Lunch Ticket
  • Current Issue
  • Archive
    • Issues Archive
      • Issue 29: Summer/Fall 2026
      • Issue 28: Winter/Spring 2026
      • Issue 27: Summer/Fall 2025
      • Issue 26: Winter/Spring 2025
      • Issue 25: Summer/Fall 2024
      • Issue 24: Winter/Spring 2024
      • Issue 23: Summer/Fall 2023
      • Issue 22: Winter/Spring 2023
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
      • Issue 2: Winter/Spring 2013
      • Issue 1: Spring 2012
    • Genre Archive
      • Creative Nonfiction
      • Essays
      • Fiction
      • Flash Prose
      • Interviews
      • Lunch Specials
      • Poetry
      • Translation
      • Visual Art
      • Young Adult
  • About
    • Mission Statement
    • Lunch Ticket Staff
      • Issue 29: Summer/Fall 2026
      • Issue 28: Winter/Spring 2026
      • Issue 27: Summer/Fall 2025
      • Issue 26: Winter/Spring 2025
      • Issue 25: Summer/Fall 2024
      • Issue 24: Winter/Spring 2024
      • Issue 23: Summer/Fall 2023
      • Issue 22: Winter/Spring 2023
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
      • Issue 2: Winter/Spring 2013
      • Issue 1: Spring 2012
    • Achievements
    • Community
    • Contact
  • Weekly Content
    • Friday Lunch Blog
    • Midnight Snack
    • Amuse-Bouche
    • School Lunch
  • Contests
    • Diana Woods Award in CNF
      • Issue 29: Summer/Fall 2026
      • Issue 29: Summer/Fall 2026
      • Issue 28: Winter/Spring 2026
      • Issue 27: Summer/Fall 2025
      • Issue 26: Winter/Spring 2025
      • Issue 25: Summer/Fall 2024
      • Issue 24: Winter/Spring 2024
      • Issue 23: Summer/Fall 2023
      • Issue 22: Winter/Spring 2023
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
    • Gabo Prize in Translation
      • Issue 29: Summer/Fall 2026
      • Issue 28: Winter/Spring 2026
      • Issue 27: Summer/Fall 2025
      • Issue 26: Winter/Spring 2025
      • Issue 25: Summer/Fall 2024
      • Issue 24: Winter/Spring 2024
      • Issue 23: Summer/Fall 2023
      • Issue 22: Winter/Spring 2023
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
    • Twitter Poetry Contest
      • 2021 Winners
      • 2020 Winners
      • 2019 Winners
  • Submissions
  • Click to open the search input field Click to open the search input field Search
  • Menu Menu
  • Link to Facebook
  • Link to Instagram
  • Link to X

Do Not Throw Out the Boat, the Knit Tit, or the Unicycling Sailor

May 23, 2026/ Elizabeth Collis

Finalist SF26          To avoid distressing my parents, their live-in caregiver and I decide to search for the hearing aids in their old bedroom while my father’s snoozing in his armchair and my mother’s hooked up to her TV, her frail head squashed between enormous headphones. Halfway through COVID, getting upstairs became impossible, so my parents now sleep on the ground floor of their house.

          Both sets of hearing aids disappeared in lockdown chaos. My mother’s a good lip-reader, but face masks frustrate that trick, and it’s hard to have even a simple conversation with her. She’s retreated into the BBC News, Strictly Come Dancing, and Escape to the Country, jerking a finger at any masked person who approaches her. “I can’t hear you. Take that damned thing off!”

          And without his hearing aids, my father has capitulated to silence. This titan of conversation, reciter and writer of poetry, possessor of a hearty baritone voice, has lost his language since I last saw him two years ago. He sits vacantly in the kitchen, watching the caregiver, Simi, at work. I imagine his damaged brain as a barren landscape gashed by canyons which sever his thoughts from his words. Without being able to hear, he cannot bridge the dark scars.

          Most distressing since I arrived in England from my home in Canada a few days ago, I can’t be sure he knows who I am. Call me selfish, because my father is clean, shaved, fed, safe, calm, but I must find the hearing aids and restore his speech somehow. I need to hear my father say my name.

          Simi is giving up her free afternoon to do this, and I’m impressed. I’d want to escape the house and relax if I were her. She’s had a tough job, looking after two nonagenarians with dementia for the last six months. We’ve just met, and we’re still adjusting as we sort out who takes care of what.

