Lunch Ticket
  • Current Issue
  • Archive
    • Issues Archive
      • Issue 29: Summer/Fall 2026
      • Issue 28: Winter/Spring 2026
      • Issue 27: Summer/Fall 2025
      • Issue 26: Winter/Spring 2025
      • Issue 25: Summer/Fall 2024
      • Issue 24: Winter/Spring 2024
      • Issue 23: Summer/Fall 2023
      • Issue 22: Winter/Spring 2023
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
      • Issue 2: Winter/Spring 2013
      • Issue 1: Spring 2012
    • Genre Archive
      • Creative Nonfiction
      • Essays
      • Fiction
      • Flash Prose
      • Interviews
      • Lunch Specials
      • Poetry
      • Translation
      • Visual Art
      • Young Adult
  • About
    • Mission Statement
    • Lunch Ticket Staff
      • Issue 29: Summer/Fall 2026
      • Issue 28: Winter/Spring 2026
      • Issue 27: Summer/Fall 2025
      • Issue 26: Winter/Spring 2025
      • Issue 25: Summer/Fall 2024
      • Issue 24: Winter/Spring 2024
      • Issue 23: Summer/Fall 2023
      • Issue 22: Winter/Spring 2023
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
      • Issue 2: Winter/Spring 2013
      • Issue 1: Spring 2012
    • Achievements
    • Community
    • Contact
  • Weekly Content
    • Friday Lunch Blog
    • Midnight Snack
    • Amuse-Bouche
    • School Lunch
  • Contests
    • Diana Woods Award in CNF
      • Issue 29: Summer/Fall 2026
      • Issue 29: Summer/Fall 2026
      • Issue 28: Winter/Spring 2026
      • Issue 27: Summer/Fall 2025
      • Issue 26: Winter/Spring 2025
      • Issue 25: Summer/Fall 2024
      • Issue 24: Winter/Spring 2024
      • Issue 23: Summer/Fall 2023
      • Issue 22: Winter/Spring 2023
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
    • Gabo Prize in Translation
      • Issue 29: Summer/Fall 2026
      • Issue 28: Winter/Spring 2026
      • Issue 27: Summer/Fall 2025
      • Issue 26: Winter/Spring 2025
      • Issue 25: Summer/Fall 2024
      • Issue 24: Winter/Spring 2024
      • Issue 23: Summer/Fall 2023
      • Issue 22: Winter/Spring 2023
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
    • Twitter Poetry Contest
      • 2021 Winners
      • 2020 Winners
      • 2019 Winners
  • Submissions
  • Click to open the search input field Click to open the search input field Search
  • Menu Menu
  • Link to Facebook
  • Link to Instagram
  • Link to X

For The Kids Who Can’t Find Their Names on Keychains

February 21, 2020/ Sen Kathleen

One day, when I was little, I slid into my mother’s room and interrupted what was possibly a well earned nap. I told her I wanted a new name, a better name, something easy to pronounce and where I didn’t have a nickname that people deliberately would say wrong. I told her I wanted to be called Christie, after one of my Barbie dolls. I wasn’t that innovative back in the day, I just knew it sounded more doable then Seniqua (pronounced Sen-e-qua). It was around this time, elementary school, when I consciously realized my name was considered difficult  or different. I went to a Catholic school, where my class had a Caitlin, at least 3 Chelseas, and 2 Samanthas that made up more than half of the girls I knew at the time; maybe a Danielle or Emily sprinkled here and there. But there was only Seniqua.

  My mom just met my request with an odd look and I don’t remember exactly what she said but for a grade-schooler, I really felt like I put my foot down. I sashayed my way from her bedroom through the hallway to continue my activities. This new name lasted barely an hour. My mom did not go for it. It took me some time to realize I wasn’t going to win this one. 

  The thing with having a different name is at some point you learn to be accommodating, sometimes too accommodating, on what you allow people to call you. I, personally, am tired of correcting people. But I don’t want to seem embarrassed or mean either. However, it’s hard not to be offended when someone carelessly throws around combinations that I can’t fathom how they made when my name is only seven letters long. Some of the more memorable names I’ve heard are; “Shaniqua/h,” “Cyndaquil, “Shen,” “Jen,” “Sin” and “ Jessica” (which completely threw me off, by the way). 

