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The Diana Woods Memorial Award in
Creative Nonfiction

Winter/Spring 2019

Winner

Playing House

by Alex Myers

Special Guest Judge, Alexandria Marzano-Lesnevich:

“Playing House” drew me in with its unexpected, evocative metaphors and descriptions—its language just slightly off-kilter, as alluring and evocative as the abandoned houses that drew in the narrator and their brother. As I read, I found myself underlining line after line. From its almost haunted opening, to a moving reflection on the houses we find and the homes we make for ourselves, this is an essay that stayed with me.

- Alexandria Marzano-Lesnevich is the author of the author of The Fact of a Body: A Murder and a Memoir, named one of the best books of the year by Entertainment Weekly, Audible.com, Bustle, Book Riot, The Times of London, and The Guardian.

Finalists

Polar Nights

by Megan Donnelly

Betrayed by Blood

by Denise Tolan

Antioch University Los Angeles

A literary and art journal from the MFA community at Antioch University Los Angeles.
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Diana Woods Award

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Friday Lunch Blog

  • Awakening the Unconscious Legacy [trigger warning]
  • Being A Stepmother
  • Finding the Woman with Jasmine: A Self-Portrait
  • How Roland Barthes Changed My Life
  • Now What?
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Litdish: Valeria Luiselli, Author

Spotlight: The Ornamented Leaf

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Word from the Editor

Our stories can be difficult, sometimes impossible, to tell. In her essay “Alone in Company,” Chelsea Bayouth reflects on the role of an artist at the end of 2018: “For me, it is to fear that every word or image is a window into public, political, and social tumult. It means you have to be more vulnerable than you or anyone in times previous has ever been.” If we continue to write, to paint, to dance, to show up for ourselves and our art every day, we might find that our work transcends ambiguity and discomfort to reveal a greater insight into ourselves, and if we are lucky, into the world.

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  • Home
  • Current Issue
    • Issue Archive
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
      • Issue 2: Winter/Spring 2013
      • Issue 1: Spring 2012
    • Genre Archive
      • Creative Nonfiction
      • Essays
      • Fiction
      • Flash Prose
      • Interviews
      • Lunch Specials
      • Poetry
      • Translation
      • Visual Art
      • Writing for Young People
  • About
    • Word from the Editor
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer-Fall 2013
      • Issue 2: Winter-Spring 2013
      • Issue 1: Spring 2012
    • Mission Statement
    • Lunch Ticket Staff
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
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      • Issue 8: Winter/Spring 2016
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    • Contact
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      • Issue 14: Winter/Spring 2019
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      • Issue 12: Winter/Spring 2018
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      • Issue 14: Winter/Spring 2019
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