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From the Trees Full of Birdsong Comes Unripe Fruit

December 4, 2019/ Albert Abonado

after Rick Barot

How I start a prayer: with the same hand I use
to lift food to my mouth, I draw a line down

to my diaphragm, pulling a zipper or curtain string
to reveal the small wolf in my belly, the one I feed

fat and vinegar. This is also how I pray: at eleven, I leapt
off the awning of my house. It was autumn

and everything that surrounded me collapsed
back into the dirt. I wanted to practice

my falling, feel the earth bend beneath my arrival, convinced
I would not break. When my mother prays

in her garden after the surgery on her arm and neck,
I listen to her bones grinding against her skin.

She plants tulips, brushes a root from her hair, slices
for dinner that evening the garlic and onions she will sauté

in a wok with ground beef. And this, too, is a prayer,
my father rolling up his sleeve to reveal the long scar

on his arm to a room full of strangers at the garage
where they kept the wreckage of his car—a prayer

about the flesh around a knuckle and the alloys
the body will not reject. By prayer

I mean I read the same poem over and over,
until my hair becomes sloppy with poem, that I eat

it slowly until it coats my mouth. All of my prayers begin
with hunger, a prayer in the shape of cold

Popeye’s at my uncle’s wake, in the blood stew I fail
to replicate. My wife wants to know why I reduce my poems

to something that fits in my mouth. I don’t tell her I buried
my relatives in my throat, that my prayers belong to other voices.

When I pray, I can’t hear my acid reflux gurgle, but the trees
full of birdsong, the tires hiss as they pass over a wet

road. This is a prayer full of rain and fog, weather soaked through
my old shoes, the thin fabric that contains the storm beneath my feet.

If by prayer we also mean the stories that we did not know
came before us, then this is also a prayer: my father stepping

away while they lowered his father into the ground
as we tossed white flowers onto his coffin, the hour

in which my brothers and I turned to one another and asked
where did he go, what is he doing now?

Albert Abonado teaches creative writing at SUNY Geneseo. His book JAW is forthcoming from Sundress Publications. He received a fellowship from the New York Foundation for the Arts. His poems have appeared in Boston Review, Colorado Review, Pleiades, Waxwing, Zone 3, and others. He hosts the Flour City Yawp on WAYO 104.3FM-LP. He lives with his wife in Rochester, NY.

Issue Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Being A Girl is Hard

November 28, 2025/in Blog / Shawn Elliott
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Diagnosis: Persisted or Silent Inheritance

November 7, 2025/in Blog / Paula Williamson
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The Queer Ultimatum Made Me Give My Own Ultimatum

September 26, 2025/in Blog / Lex Garcia
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
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Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
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The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

Monkey Business

February 27, 2026/in Amuse-Bouche, Flash Prose / Jacqueline Doyle
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Turmeric

February 13, 2026/in Amuse-Bouche / Preeti Talwai
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Three Poems

February 6, 2026/in Amuse-Bouche / Reynie Zimmerman
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Editing issue 28, I felt something similar to the way I feel near water: I dove into my own private world. The world above the surface kept roaring, of course. The notifications, deadlines, the constant noise was always there. But inside the work, inside these poems and stories and artwork, there was a quiet that felt entirely mine. A place where I could breathe differently.

More from the current editor »
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