dr. Pepper. Look, Joanne had said, didn’t Melissa say Dr. Pepper was impossible to find in Europe. So we just had to get […]
[translated fiction] (Readable as a loop, beginning with any paragraph) The rod rings out in the emptiness to remind me of my exile. I inhale the damp air and the invasive scent of my own misery. It was a long time ago that I took my leave of the apathy inherent to incomprehension and fear. […]
The Icon is an emerging American digital visual artist. With a love for cartoons and fun imagery, Izosceles discovered their adoration for artistic expression at a young age. Their works are colorful in nature; however, some have deeper tones underneath the playful, digestible surface. Growing up on cartoons as a child is what inspires their bold lines […]
When I was thinking back on how to write up this piece on Red Clocks by Leni Zumas, I kept struggling with the words to put down. How can I best write about a fictitious society that criminalized reproductive rights while we in the US are quite literally on the brink of a collapse of […]
Last night I dreamt of institutions. A thousand days of mood stabilizers and shock therapy. A spoon rolls over my tongue but I do not gag on the bitterness, my throat is already full of what everyone else needs to be comfortable with me being alive. // My grandmother lives in Cuba. Mother rarely speaks […]
[fiction] You is not you. It certainly isn’t me, although after the initial shock of being ‘you,’ you think ‘you’ is me. Anyhoo, you take me by the hand and we climb the stairs, taking each step as slowly as if each step was a crossing into another forbidden dimension. BTW, ‘me’ isn’t me but […]
[creative nonfiction] When I was seventeen, my daily food consumption consisted of two apples per day, nothing more and nothing less. Every single calorie that I ate was tracked, measured, and promptly exterminated like a nasty virus through rigorous exercise. Every aspect of my life revolved around numbers: calories in, calories out, how many minutes […]
Weight First thing you learn is to swallow a fist/ that sets its aim/ on the white manager who calls you/ so articulate/ as if the notion is as rare as a nun in full habit/ or unicorns/ I learned to play house/ with dolls I’d rather bury/ and frilly girls I’d prefer to avoid/ […]
Valeria Luiselli earned her PhD in comparative literature from Columbia University and has received awards from the Los Angeles Times, the Azul Prize, and the National Book Foundation. Her books include Sidewalks, Faces in the Crowd, The Story of My Teeth, Tell Me How It Ends: An Essay in 40 Questions, and now, Lost Children […]
My work is a connection between nature, textile, and culture. It combines my own worlds—the rich landscape that surrounds me on the mountains of West Galilee in Israel, my expertise in the textile industry and textiles, and my Hungarian descent. This nature-textile-culture composition isn’t a trivial one. It can even be confusing. And yet, it generates a sense […]
Nancy Au‘s writing appears or is forthcoming in Gulf Coast, The Cincinnati Review, Michigan Quarterly Review, Catapult, Lunch Ticket, and SmokeLong Quarterly, among others. She has an MFA from San Francisco State University where she taught creative writing. In the summers, she teaches creative writing (to biology majors!) at California State University Stanislaus. She is co-founder […]
[fiction] You sit in a Goodwill engulfed in the sadness emitted by the abandoned objects, each with their own story you’re sure, and the dejected shoppers. Your chosen object is a $20 chair, cracked red leather outlined by shining buttons. You listen to a man, ratty t-shirt and balding blonde hair, sitting in a different […]
[translated poetry] Thousands of Chinese Acres of Spring When the budding of a tree isn’t closely observed Rapeseed flowers have unfolded the season by their full blossoms The golden dream of the earth thus rolls out under the cloud flowers Is woven in the wind and undulates to the farthest in March Rapeseed flowers have […]
[creative nonfiction] 1: Adab Being with family is the ultimate exercise in learning good adab. There is no simple translation for that Arabic word. Adab. A-da-ba. Turn it around, and you get ba-da-a: beginning. But you live in the West now. Your parents lifted you out of that loving, prickly embrace and introduced you to […]
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