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HOME VISIT WITH A WORKING WOMAN IN CUBA

May 29, 2018/in Poetry, Poetry, Summer-Fall 2018 / by Anne Champion

She wishes she could beat the dust mites out of the rug
of this world. But she’s a woman, and her body is the inherited

fabric men wipe their boots on, woven and patched by generations
of furious women. Her hands are an ancestral tree, she names

each branch of herself on her fingers: wife, mother, grandmother,
student, professional worker, housewife, cook, maid, nurse.

She says poverty is not unusual, but a woman bears it like an anchor
in her uterus, cooking during blackouts, working all day in an office

while recipes to last the week bloom in their heads like math equations.
“Am I a good mother?” settles like dust, flies up under a nest of feathers,

settles again. I promise you, her fist attacks the air, the revolution worked!
She watched her husband sail off on a shoddy raft, her three children

at her side, growing steadily like vines along her hip, despite him.
He could leave, and good riddance, because now she had school,

the antidote to the poison of patriarchy injected in men since birth.
Women have always been a revolution within a revolution.

Still, the blockade cast its wide sticky net, and when she didn’t have
water to bathe, she daydreamed of pools in Miami, her pores drunk

on chlorine and her fingers wrinkling into a soft gauze.
She shakes her head, the gluttonous fantasy falls away, her steel eyes

polished with tears: she asks if we’re upset by her stories, if we realize
what she’s endured for five decades, if we understand

that solidarity must always stretch its reach towards women
until its socket pops. Pick up the broom and begin.

 

Anne Champion is the author of Reluctant Mistress (Gold Wake Press, 2013), The Good Girl is Always a Ghost (Black Lawrence Press, 2018), and The Dark Length Home (Noctuary Press, 2017). Her work appears in Crab Orchard Review, Verse Daily, Tupelo Quarterly, Prairie Schooner, Epiphany Magazine, Salamander, New South, Redivider, PANK Magazine, and elsewhere. She was a 2009 Academy of American Poets Prize recipient, a 2016 Best of the Net winner, and a Barbara Deming Memorial Grant recipient. She currently teaches writing and literature in Boston, MA.

https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png 0 0 Sara Voigt https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Sara Voigt2018-05-29 13:00:502018-06-07 14:35:35HOME VISIT WITH A WORKING WOMAN IN CUBA

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Genre Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

How to Kill a Cat, or How to Prepare for CATastrophe

March 10, 2023/in Blog / Meghan McGuire
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The Night I Want to Remember

December 16, 2022/in 2023ws-migration, Blog / Sanaz Tamjidi
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From Paper to the Page

November 18, 2022/in 2023ws-migration, Blog / Annie Bartos
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

Point Break & Top Gun Are More Than Homoerotic Action Movies

March 3, 2023/in Midnight Snack / Michaela Emerson
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Mending the Heart and Slowing Down: Reintroducing Myself to Mexican Cooking

October 7, 2022/in Midnight Snack / Megan Vasquez
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The Worth of a Billionaire’s Words

September 23, 2022/in Midnight Snack / Kirby Chen Mages
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

On Such a Full Sea Are We Now

March 17, 2023/in Amuse-Bouche / Jemma Leigh Roe
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The Russian Train

February 24, 2023/in Amuse-Bouche / Cammy Thomas
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Still Life

October 31, 2022/in Amuse-Bouche / Daniel J. Rortvedt
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Our contributors are diverse and the topics they share through their art vary, but their work embodies this mission. They explore climate change, family, relationships, poverty, immigration, human rights, gun control, among others topics. Some of these works represent the mission by showing pain or hardship, other times humor or shock, but they all carry in them a vision for a brighter world.

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