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Symphony in Gray Major

May 8, 2016/in Gabo, Gabo, Summer-Fall 2016 / by Rubén Darío, translated by Mark Stevick

Finalist, Gabo Prize - Summer/Fall 2016
The sea like a coarse mirror of silver
reflects a metallic sky of zinc;
distant flocks of cormorants tarnish
its polished bottom of pallid gray.

The sun like a glass, round and opaque,
paces to its zenith with a halting gait;
the ocean breezes settle in the shadow
making a pillow of a black clarinet.

The waves that heave their leaden bellies
under the dock all seem to moan.
Seated on a cable, smoking his briar,
a sailor is thinking about the beaches
of a vague, remote and foggy place.

He is old, that sea dog. His face is weathered
from the fiery rays of the Brazilian sun;
the rough typhoons of the sea of China
have seen him drinking his flask of gin.

The foam full of iodine and saltpeter
over time has known his ruddy nose,
his curly hair, his muscular biceps,
his cap of canvas, his shirt of drill.

There in the smoke from his pipe tobacco
the old salt sees the remote, foggy place,
where on an evening, fiery and golden,
the sails billowed on a vanishing brig.

The nap of the tropics. The sea dog dozes.
Now all is cast in the gamut of gray.
It seems a soft, enormous obscuring
of horizon could blot the boundary line.

The nap of the tropics. The old cicada
rehearses his hoarse and senile guitar,
and the cricket sings a monotone solo
on the singular string of his violin.

prose_section_divider

SINFONIA EN GRIS MAYOR

El mar como un vasto cristal azogado
refleja la lámina de un cielo de zinc;
lejanas bandadas de pájaros manchan
el fondo bruñido de pálido gris.

El sol como un vidrio redondo y opaco
con paso de enfermo camina al cenit;
el viento marino descansa en la sombra
teniendo de almohada su egro clarín.

Las ondas que mueven su vientre de plomo
debajo del muelle parecen gemir.
Sentado en un cable, fumando su pipa,
está un marinero pensando en las playas
de un vago, lejano, brumoso país.

Es viejo ese lobo. Tostaron su cara
los rayos de fuego del sol del Brasil;
los recios tifones del mar de la China
le han visto bebiendo su frasco de gin.

La espuma impregnada de yodo y salitre
ha tiempo conoce su roja nariz,
sus crespos cabellos, sus bíceps de atleta,
su gorra de lona, su blusa de dril.

En medio del humo que forma el tabaco
ve el viejo el lejano, brumoso país,
adonde una tarde caliente y dorada
tendidas las velas partió el bergantín…

La siesta del trópico. El lobo se aduerme.
Ya todo lo envuelve la gama del gris.
Parece que un suave y enorme esfumino
del curvo horizonte borrara el confín.

La siesta del trópico. La vieja cigarra
ensaya su ronca guitarra senil,
y el grillo preludia un solo monótono
en la única cuerda que está en su violín.

 1891

Translator’s note:

“Symphony in Gray Major” was suggested by Théophile Gautier’s poem “À Symphonie en blanc majeur.” Not only does the poem’s accumulation of images suggest a symphony of gray (a universal sadness and monotony), but its symbolist effect is augmented rhythmically, through the use of the unusual amphibrach foot which heightens the monotonous feeling that pervades the poem. In translating it, I have roughed my meter toward a four–beat line, and replicated the alternating rising and falling line endings. I’ve made free use of assonance, consonance, and even alliteration to recreate in English some similar or equivalent impact of Dario’s rhymes.


Steve Veck

Mark Wacome Stevick directs the creative writing program and the Princemere Poetry Prize at Gordon College. His plays include Cry Innocent and Goodnight, Captain White, which run seasonally in Salem, Massachusetts, and The Sheep Mysteries, which is performed regularly in New York City and in Orvieto, Italy—where Mark often gets to lead a month-long workshop on ekphrasis. His poems have recently won awards from Swink, Wild Plum, The Baltimore Review, Literal Latte, and The Shine Journal. Last summer he was a story slam winner at The Moth in Boston.

 

 

Ruben Dario

This is the centenary of the death of Nicaragua-born poet Rubén Darío (1867-1916), known as an early proponent of Modernismo. In 1888, he published Azul, and then in 1895, Prosas profanas y otros poemas, two of the most seminal works of Spanish-American modernism. His poems are still memorized by Central American children.

https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png 0 0 Douglas Menagh https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Douglas Menagh2016-05-08 16:07:552024-07-03 16:09:17Symphony in Gray Major

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Meeting My Child Self at the Trauma Play

May 9, 2025/in Blog / Gale Naylor
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Products of Our Environment

March 14, 2025/in Blog / Mitko Grigorov
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Mother-to-Mother: An Open Letter about White Privilege and Fragility

November 22, 2024/in Blog / Dr. Valerie Nyberg
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
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The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
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On The Map

March 28, 2025/in Midnight Snack / Ariadne Will
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

Tale of the resistant apple tree

June 6, 2025/in Amuse-Bouche / Tahar Bekri, translated by Patrick Williamson
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Talyshi Wall Graffiti and other poems

May 30, 2025/in Amuse-Bouche / Ghazal
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we don’t spend our lives in the belly of the fish

May 16, 2025/in Amuse-Bouche / translated from French by Gabriella Bedetti and Don Boes
Read more
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

The managers of Lunch Ticket all agreed that issue 26 needed to have a theme, and that theme had a responsibility to call for work relating to what we are seeing in society. We wanted a theme that resonated with Antioch University MFA’s mission of advancing “racial, social, economic, disability, gender, and environmental justice,” and we felt it was time to take a stand…

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