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Gloomy Blooms

November 3, 2022/ William Reichard

Blue and green background with yellow flower strands
Tickseed, 2022
moody lily pads in a yellow and green tone
Lily Pond One, 2022
brown, ivory shadowed clematis
Clematis One, 2022
rust browns and golds, peony
Peony, 2022
Moody roses in greenish and gold shadows
Roses, 2022
Bright rust and gold close up of chrysanthemum
Chrysanthemum, 2022

Artist Statement

I started work on the “Gloomy Blooms” photo series in May 2020. The country had gone into Covid lockdown in March, and like many people, I was struggling to adapt to my new, more isolated life. I’m an introvert, and alone time is very important to me, but even introverts have our limits. The lockdown made me realize how much I depend on seeing my friends and family. Visiting with people online was some comfort, but it wasn’t enough. I had nowhere to turn but inward. That’s when I started to take the first photos that would develop into the “Gloomy Blooms” series.

The images in this series are cyanotypes. The cyanotype process was developed in the 1820’s, before the advent of silver-based photography (the common black and white images most of us are used to seeing). The cyanotype process doesn’t require a darkroom and doesn’t even require film or negatives. By mixing a few simple chemicals and applying them to any kind of paper, you can create light sensitive sheets. You can then place objects or plant materials directly on the sheets and place them in direct sunlight. Exposure time varies, from a few minutes in strong summer sun, to hours in less direct, winter light. You simply wash the paper in water once it’s been exposed, and an image will appear. As the paper dries, the image will grow more visible, and the blue of the paper will deepen. The blue color is created by the chemicals applied to the paper. Many people have seen cyanotype images of ferns, flowers, and other plants.

My process is a little different. I first take photos of flowers using my iPhone. I transfer the images to my computer, and using free software, I strip the color from the images, adjusting exposure and contrast as necessary. The result is a black and white photo. Using free online software, I turn the positive images into negatives, which I print on simple printing paper. I place these paper negatives face down on an unexposed sheet of cyanotype paper and expose them in the sun. Once the image is set, I wash the cyanotypes and then immediately place them in a bath of hot black tea and ground turmeric. The traditional blue tones are replaced by brown and yellow tones. These are the “Gloomy Blooms” photos.

The photos, for me, are a form of small, controlled expression. I started to make them in reaction to the lockdown, and to everything in the world that I could not control, that I had no say in. I could control the production of these images (but only to a degree), and making them has given me an outlet for the free-floating fear that many of us have experienced since the advent of Covid. These are my small moments of beauty, small moments of peace.

William Reichart Headshot

William Reichard is a writer, editor, photographer, and educator. His seventh poetry collection, Our Delicate Barricades Downed, was published by Broadstone Books in 2021. Reichard’s cyanotypes will be featured in a show at the Friedli Gallery in Saint Paul, MN in January 2023.

Issue Archive

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Genre Archive

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  • Lunch Specials
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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published every Friday.

Today’s course:

The Night I Want to Remember

December 16, 2022/in 2023ws-migration, Blog / Sanaz Tamjidi
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From Paper to the Page

November 18, 2022/in 2023ws-migration, Blog / Annie Bartos
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Confessions of a Birthday Person

November 4, 2022/in 2023ws-migration, Blog / Meghan McGuire
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Midnight Snack

A destination for all your late night obsessions.

Tonight’s bites:

Mending the Heart and Slowing Down: Reintroducing Myself to Mexican Cooking

October 7, 2022/in Midnight Snack / Megan Vasquez
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The Worth of a Billionaire’s Words

September 23, 2022/in Midnight Snack / Kirby Chen Mages
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Abyssinia

August 26, 2022/in Midnight Snack / JP Goggin
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Amuse-Bouche

Little bites every Monday to whet your appetite!

Today’s plate:

Still Life

October 31, 2022/in Amuse-Bouche / Daniel J. Rortvedt
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Litdish: Writing About Grief: An Interview with Jenn Koiter

October 24, 2022/in Amuse-Bouche / Interviewed by Gail Vannelli
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https://lunchticket.org/wp-content/uploads/2022/10/Koiter-Headshot.jpeg 1983 1586 Interviewed by Gail Vannelli https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Interviewed by Gail Vannelli2022-10-24 11:55:162022-10-24 10:10:07Litdish: Writing About Grief: An Interview with Jenn Koiter

Dawn from Buffy Learns About Climate Change

October 10, 2022/in Amuse-Bouche / Alyson Mosquera Dutemple
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https://lunchticket.org/wp-content/uploads/2022/10/Dutempleauthorpic_2022.jpg 1389 1466 Alyson Mosquera Dutemple https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Alyson Mosquera Dutemple2022-10-10 11:48:192022-10-10 14:29:12Dawn from Buffy Learns About Climate Change

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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Our contributors are diverse and the topics they share through their art vary, but their work embodies this mission. They explore climate change, family, relationships, poverty, immigration, human rights, gun control, among others topics. Some of these works represent the mission by showing pain or hardship, other times humor or shock, but they all carry in them a vision for a brighter world.

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