To Kill a Mockingbird Broadway Tickets

May 31, 2014/in Blog /LunchTicket

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Amuse-Bouche

Little bites every Monday to whet your appetite!

Today’s Plate:

Spotlight: Bibliotechnical Sins

LitDish: Four Questions with Povi-Tamu Bryant, Activist, Artist, Author

March 16, 2020/in Amuse-Bouche, Amuse-Bouche 2020 /Regan Humphrey

Spotlight: The Natural Skin of Geometry

March 9, 2020/in Amuse-Bouche, Amuse-Bouche 2020 /J Robertson

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School Lunch

An occasional Wednesday series dishing up today’s best youth writers

Today’s Slice:

Overhoard

March 18, 2020/in School Lunch, School Lunch 2020 /Judy Xie

Spotlight: Harth rem ir Estevan is Dead

March 4, 2020/in School Lunch, School Lunch 2020 /Marion Deal

Spotlight: Grave Danger Sonnet

February 19, 2020/in School Lunch, School Lunch 2020 /Ilan Magnani

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published every Friday

Today’s Course:

Altering Perception as Survival in 2020’s Era

March 7, 2020/in Blog, Blog, Winter-Spring 2020 /Franz Fanta

“A Quality, Good Life” —Defining Ableism and What It Means to Be Human

March 6, 2020/in Blog, Blog, Winter-Spring 2020 /Amanda Woodard

Why American Dirt Matters to All of Us

February 27, 2020/in Blog /Janet Rodriguez

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Word from the Editor

Our stories can be difficult, sometimes impossible, to tell. In her essay “Alone in Company,” Chelsea Bayouth reflects on the role of an artist at the end of 2018: “For me, it is to fear that every word or image is a window into public, political, and social tumult. It means you have to be more vulnerable than you or anyone in times previous has ever been.” If we continue to write, to paint, to dance, to show up for ourselves and our art every day, we might find that our work transcends ambiguity and discomfort to reveal a greater insight into ourselves, and if we are lucky, into the world.

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