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Peacock, Egg Harbor City, New Jersey / Catastrophic Sonnet

January 11, 2021/ Issam Zineh

Peacock, Egg Harbor City, New Jersey

The thing is, you are, yourself, an exercise in noticing—
There is the stealth, what was once called furtive.
The eye-spotted train that refuses, at least today,
to be seen as anything other than a net of jewels.

You’ve roamed all morning. Your spurs say try
me. The rest of you says try again. You are blue
as blue has never been—river water rendered
in glass the moment before birth—green

as green has always been—one part territory,
one part terror. The couple that owns this place
says the peacock has more than one mate. And
did I know that there are plants that bear flowers

with stamens only, some only pistils? Though I
have seen you in the early morning, I imagine you
the same at dusk. Sun and shade, petal and seed
head, becoming anything you can fit into your beak.

You are not only what you are, but what you in-
terrupt: in an RV park. In an American refuge.
You are as much other here as the movement that
made this place. I have seen you before: served

in full plumage in some Flemish painter’s allegory;
in Tulum, the day my second daughter was born;
among the Yazidi girls who jumped to their death
from the sacred mountain; as a gorgeous declaration of war.


Catastrophic Sonnet

“Remembering is an ethical act…” — Aarushi Punia

[My grandfather still has his house key from 1948. He says he lives in the part of the village where the past doesn’t kill you. He invites his neighbors in for fruit and mixed nuts and something cool then something hot. There is a belligerence of songbirds every square mile. He says, come see what I brought you from the market: cucumbers, local, pomegranates, zaatar. I see you’ve renounced your birthplace, which is of course your right. You will dream of male sunbirds feeding on nectar mid-air. When they come for you, they will ask about your love’s name, her contours, her address. Where is it written that we’re supposed to call? I misheard him talk of our rightful place at the top of the hill. My kids fell in love with imperialism last summer in London. They discovered legacy in the gardens. They woke to the logics of the enterprise. I miss the burgers at Johnny’s].

__
Poem Note: “they will ask about your love’s name, her contours, her address” borrows from Waleed Sayf’s poem “Death at Night’s End” translated by Elmusa and Heath-Stubbs (see Salma Khadra Jayyusi’s Anthology of Modern Palestinian Literature, Columbia University Press, 1992).

Issam Zineh is a Los Angeles-born, Palestinian-American poet and scientist. He is the author of the forthcoming chapbook The Moment of Greatest Alienation (Ethel Press, Spring 2021). His poems appear or are forthcoming in Bear Review, Clockhouse, Fjords Review, Glass (Poets Resist), Nimrod, Poet Lore, The Seattle Review, Sporklet, and elsewhere. Find him on Twitter @izineh.

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published every Friday.

Today’s course:

Diagnosed at Sixty – My ADHD Journey

April 22, 2022/in Blog / Kait Leonard
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Why Video Game Preservation Matters

April 15, 2022/in Blog / Nicholas Galvez
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Sarees in America

April 1, 2022/in Blog / Majella Pinto
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Midnight Snack

A destination for all your late night obsessions.

Tonight’s bites:

QVC-land

May 6, 2022/in Midnight Snack / D. E. Hardy
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Escape Artists at the End of the World

April 29, 2022/in Midnight Snack / Lisa Levy
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The House in the Middle

April 15, 2022/in Midnight Snack / Megan Vasquez
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More coming soon!

School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Here at Lunch Ticket, 2021 represents ten years of our literary journal. 2021 marks the start of a new decade, one I can only hope will stand as tall and iconic in the history of our publication as the jazz age in America. What we’ve put together this fall is what I call and will fondly remember as our “Roaring 20th Issue”.

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