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The Onkweshónwe are Excellent Marksmen

November 4, 2024/ Rebel Brown and Kawenniostha Nicole Martin

but here is how we name the birds, says Kawenniostha

in Kanienkeha: by the sounds, by their voices

how they talk about the weather

yoro, yoro on an overcast day


Not the sight of them, not dead on the forest floor

the way John Audubon thought to name them

after he fired a gun at them, but we say


Katsihnekwárha:  Goldfinch

Teríteri: Bluejay

Só:rak:  Duck

Tsiskó:ko: Robin

Tawístawis: Sandpiper

Raónraon: Hummingbird


Show respects to cousins

Otsiten’okón:’a: all the birds are

Konderronoton: full of music


In this way, the Karontároks, the Woodpecker

lives in dignity, not the ghost of its former Ivorybill

now extinct, shot on its nest even by old Audubon himself


Kanienkéha have more common sense

than to wonder who would bring food to the little ones

if you take out the nesting parent


In this way, the Káhonk – the Canada Goose – calls

to corral the others, to warn them of change

cries, “let’s go,” as they leap into the wind

steps into it, when the cooler currents

bring that waiting change that means

all the creatures in the yoro yoro

will be making plans

Translator’s Statement

This poem was based on a language lesson, the synthesis of a student and a teacher’s reflections, written down by the student.

Rebel Brown Headshot

Rebel Brown is a poet, educator, musician, scholar of the Kanienkeha language, writer about birds, open water swimmer, and clergyperson in northern Massachusetts. Their Mohawk name, given by Kawenniostha, is Iagotennitorasco, which means “They Walk in Sympathy For Others.” They write a column for the local paper, “Running with Birds,” for the athletes out running in the landscape, to know what birds they are hearing. Their headshot was created by Heather Goff, of Island Folk Pottery.

Kawenniostha Nicole Martin headshot

Kawenniostha Nicole Martin is a teacher of Kanienkeha and Seneca and an educator at the Kanajogolegue school for Mohawk immersion, in Canajoharie, on the Mohawk River, New York. In this school, she teaches conversational Mohawk, grammar, and the names of the birds. If you ask her for her bio, she says she is just passing along the knowledge and that the credit goes to the Akwé:kon né’ne ahsen Tyonnhi:yo—to everything that is, to life, to that which encompasses the cosmos and the earth. Her headshot was created by Heather Goff, of Island Folk Pottery.

Issue Archive

  • Issue 28: Winter/Spring 2026
  • Issue 27: Summer/Fall 2025
  • Issue 26: Winter/Spring 2025
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Genre Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Being A Girl is Hard

November 28, 2025/in Blog / Shawn Elliott
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Diagnosis: Persisted or Silent Inheritance

November 7, 2025/in Blog / Paula Williamson
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The Queer Ultimatum Made Me Give My Own Ultimatum

September 26, 2025/in Blog / Lex Garcia
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
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Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
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The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

Two Poems

April 10, 2026/in Amuse-Bouche, Poetry / Jax NTP
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English Translation

March 27, 2026/in Amuse-Bouche, Poetry / Carrie Chappell
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Origins

March 13, 2026/in Amuse-Bouche, Flash Prose / Rose Torres
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Editing issue 28, I felt something similar to the way I feel near water: I dove into my own private world. The world above the surface kept roaring, of course. The notifications, deadlines, the constant noise was always there. But inside the work, inside these poems and stories and artwork, there was a quiet that felt entirely mine. A place where I could breathe differently.

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