          I’m wary, concerned about bringing out private items in front of a near stranger. Simi fizzes with purpose, a sprinter on the start line, braced for the gun. She wants to free up some space for the packages of adult diapers cluttering the hallway. Judging by the immaculateness of the house under her care, the young woman values order and cleanliness.

          In my parents’ old bedroom, everything’s muffled by absence. We begin with the dresser, and the caregiver starts on a full purge, not just a rummage through the contents of the room in the hope of finding the hearing aids. She holds up some ancient underwear excavated from the top drawer.

          “Out,” I say.

          Stiff white shirt collars at least seventy years old.

          “Out.” We’re on a roll; this is easy.

          Five boxes of brand-new cotton handkerchiefs.

          “Keep.” Simi frowns. “Probably gifts,” I insist. “We’d better keep them.”

          So we continue. Dust being shaken out of my mother’s yellow silk dressing gown clouds the air. “Donate,” I say. She’s not a silk-dressing-gown wearer anymore. Or wait—is it wrong to discount her wanting to be elegant again? This is torturous. No. Best to donate.

          The caregiver lays out five single earrings in a line and opens her hand, questioning.

          “Keep. We’ll find the matching ones.”

          Simi looks sceptical, but complies.

          “What’s this?” Simi extracts a bag with a breast prosthesis. She pulls out the “knit tit” which I ordered for my mother after her left-side mastectomy at age seventy-five, hand-knitted in cashmere wool. The maker embedded a stone in the prosthesis so it would weigh the same as a breast. I selected a granite stone from a beach near my home in Nova Scotia, Canada, so my mother could have a piece of her homeland next to her heart.

          “You don’t know what that is? My mother doesn’t wear one in her bra?” I ask.

          “No, I’ve never seen one,” Simi says. “I just give her the clothes; she dresses herself.”

          True, and it’s good my mother can dress independently at age ninety-three. No reason she should wear a prosthesis. But it signals decline. A hitch hooks in my heart to see my mother’s breast orphaned in Simi’s hand. The prosthesis is an intimate item, and I know my mother would not want to see it being held by the young woman. She vehemently opposed having a caregiver in her house, and she still refuses personal hygiene help from Simi. Also clear: She doesn’t want anyone other than a family member in the old bedroom, which had been a refuge as infirmity and isolation shrank her world. We’re violating her wishes in multiple ways.

          I take the knit tit from Simi—holding the weight of decision for a beat—and sense the heaviness within the soft wool in my palm. Mid-swing to place the prosthesis in a garbage bag, I stop, tug it out, and tuck it back into my mother’s drawer.

          “Keep,” I say. My task mate shrugs, perplexed.

          Simi convinces me to donate all the shoes. Neither parent can get their swollen feet into them anymore. But my mother and father are not shuffling slipper-people. They are good leather, sensible-shoe people. That their caregiver has only known them as slipper-wearers bothers me. A hot impetus to restore my parents’ dignity flares up my sternum. Add to my to-do list: Source proper footwear for both.

          I’m thinking about shoes when Simi lets out a triumphant “Ha!” and shoves in the last drawer. Then she turns to me, still energetic.

          “Now, the shelves!”

          It’s cathartic getting rid of stuff, and I’m happy to be bossed a little. Though there’s a responsibility I bear which doesn’t burden the caregiver. What if we throw away something precious, irretrievable?

          When we’re finished, no hearing aids, but ten bags are lined up for the charity store. I go back through each one, take out a couple of items, and replace them on the shelves. A model boat my father made with my older sister. A ridiculous toilet roll dispenser featuring a ship captain peering through a telescope while riding a unicycle. As you pull the toilet roll, the wheel circles. This was a gift from my mother to my father, the latter being the unusual combination of a sailor and a unicyclist. When she discovered it in a catalogue, crying with laughter, she said, “Oh, oh, I don’t believe it. Perfect!” My father’s jaunty red unicycle is still propped by the front door. He rode it down to the village shop every morning to get the newspaper until his mid-eighties.