  Could you imagine your name not only being part of your introduction, but the opening conversation too? Could you also imagine having to manage the excitement of other people as they act like upon meeting you they’ve unearthed a new language?  I credit a great deal of my patience to twenty-seven years of helping others work through what to call me.

  As I aged and my community began to diversify, this continued to come up. The normal school bullying ensued, I was called a Pokemon up until high school (which I do admit was pretty funny). But I’ve had a church pastor laugh in my face; I have family members who don’t even know my real name; When I got to college, my name was labeled “ethnic” and “ghetto,” by some of my peers. At one point I only went by my nickname, which I typically still have to spell out for people (“send without the D”) but it’s better than nothing. And to top it all off, I could never find my name on any of the cool keychains I wanted. 

  To give my family some credit, they did order a number of things that my name could be displayed on; shirts, bracelets, necklaces, jewelry boxes and bags. I didn’t feel as left out as I probably could have. But disappointment still found its way on my face when I’d search the racks of generic trinkets and see none were meant for me. 

  I was so fed up once that I really wanted to ask my mother why she gave me this name—I have  four other siblings with reasonable first names. At that time, I think I was also afraid of the answer I would’ve gotten. What if I didn’t like it?  

  But nevertheless, I’ve adapted. In my work environment, I don’t allow clients to know my full name, as to avoid the inevitable where do you come from conversations or the slew of awkward compliments on how it’s so different. I find going by an alias just makes simple things—food orders, email exchanges and group activities— a ton easier. Essentially, you can say I’ve taken on this mentality that I’ve got to work with what my mother gave me. I wouldn’t say that it’s always ideal, but it’s been working for me, especially since it’s become very common for people to use nicknames nowadays.

  The Improper Bostonian has a viral interview with Orange Is the New Black actress, Uzo Aduba where she talks about why she hasn’t changed her name:

“…So I went home and asked my mother if I could be called Zoe. I remember she was cooking, and in her Nigerian accent she said, “Why?” I said, “Nobody can pronounce it.” Without missing a beat, she said, “If they can learn to say Tchaikovsky and Michelangelo and Dostoyevsky, they can learn to say Uzoamaka.” 

via Buzzfeed

   Thinking about this interview, I end up revisiting that memory of telling my mother how I wanted an easier name, because I thought easy was better. How I wanted the kids at school and my teachers to not have me correct them every time their tongues jammed when trying to call me. That child, if given the option, would’ve gone by Christie – like my original plan. However, as I’ve aged those desires to fit in, those hurt feelings, dwindled. 

  The turning point for me? Well, I think it was an Uber ride I took in my early twenties. The driver and I both had shared similar experiences with our names. However, when I expressed all the ways I shortened or offered explanations for my name to make others feel more comfortable – to appease someone other than myself she looked at me in shock. At least, that’s how I would describe her expression from the mirror. And she said something much along the lines of what Uzo Aduba’s mother had said – while adding that there was no need to adjust my identity, or to shrink myself for others. Why would I want to be like everyone else? Why wouldn’t I want to be called something different – when I was different? Isn’t that cool?

  I had never considered that all the adjustments I had made could contribute to me feeling these negative things about my name. And that I had been shrinking myself for years, when really I should’ve been growing into myself. Now there’s more to self acceptance and love than just loving your name – but we all have to get our first taste somehow, right? 

  I’ll never find my name on a keychain or a coke bottle, and that’s fine. And when I use my nickname it’ll be because I want to. These are things I’ve realized, now as an adult.  After all, there’s something special about having a name that takes time to learn, and I have a warm appreciation for the special people around me that do take the time to learn it. I guess my mom was right.

