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Leaves Fall, Then New Ones

May 26, 2012/in Poetry, Poetry, Spring 2012 / by Yim Tan Wong

Through autumn leaves that lift

and drop like birdless wings,

perpetually rearranging

the Public Garden, my daughter

cartwheels and sings.

 

Tourists and policemen on horses

tap their feet, clap, toss coins that tumble

through the brisk air like brass and copper

buttons popping off a worn coat.

The attention makes her sing louder.

 

In this place ablaze with bare shoulders

and midriffs at the first sum of sun

and warmth, will she forget Chinese

operas, their coy heroines? Will she

forget the high-pitched Cantonese,

the hurried drums and gongs

marching warrior and dynastic lore?

What about the two-stringed

ehru’s hungry melody?

 

Already, my girl blends English

with hand gestures, using puppetry for words

she has no vocabulary for. One day, maybe

we won’t be able to talk at all.

 

And those rotting teeth, they grow

when she laughs or holds a note, but

what some call cavity, others may call

sweet tooth. But I won’t stop

buying candy that sticks,

disintegrates bone, the way

new language eats the old.

I’ll buy her records

of patriotic songs

performed by the Mickey Mouse Club,

and that Strawberry Shortcake album

on pink vinyl with pictures

of houses made of cupcakes.

 

By the bagful she digests

berries and Pez, a pill-shaped candy

proffered from another’s mouth.

Donning paper crowns,

she licks tartar sauce

from fish sandwiches,

and like royalty, sure

of another meal, and another,

she tosses both bread and fish.

Sometimes, I think

she’s a burgeoning emperor,

but is she conqueror, or the conquered?

 

All I know is this: Leaves fall,

and new ones will appear.

She’ll have no trouble

discarding words.

My little chanteuse

will sing and forget

dialogue and dialect,

displacing intonations

with new, delectable melodies,

enough to feed the most roaring

appetite, so much there will be

leftovers enough for three

pet lions, three lions answering to the name

of Genghis Khan.

Yim Tan Wong’s first poetry collection has been a Finalist for Four Way Book’s Levis Prize and the Kundiman Poetry Prize. She currently supports her writing habit by working at a Boston hospital. Her poems have appeared in Spillway, Tidal Basin Review, The Portland Review, Off the Coast, Crab Orchard Review, Crab Creek Review, MARGIE, and Michigan Quarterly Review, among other journals.

https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png 0 0 LunchTicket https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png LunchTicket2012-05-26 00:04:292019-05-19 12:13:41Leaves Fall, Then New Ones

Issue Archive

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Genre Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Being A Girl is Hard

November 28, 2025/in Blog / Shawn Elliott
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Diagnosis: Persisted or Silent Inheritance

November 7, 2025/in Blog / Paula Williamson
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The Queer Ultimatum Made Me Give My Own Ultimatum

September 26, 2025/in Blog / Lex Garcia
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
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Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
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The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

Monkey Business

February 27, 2026/in Amuse-Bouche, Flash Prose / Jacqueline Doyle
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Turmeric

February 13, 2026/in Amuse-Bouche / Preeti Talwai
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Three Poems

February 6, 2026/in Amuse-Bouche / Reynie Zimmerman
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Editing issue 28, I felt something similar to the way I feel near water: I dove into my own private world. The world above the surface kept roaring, of course. The notifications, deadlines, the constant noise was always there. But inside the work, inside these poems and stories and artwork, there was a quiet that felt entirely mine. A place where I could breathe differently.

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