The Gabo Prize for Literature in Translation & Multilingual Texts
Issue 10: Winter/Spring 2017
Special Guest Judge, Mark Statman
There is something beautifully and sadly dense about these poems, which the poet, Jim Pascual Agustin, himself has translated. I found myself returning to them because I found them at once mysterious and ordinary, describing what I can only think of as tragic events (in “Danica Mae,” the actual death of one child, in “Standing in Tagatay,” the learned careless callousness in the life of another). The final short poem, “The Long and Brief History of the Bald Old Man and the Busted Pot,¨ presents the reader with a different kind of tragedy, a view of a long life at its unhappy end. Not easy to want to read, these poems nonetheless demand it. That demand is what I think I want most from a poem.
Mark Statman’s poetry collections include That Train Again (Lavender Ink, 2015), A Map of the Winds (Lavender Ink, 2013) and Tourist at a Miracle (Hanging Loose, 2010). Other books includeBlack Tulips: The Selected Poems of José María Hinojosa (University of New Orleans Press, 2012), the first English language translation of the significant poet of Spain’s Generation of 1927, and, with Pablo Medina, a translation of Federico García Lorca’s Poet in New York (Grove 2008). His next translation collection, Never Made in America: Selected Poetry of Martín Barea Mattos, will appear with Lavender Ink/diálogos in April 2017. Statman’s poetry, essays, and translations have appeared in twelve anthologies, as well as such publications as Tin House, Hanging Loose, Ping Pong, and American Poetry Review. A former Associate Professor in Literary Studies at Eugene Lang College, The New School, he lives in Oaxaca, MX.