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The Gabo Prize for Literature in Translation & Multilingual Texts

Issue 12: Winter/Spring 2018

Selected Poems from Black and Blue Partition: ‘Mistry 2

by Monchoachi, translated by Patricia Hartland

Special Guest Judge, William Rodarmor

Patricia Hartland set herself a major challenge in translating Monchoachi, a poet prolific in both French and Martinican Creole. Monchoachi is the pseudonym of André Pierre-Louis, who was born in Martinique in 1946. Hartland calls his work ‘a site of both play and resistance… of becomings, origins, and renewals.’ Patrick Chamoiseau says Monchoachi has completely renewed the relationship of the Creole language to French. This means that a vigilant translator must look in two different linguistic directions while plotting her course in a third.

Hartland brings impressive skills to the task. An MFA candidate for poetry at Notre Dame, she focuses on post-colonial, linguistically hybrid, francophone texts. And she lends a deft touch to her Monchoachi translations.

Here is a sample from “The child who birthed the mother”:

Forged up the watercourse:

in the mirrorment the paradise,

the subtle game of reflections,

reflections inebriated,

the sounds enchantment,

absolute lightness,

Appear-disappear

the mask,

the showing

unity of all

piety in all.

William Rodarmor is an editor and French literary translator in Berkeley, California. He has translated some forty-five books and screenplays in genres ranging from serious fiction to espionage and fantasy. In 1996 he won the Lewis Galantière Award from the American Translators Association for Tamataand the Alliance, by Bernard Moitessier. In 2016, he won the Northern California Book Award for fiction translation for The Slow Waltz of Turtles, by Katherine Pancol.

Excerpt from The False Note

by Trisse Gejl, translated by Lindy Falk van Rooyen

The Last Ones

by Claudia Morales, translated by Allana Noyes

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