          Simi looks sideways at the bric-a-brac and shakes her head. I can’t explain its importance, how the boat’s streaky paint represents the rare moments my siblings and I had with our father when he was home from his postings as a naval officer. And I can’t describe to Simi my mother’s glee as she sat on the edge of my father’s armchair while he unwrapped her Christmas gift. I’d have to convey the whole of my parents’ sixty-five-year marriage to someone who has very little context. Instead, I tape notes to the selected items:

          DO NOT THROW OUT

          We hustle the charity bags to the car, and Simi slams down the hatchback and claps her hands together to remove the dust. “That’s better, no?” she asks. Yes, better, though a snake of deceit coils within me. If my parents were healthy, I’d never rifle through their things and clear out their stuff without permission.

          We extract both sets of hearing aids a few weeks later from the drinks cabinet, nestled between crystal glasses and cans of out-of-date beer. My mother rips them from her ears, declaring they hurt and squeal, the damned things. She reaches for the TV headphones like a baby for a bottle and suckles her favourite programs. My father sits compliantly while I fiddle his devices into place.

          A month later, when it’s time to leave, I will receive the gift of hearing my father say my name. He’ll stand at the front door in his new leather shoes and wave goodbye. Just as he always used to, he’ll peer down the street, check for oncoming traffic, and signal that it’s safe to drive round the blind corner.

          A year later, when we empty the house following the second funeral in three months, I will become blasé about disposing of my parents’ possessions. No more torturous decisions: There is too much stuff, and now I value memories more than things. My older sister will take the toy boat. The freewheeling sailor will continue dispensing toilet paper in my younger sister’s bathroom.

          I will lose track of the knit tit. It was probably thrown out, but that’s okay. The pure wool will decompose, like any other carbon-based matter. The granite stone, which absorbed my mother’s heartbeat, will be here millennia more; it doesn’t matter where or how the earth accepts its return.

Elizabeth Collis Headshot

Elizabeth Collis is a British Canadian writer living in Nova Scotia, Canada. Her most recent fiction and nonfiction can be found in Pithead Chapel, Emerge Literary Journal, The Good Life Review, Fictive Dream, and Intrepidus Ink. She’s a multiple Pushcart Prize nominee, and her work has appeared in anthologies in Canada, the US, and the UK. She’s currently working on a memoir.

Issue Archive

  • Issue 29: Summer/Fall 2026
  • Issue 28: Winter/Spring 2026
  • Issue 27: Summer/Fall 2025
  • Issue 26: Winter/Spring 2025
  • Issue 25: Summer/Fall 2024
  • Issue 24: Winter/Spring 2024
  • Issue 23: Summer/Fall 2023
  • Issue 22: Winter/Spring 2023
  • Issue 21: Summer/Fall 2022
  • Issue 20: Winter/Spring 2022
  • Issue 19: Summer/Fall 2021
  • Issue 18: Winter/Spring 2021
  • Issue 17: Summer/Fall 2020
  • Issue 16: Winter/Spring 2020
  • Issue 15: Summer/Fall 2019
  • Issue 14: Winter/Spring 2019
  • Issue 13: Summer/Fall 2018
  • Issue 12: Winter/Spring 2018
  • Issue 11: Summer/Fall 2017
  • Issue 10: Winter/Spring 2017
  • Issue 9: Summer/Fall 2016
  • Issue 8: Winter/Spring 2016
  • Issue 7: Summer/Fall 2015
  • Issue 6: Winter/Spring 2015
  • Issue 5: Summer/Fall 2014
  • Issue 4: Winter/Spring 2014
  • Issue 3: Summer/Fall 2013
  • Issue 2: Winter/Spring 2013
  • Issue 1: Spring 2012

Genre Archive

  • Creative Nonfiction
  • Essays
  • Fiction
  • Flash Prose
  • Lunch Specials
  • Poetry
  • Interviews
  • Translation
  • Visual Art
  • Young Adult

Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Being A Girl is Hard

November 28, 2025/in Blog / Shawn Elliott
Read more
https://lunchticket.org/wp-content/uploads/2025/11/Headshot_Shawn-Elliott_1500x2000.jpeg 2000 1500 Shawn Elliott https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Shawn Elliott2025-11-28 11:00:252025-12-11 17:48:50Being A Girl is Hard

Diagnosis: Persisted or Silent Inheritance

November 7, 2025/in Blog / Paula Williamson
Read more
https://lunchticket.org/wp-content/uploads/2025/12/Headshot_Paula-Williamson_1467x2000.jpg 2000 1467 Paula Williamson https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Paula Williamson2025-11-07 11:00:072025-12-11 17:48:51Diagnosis: Persisted or Silent Inheritance

