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Trauma 4DX

May 23, 2024/ Hendri Yulius Wijaya, translated by Edward Gunawan

Gabo Prize Winner Issue 25 Summer Fall 2024

no stalker got you under his skin
trauma acquired from cinema conglomerates
for our bodies to be more responsive
to all the vibrations and sounds from the screen
in your mind the 4DX movie theater opens its doors wide
VVIP just for you
without any other visitor and admission is free
the darkened projection hissed along to the air conditioner:
“Sisss … Sssy …”

Dolby Surround 7.1
Full 360° Around
All Around You

compelled to watch a film that churned your insides
until they overflowed into a bag of caramel popcorn
there ain’t no such thing as a free lunch

no cleaners outside the studio
part of you remains in the puddle of vomit on the carpet
the kitchen and café and game center and lobby lights
continue to scintillate
like a parasite
slinking around
to steal dreams from your sleep
and bring home an Oscar.

Trauma 4DX

stalker tidak got you under his skin
trauma berguru pada konglomerasi bioskop
agar tubuh-tubuh makin lekas tanggap
pada segala gegetaran dan bebunyian dari dalam layar
di dalam kepalamu ruang bioskop 4DX membuka pintunya lebar-lebar
VVIP hanya untuk dirimu
anpa pengunjung lain dan tanpa perlu tiket masuk
bersama layar hitam, mesin AC ikut-ikutan mendengus:
“Bencong … Bencong ….”

Dolby Surround 7.1
Full 360 ° Around
All Around You

kau dipaksa untuk menonton film yang mengocok isi perutmu
hingga tumpah ruah dalam kantung popcorn rasa caramel
there ain’t no such thing as a free lunch

di luar studio tak ada tukang bersih-bersih
sebagian dirimu tertinggal dalam tetes muntahan di atas karpet
kitchen dan café dan game centre dan lampu-lampu lobi
tak berhenti berkelap-kerlip
seperti parasit
yang mengendap-endap
mencuri mimpi dari tidurmu
agar bisa memboyong pulang Piala Oscar.

Translator’s statement:

The original poems in this document are by Hendri Yulius Wijaya, written in Bahasa Indonesia, mixed with a spattering of English words and expressions. They are published in the full-length collection, Stonewall Tak Mampir di Atlantis [There’s No Stonewall in Atlantis] by Indonesian publisher Buku Mojok Grup in 2020 (ISBN # 978-623-91089-9-1).

Hendri Yulius Wijaya, the poet of the original work, is one of the rare handful of out queer writers writing/publishing in Bahasa Indonesia and from/in Indonesia, the most populous Muslim nation in the world. The translator of this work is a fellow out queer Indonesian who is also of Chinese heritage, an ethnic minority community in Indonesia that has faced discrimination and persecution

In keeping with the author’s intentions of highlighting the plurality of languages found in the original text, the translator has approached the translation in the following ways:

  • Italicized text denotes English words that appear in original poems.
  • Commonwealth English words and expressions in original poems have been adapted into North American context and spelling.
  • The original poem in Bahasa Indonesia is included for reference at the end of the translated piece.

The author has granted the translator permission to translate the work into the English language, and the book publisher has granted the translator reprint rights of the original poems to be published in literary journals, alongside the translated work.

Photo of Hendri Yulius Wijaya

Hendri Yulius Wijaya [ poet ] is an Indonesian writer and researcher on gender, sexuality, cultural politics, and sustainability. He has written extensively and provided commentaries on Indonesian anti-LGBTQ+ panics and queer movements for various national and international media outlets. His academic research focuses on the development of Indonesian queer activism from the 1980s to the present, anti-LGBTQ+ panics, pornography, and sustainability, among other topics. He is also the co-editor of Queer Southeast Asia (Routledge, 2022). For his long-term engagement with LGBTQ+ rights and sustainability issues, he was invited to deliver the 2023 Tomlinson Memorial Lecture at Nottingham University in the UK. Stonewall Tak Mampir Di Atlantis is his debut full-length poetry collection.

Photo of Edward Gunawan

Edward Gunawan [ translator ] is a Bay Area-based writer, translator & curator who authored chapbooks: Start a Riot! Prize-winning The Way Back (Foglifter Press, 2022) and Press Play (Sweet Lit, 2020). Their poems/cine-poems, short stories, essays/video-essays, and translations have been published in TriQuarterly, Aquifer, The Town anthology (Nomadic Press, 2023), and elsewhere. An Indonesian-born Chinese queer immigrant, Edward founded and organizes HOME MADE @ ARTogether that hosts free literary arts gatherings in Oakland, CA. Visit addword.com for more.

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Diagnosis: Persisted or Silent Inheritance

November 7, 2025/in Blog / Paula Williamson
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The Queer Ultimatum Made Me Give My Own Ultimatum

September 26, 2025/in Blog / Lex Garcia
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The Family Eulogist

September 5, 2025/in Blog / Claudia Vaughan
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
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Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
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The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

My Town

October 31, 2025/in Amuse-Bouche / Shoshauna Shy
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Acts of Attention: An Abecedarian

October 17, 2025/in Amuse-Bouche / Rhienna Guedry
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The Cartoonist

October 10, 2025/in Amuse-Bouche / Ric Nudell
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

The state of the world breaks my heart every day. Broken hearted, I stay online. I can’t log off. Because my career and schooling are all done remotely, I tend to struggle with boundaries regarding screen time, with knowing when to break away.

Like many of you, I have been spilling my guts online to the world because the guts of the world keep spilling. None of it is pretty. But it’s one of the things that, having searched for basically my entire life, I found that tempers the chaos that lives rent free inside my head.

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