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Guinea Pigs

September 26, 2022/ K.A. Polzin

As a child, my oldest sister kept a cage of guinea pigs in the garage, and she’d made a deal with the produce manager at the Lucky down the street—well not really a deal; he just gave her all the expired lettuce, which she fed to them.

On weekends, she took them out of their cage and let them run around on the lawn, enlisting me, my brother, and my sister to help pen them in and stop them from hopping away. We got to hold and pet them as a reward.

They made little weet-weet noises such that my other sister named one Weetress—she, it seemed, could tell them apart. Their cage was lined with old newspapers and smelled of it. That, and the smell of wilted Iceberg lettuce, always brings them to mind.

My dad had no part in any of it, as was his custom with all our doings. He would only mention them when some small part of their care and maintenance inconvenienced him: Those damn guinea pigs, he’d say as he lowered a bag of feed pellets into the shopping cart. Worthless beasts, he’d say, lifting the bag from the trunk of the car. He’d always been this way, it seemed, even before our mother died.

When she got older, my sister graduated from guinea pigs to horses, working as a groom at the county racetrack in exchange for the work experience. She went on to vet school, became a large-animal vet, and eventually owned a ranch house with a ten-acre field for the dozen or so horses she kept, plus a few dogs.

Our dad retired, but he’d planned for it poorly, and when he ran out of money, my sister let him move into her spare room, where he lived for a couple of decades until he died.

Whenever I’d visit, I’d join her on her rounds, watch her service her clients’ horses, take in that whole life so different from mine. Once, I watched her make a tricky diagnosis, and as she explained the problem to her client, it became clear to me how skilled she was at her work, and I felt an unfamiliar feeling—one that was never spoken of, and rarely felt, in my family: pride.

In the evening, when we’d return to her house, Dad would be on the couch, watching TV. As we hung up coats and kicked off shoes, he’d start in with his usual litany of complaints—about the heat, the Democrats, how few good TV shows there were.

“Doesn’t that drive you crazy?” I whispered to her once, nodding toward the living room, toward what had become of our father.

She stared at me. “Oh, that?” she said, suddenly understanding, “I don’t even hear it anymore.”

END



Head Portrait for Pollen

K. A. Polzin is a writer and cartoonist whose stories have appeared (or are forthcoming) in EVENT, Oyster River Pages, Apple Valley Review, and Another Chicago Magazine, and whose short humor and cartoons have appeared in McSweeney’s Internet Tendency, The American Bystander, Narrative, Electric Literature, Hobart Pulp, and elsewhere. Instagram: @k.a.polzin

Amuse-Bouche Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

How to Kill a Cat, or How to Prepare for CATastrophe

March 10, 2023/in Blog / Meghan McGuire
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The Night I Want to Remember

December 16, 2022/in 2023ws-migration, Blog / Sanaz Tamjidi
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From Paper to the Page

November 18, 2022/in 2023ws-migration, Blog / Annie Bartos
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

Point Break & Top Gun Are More Than Homoerotic Action Movies

March 3, 2023/in Midnight Snack / Michaela Emerson
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Mending the Heart and Slowing Down: Reintroducing Myself to Mexican Cooking

October 7, 2022/in Midnight Snack / Megan Vasquez
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The Worth of a Billionaire’s Words

September 23, 2022/in Midnight Snack / Kirby Chen Mages
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Our contributors are diverse and the topics they share through their art vary, but their work embodies this mission. They explore climate change, family, relationships, poverty, immigration, human rights, gun control, among others topics. Some of these works represent the mission by showing pain or hardship, other times humor or shock, but they all carry in them a vision for a brighter world.

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