Danny, with the bad neck
First a tarmac, strangers deicing plane wings
my father at arrivals, a worker yelling sir
as he leaves the car to come hug me
then we’re driving & he’s telling me
Danny’s not really alright, how he fell into a literal hole,
how his neck snapped
But listening I can’t stop imagining
you sitting on the side of the bed
while I crawl to your body pointed north, the way you like it
In her bedroom,
my mother’s rolling newspaper
to keep her leather boots from bending
I kneel on carpet
wishing it could be that simple to upright me
But you’re in the middle of the country, making paper,
grits sifting water, your arms with milky slivers,
your sleeves rolled up
My mother puts her feet on my feet
Later, cousins come over
talk about construction on the bridge, the scaffolds which hold them
over an edge, how there’s no way they’re going to finish
before the real cold
with Danny gone
I could never take you here
watch you stand shoeless in a kitchen while my father judged your hands
No, you’d linger at the door
No, you’d look at me like one of your lined objects
faced in the wrong direction
I don’t know
how a neck can snap
& not kill you
But I know that people are made like gutters
& from gutters
Days I made myself a mile marker
Slabbing distance moving west
moving more west
Where I watch you with the gray pulp & your back turned,
mushing fiber raw
sitting in the apartment with the landlord’s cheapo heat lock
you unbutton me in someone’s old jeans,
flicking me in the dark until I tell you a secret
Christine Byrne is currently completing her MFA at the Iowa Writers’ Workshop, where she won the John Logan Poetry Prize. Her most recent poems are forthcoming in the New England Review, Best New Poets, Sugar House Review, The Journal, Salt Hill, and elsewhere. She teaches at the University of Iowa and reads for The Iowa Review.