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Irene Vasquez

Spotlight: Freehanding Maps of Minnesota / Canción Bilingüe

July 10, 2017/in Amuse-Bouche, Amuse-Bouche 2017 / Irene Vasquez

[poetry]

Freehanding Maps of Minnesota

I have called you feather down
in my sleep, christened you
the verge of memory,
painted your rivers in the rain.
I have written the scene
before I even arrive;

The breeze floats just enough
to rustle the edges of the paper,
lines only tenuously
drawn.

Do your lakes ever run
dry? Does the smoke stay
in your clothes like it stays
in mine?
I have loved you, Minnesota, and
I have never seen your face.

Ink stains
your geometry,
monolith of midwest and west
and tell me west,
do you ever get lonely?
Have you ever been afraid
to hold on? I can see you
through the snow drifts,
from the parched hills
of my heart.

I reside in the ache of sleep
and stone, I walk
through dreams
to follow you, Northern Star. I wish
it were as easy
as buying a ticket to see the lights,
but the paper stayed
in my pocket, through the laundry,
never recovered.

Would you chase me
through the woods, Minnesota?
Follow me
northbound, run your hand through my hair
and call me holy? Would you welcome me now,
after the way the summer sunset
left us sprawling?

Would you love me, Minnesota, even when I go back home?

 


Canción Bilingüe

Mi amor,

Your tongue
never foreign to me. One word
en español; everything
at once dearer to me:

amorcito, solecito, cafecito.

You conduct
the songs of my past. You are
my past, we are the future.
You will map
the world, and I will name
each new landmark for the words
that were robbed from us.

Luna, soledad,

patria mía.

I am un-
assimilated, un-colonized,
a culture all my own. I love you
and the forgotten words
come home.
The desert sun smiles, the wind whips
and calls my name. My borders
come to life, the barbs in my heart start
to bloom.
I catalogue my native
species, find names
for the things I deemed unnamable.
I love you and the Aztec seal within me
takes flight, finally ready to show my people a land they can call their own.

I promise I will never leave you
untranslated;
I will give you
every word I have ever known.

 

Irene VasquezIrene Vazquez is a Pushcart Prize-nominated writer from Houston, Texas. She is a founding editor of Zig Zag Zine. Irene was a runner-up in the 2016 Glass Mountain prose and poetry contest, and she received an honorable mention in the 2015 Princeton High School poetry contest. Her works have appeared or are forthcoming in Alexandria Quarterly, F(r)iction, and Words Dance, among others.

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Amuse-Bouche Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published every Friday.

Today’s course:

Where/When

May 20, 2022/in Blog / Gillian Shure
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Diagnosed at Sixty – My ADHD Journey

April 22, 2022/in Blog / Kait Leonard
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Why Video Game Preservation Matters

April 15, 2022/in Blog / Nicholas Galvez
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Midnight Snack

A destination for all your late night obsessions.

Tonight’s bites:

QVC-land

May 6, 2022/in Midnight Snack / D. E. Hardy
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https://lunchticket.org/wp-content/uploads/2022/05/Diana-Hardy_QVC_Feature_Photo.png 533 800 D. E. Hardy https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png D. E. Hardy2022-05-06 23:45:322022-05-06 19:25:59QVC-land

Escape Artists at the End of the World

April 29, 2022/in Midnight Snack / Lisa Levy
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The House in the Middle

April 15, 2022/in Midnight Snack / Megan Vasquez
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More coming soon!

School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Here at Lunch Ticket, 2021 represents ten years of our literary journal. 2021 marks the start of a new decade, one I can only hope will stand as tall and iconic in the history of our publication as the jazz age in America. What we’ve put together this fall is what I call and will fondly remember as our “Roaring 20th Issue”.

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