Sen is a New Jersey-based writer and poet, who is currently studying for her MFA at Antioch L.A. She is the Social Media Manager and a Blogger for Lunch Ticket. Her hobbies include herbalism, yoga and enjoying iced coffee. Follow her on Instagram at @SenKathleen and check out her personal site at SenKathleen.com  

Friday Lunch Archive

  • 2025
  • 2024
  • 2023
  • 2022
  • 2021
  • 2020
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014

Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
Read more
https://lunchticket.org/wp-content/uploads/2025/10/Headshot_Nikki-Howard_1770x2000.jpg 2000 1770 Nikki Mae Howard https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Nikki Mae Howard2025-10-24 23:55:032025-10-20 10:59:03The Lilac and The Housefly: A Tale of Tortured Romanticism

Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
Read more
https://lunchticket.org/wp-content/uploads/2025/05/Lauren-Howard-credit-Terril-Neely-scaled-773x1030-1.jpg 1030 773 Lauren Howard https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lauren Howard2025-05-23 23:59:492025-06-17 18:29:02Dig Into Genre

The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
Read more
https://lunchticket.org/wp-content/uploads/2025/04/paparouna-photo.jpeg 960 720 paparouna https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png paparouna2025-04-25 23:55:312025-08-14 16:18:41The dreams in which I’m (not) dying

More Midnight Snacks »

Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

Till Death

May 15, 2026/in Amuse-Bouche, Translation / Lorea Canales, translated by Lia Galván
Read more
https://lunchticket.org/wp-content/uploads/2026/04/galvan_headshot_translator-scaled.jpg 2560 1887 Lorea Canales, translated by Lia Galván https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lorea Canales, translated by Lia Galván2026-05-15 12:01:552026-04-30 16:34:25Till Death

Making Friends

May 8, 2026/in Amuse-Bouche, Flash Prose / Robert L. Penick
Read more
https://lunchticket.org/wp-content/uploads/2026/04/Bob-Headshot.jpeg 1600 1065 Robert L. Penick https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Robert L. Penick2026-05-08 12:01:262026-04-30 15:56:02Making Friends

Two Poems

May 1, 2026/in Amuse-Bouche, Poetry / Jessie Raymundo
Read more
https://lunchticket.org/wp-content/uploads/2026/04/Jessie-Raymundo-Headshot.jpeg 2374 2265 Jessie Raymundo https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Jessie Raymundo2026-05-01 12:01:432026-04-30 15:36:29Two Poems

More Amuse-Bouche »

School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
Read more
https://lunchticket.org/wp-content/uploads/2021/05/SL-Insta-Brendan-Nurczyk-2.png 1500 1500 Brendan Nurczyk https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Brendan Nurczyk2021-05-12 10:18:392022-02-01 13:24:05I’ve Stayed in the Front Yard

A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
Read more
https://lunchticket.org/wp-content/uploads/2021/04/SL-FB-Isabella-Dail.png 788 940 Isabella Dail https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Isabella Dail2021-04-28 11:34:132021-04-28 11:34:13A Communal Announcement

Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
Read more
https://lunchticket.org/wp-content/uploads/2021/04/SL-Insta-Abigail-E.-Calimaran.png 1080 1080 Abigail E. Calimaran https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Abigail E. Calimaran2021-04-14 11:22:062021-04-14 11:22:06Seventeen

More School Lunch »

Word From the Editor

Editing issue 28, I felt something similar to the way I feel near water: I dove into my own private world. The world above the surface kept roaring, of course. The notifications, deadlines, the constant noise was always there. But inside the work, inside these poems and stories and artwork, there was a quiet that felt entirely mine. A place where I could breathe differently.

More from the current editor »
Current Issue »

Connect With Us

lunchticket on facebooklunchticket on instaX
Submit to Lunch Ticket

A literary and art journal
from the MFA community at
Antioch University Los Angeles.

Get Your Ticket

We’ll keep you fed with great new writing, insightful interviews, and thought-provoking art, and promise with all our hearts never to share your info with anyone else.

Newsletter Signup
Copyright © 2012-2025 LunchTicket.org. All Rights Reserved. Web design and development by GoodWebWorks.
Scroll to top Scroll to top Scroll to top