The Queer Ultimatum Made Me Give My Own Ultimatum

September 26, 2025/in Blog / Lex Garcia
Read more
https://lunchticket.org/wp-content/uploads/2025/09/Garcia_Headshot.jpg 1088 960 Lex Garcia https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lex Garcia2025-09-26 11:00:112025-09-24 11:22:02The Queer Ultimatum Made Me Give My Own Ultimatum

More Friday Lunch Blog »

Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
Read more
https://lunchticket.org/wp-content/uploads/2025/10/Headshot_Nikki-Howard_1770x2000.jpg 2000 1770 Nikki Mae Howard https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Nikki Mae Howard2025-10-24 23:55:032025-10-20 10:59:03The Lilac and The Housefly: A Tale of Tortured Romanticism

Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
Read more
https://lunchticket.org/wp-content/uploads/2025/05/Lauren-Howard-credit-Terril-Neely-scaled-773x1030-1.jpg 1030 773 Lauren Howard https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lauren Howard2025-05-23 23:59:492025-06-17 18:29:02Dig Into Genre

The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
Read more
https://lunchticket.org/wp-content/uploads/2025/04/paparouna-photo.jpeg 960 720 paparouna https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png paparouna2025-04-25 23:55:312025-08-14 16:18:41The dreams in which I’m (not) dying

More Midnight Snacks »

Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

Till Death

May 15, 2026/in Amuse-Bouche, Translation / Lorea Canales, translated by Lia Galván
Read more
https://lunchticket.org/wp-content/uploads/2026/04/galvan_headshot_translator-scaled.jpg 2560 1887 Lorea Canales, translated by Lia Galván https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lorea Canales, translated by Lia Galván2026-05-15 12:01:552026-04-30 16:34:25Till Death

Making Friends

May 8, 2026/in Amuse-Bouche, Flash Prose / Robert L. Penick
Read more
https://lunchticket.org/wp-content/uploads/2026/04/Bob-Headshot.jpeg 1600 1065 Robert L. Penick https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Robert L. Penick2026-05-08 12:01:262026-04-30 15:56:02Making Friends

Two Poems

May 1, 2026/in Amuse-Bouche, Poetry / Jessie Raymundo
Read more
https://lunchticket.org/wp-content/uploads/2026/04/Jessie-Raymundo-Headshot.jpeg 2374 2265 Jessie Raymundo https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Jessie Raymundo2026-05-01 12:01:432026-04-30 15:36:29Two Poems

More Amuse-Bouche »

School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
Read more
https://lunchticket.org/wp-content/uploads/2021/05/SL-Insta-Brendan-Nurczyk-2.png 1500 1500 Brendan Nurczyk https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Brendan Nurczyk2021-05-12 10:18:392022-02-01 13:24:05I’ve Stayed in the Front Yard

A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
Read more
https://lunchticket.org/wp-content/uploads/2021/04/SL-FB-Isabella-Dail.png 788 940 Isabella Dail https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Isabella Dail2021-04-28 11:34:132021-04-28 11:34:13A Communal Announcement

Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
Read more
https://lunchticket.org/wp-content/uploads/2021/04/SL-Insta-Abigail-E.-Calimaran.png 1080 1080 Abigail E. Calimaran https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Abigail E. Calimaran2021-04-14 11:22:062021-04-14 11:22:06Seventeen

More School Lunch »

Word From the Editor

Editing issue 28, I felt something similar to the way I feel near water: I dove into my own private world. The world above the surface kept roaring, of course. The notifications, deadlines, the constant noise was always there. But inside the work, inside these poems and stories and artwork, there was a quiet that felt entirely mine. A place where I could breathe differently.

More from the current editor »
Current Issue »

Connect With Us

lunchticket on facebooklunchticket on instaX
Submit to Lunch Ticket

A literary and art journal
from the MFA community at
Antioch University Los Angeles.

Get Your Ticket

We’ll keep you fed with great new writing, insightful interviews, and thought-provoking art, and promise with all our hearts never to share your info with anyone else.

Newsletter Signup
Copyright © 2012-2025 LunchTicket.org. All Rights Reserved. Web design and development by GoodWebWorks.
Scroll to top Scroll to top Scroll to top