The Question / Where It All Began / A Quietness of Magic
[poetry]
The Question
You cannot doubt he has led
a charmed life. Such is the glint in his hardened
eyes, pupil ebbing as he prattles along, hands
on steering wheel along a wiry bridge
over the gurgling Ganges, the water flowing
with the gentle tapestry only a timeless river
can master. After his inexplicable acceptance
of the very first fare we offered, he won us over
with a solid twenty minutes of unerring silence.
But when one of us starts talking about visiting
Lakshman Jhula the next morning, the floodgates
open and he dives headfast catching the current
flush on his wily tongue. His velocity, the car’s
velocity. Slapstick avalanche, he goes on about
his sons and the holy land. His words provoke
a theatre of impossibility—if this conversation
will ever come back to me—in ways so different
from ones with friends and lovers, yet, another wet
page in a closed book, the one made up of faces
of strangers, the one glued together by the baritone
of language that lurks behind seatbelts and unsoftened
elbows. When we’re about to reach, he asks, his tonal
register hushing into notoriety, if we have ever had
shaadi ke ladoo, if we have ever tasted
the fruits of marriage. When we feign ignorance,
he answers himself: do it after marriage,
then you can do it anytime you want.
The river on both sides muscles fast into rapids, rocks
disappearing into the cacophony of silent monogamy
far beyond the company of men governing
the fecundity of water. The roads squeal, wincing
to the familiar music of inflated tires on holy land.
Where it all began
Trusting my instincts leads to pain. Is hurt a shortcut
to conscientious living? From the sills beyond cups of coffee
djkfjakldjfadklfjskldjflkdjklad
and cries, cicadas hum, a pigeon coos masquerading a spicy
tune buzzing into the dam between my ears, hell yeah. My bones
djkfjakldjfadklfjskldjflkdjklad
roll into a balustrade, pulled by the lives I never led, a column
I lean on like an ancient phallus making of me, a periphery with lips.
djkfjakldjfadklfjskldjflkdjklad
My mother recovering from sickness feeds me kheer (I don’t know
what it is about sugar)―she says this is her convalescing―
djkfjakldjfadklfjskldjflkdjklad
a word I taught her a few days back is offered as pasty illumination
in a bowl. Sparrows caper at the window. Spoon after spoon,
djkfjakldjfadklfjskldjflkdjklad
they watch me consume, an iterative study, my saccharine mouth
will never know their interpretation of a rice pudding’s yolk―
djkfjakldjfadklfjskldjflkdjklad
something to do with translation, I guess. It takes a loud television,
an aggressive salesperson to drown out the sounds in my head.
djkfjakldjfadklfjskldjflkdjklad
It takes an inundation to isolate my isolation. I hope you remember―
how a moon flooded fields for yellow spirits to rove, how we hastened
djkfjakldjfadklfjskldjflkdjklad
through terraces into shrubs of pleasure. You: denuder, I: stony road.
The voices audible beyond years, a cherished feature of our anthropocene.
djkfjakldjfadklfjskldjflkdjklad
Wild detail lives on. A lover’s vomit stinks like mulch of the wildest
orchard. It remains impossible to summon kernels of spent odour.
djkfjakldjfadklfjskldjflkdjklad
Yet the sun balances itself on trees I recognize only for blessings in shade.
Here you go, the year is 1997 and I’m six, hoping for a poem to revive
djkfjakldjfadklfjskldjflkdjklad
from bedsheets and glazed puddles, the wet beginnings of memory.
A Quietness of Magic
o why this scrounging for motivation death seems comely
like sleep I think I’m edible dish Lord have me some
Tabasco some riveting salt take me where
djkfjakldjfadklfjskldjflkdjklad
my grandmother’s jowls bloom will there be shy watchmen
at the gates of old Heaven? I’m dying to see if nothingness mirrors
globes in my sleep those softened insides my eye’s patina
djkfjakldjfadklfjskldjflkdjklad
when I spill tea on my tie like ocean on surfboard
what I was doing dressed up trying to trick
morning into action I will never know
djkfjakldjfadklfjskldjflkdjklad
my scooter stutters polyphone the way patterns
skein surfaces slipping destiny from one wave
to another mountains dancing like froth
djkfjakldjfadklfjskldjflkdjklad
calling onshore my hand flagging my elbowed mast
such evening tricks supposed to feed the soul but mouth
argues with parents banging hopeless detail on dinner table
djkfjakldjfadklfjskldjflkdjklad
world splinters binaries a heart’s digital voice
the hello of being mother’s voice after long I breathe like a rug
turn in me the wheels again mouth to ear playing Chinese whispers
djkfjakldjfadklfjskldjflkdjklad
saying Wow, a moon ravishing star lover arriving, sashaying
at winter’s ripe window mezzanine joy stairs into goodness
beds dressing undergarments with forgetfulness
djkfjakldjfadklfjskldjflkdjklad
o how magical the making of I don’t know
is this the definition of enough? walls prancing
beside walls rectangles sprinting ahead
djkfjakldjfadklfjskldjflkdjklad
into a theatre’s 3D vision sky disrobing stars at dawn
you know I’d like to write a poem without metaphors and similes
but the poem insists a restless scattering of moist feeling
Satya Dash’s poems have been published or are forthcoming in wildness, Passages North, Cosmonauts Avenue, The Florida Review, Pidgeonholes, Sundog Lit, and Prelude, amongst others. Apart from having a degree in electronics from BITS Pilani-Goa, he has been a cricket commentator too. His work has been twice nominated for The Orison Anthology. He spent his early years in Odisha, India and now lives in Bangalore. He tweets at: @satya043