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Spotlight: Chameleon / The Most Beautiful Thing / Uni-Love

April 7, 2014/in Amuse-Bouche, Amuse-Bouche 2014 / Carly Breault

Chameleon

I’ve found you
Imposter
Erect against the araceae backdrop
Stealing your neighbour’s hue

Garbed in flowers of false truth

Yesterday I thought you were a rock
Stoic in potent iron, even as my belly
Slipped over your scales

You beg the sun for her gold
The stones for their silver
The dirt for his muddy brown
The leaves for their tangerine

Shapeshifter
Scurrying through life with a colorful shield
Now, veiled
In yellow leaf-veins
Branching down your back
to the emerald stem of a tail
Feet inch deep in bough’s brown

Your guise dismays
Your buggy black eyes
Wearing no second-hand color
Naked in fear, defeat, regret
You cannot change the color
Of your destiny


The Most Beautiful Thing (Two Cups of Tea)

Mother
Hunched in an elegant bridge
Gallops of tangerine hair
Sweep the kitchen counter

Sunrise, the sky
Is grey dancing with
Soft amber, brilliant carmine
Waltzing into her
Liberated hands
Freeing one, two
Tablespoons:
Leafs of obsidian glow
Rests into my favourite
Purple cup, her favourite red

The kettle whines, she carries
It off the sienna flame
Gracefully decants a river
The leafs plump, release ecru
Steam pirouettes midair

Carefully, she lays the cups on the table
Checks her watch, sits down, and waits
For me to find
Her and two cups of tea
Not knowing that I am
Already here


Uni-love

We are lonely drunk vessels
blindly,
finding each other
in the dim library light

We thrust our hands, gape our mouths, stab our tongues, and let
Our gender emblems defile each other
Clumsily, senselessly, in a sea what-is-that unpleasantness.
Discovering what we’re made of
In kindred inebriation

We swap
Partners or positions or
Pink body parts
All in an effort to achieve
A believable rhythm of delight

eventually we will forget
names, faces, earnest promises,
foreplay, and afterglow
None of the dinner by candelight
We might imagine
The intimate glances
The talk until dawn

as soon as they’re gone we sit alone,
eating cold spaghetti from a can,
detach ourselves from
another emotionless encounter.

i find remnants of your faceless lovers
beside your unmade bed:
Empty condom wrappers.
An ashtray with butts
From their lips squished
By their thumbs buried in ashes

in your white-walled, smoke-filled, dirty-laundry strewn dorm room
That I find myself coming back to again and again
For no other reason I can think of
Than that you desire to have me in it.

Carly Breault is a second-year psychology student at Vancouver Island University in Nanaimo, BC, Canada.

https://lunchticket.org/wp-content/uploads/2014/04/54616nanaimoC-Breault-web-_SAM3829-e1561854441259.jpg 399 300 Carly Breault https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Carly Breault2014-04-07 02:27:192019-07-08 22:52:05Spotlight: Chameleon / The Most Beautiful Thing / Uni-Love

Amuse-Bouche Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Being A Girl is Hard

November 28, 2025/in Blog / Shawn Elliott
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Diagnosis: Persisted or Silent Inheritance

November 7, 2025/in Blog / Paula Williamson
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The Queer Ultimatum Made Me Give My Own Ultimatum

September 26, 2025/in Blog / Lex Garcia
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
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Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
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The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Editing issue 28, I felt something similar to the way I feel near water: I dove into my own private world. The world above the surface kept roaring, of course. The notifications, deadlines, the constant noise was always there. But inside the work, inside these poems and stories and artwork, there was a quiet that felt entirely mine. A place where I could breathe differently.

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