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Plastic

November 23, 2018/in Flash Prose, Flash Prose, Winter-Spring 2019 / by Corey Farrenkopf

[fiction]

The dead body of a sunfish lies on the sands of Monomoy Wildlife Refuge. More than any other ocean dweller, sunfish are mistaken for sea monsters. It’s why two dozen tourists ring its pulpy white body, nearly a perfect circle with twin fins on top and bottom, stomach pecked crimson by hungry gulls. The sunfish looks nonsensical, comical, its mouth too small for anything other than jellyfish. Its small black eyes are positioned on either side of its head, unable to see the world directly before it. A plastic bag trails out between its lips. The moment could double as an anti-plastic ad, but I still have to collect the body and perform an autopsy, just to give a cause of death I can clearly see. I shoo the onlookers away. They regroup twenty feet back, camera phones out, hushed murmurs of what is it? drifting between them. The incoming tide washes over their sandals. I could inform them, tell them that I work for the National Seashore, but I prefer to be confused for a government agent covering up alien landings, or some nuclear waste monstrosity floundering out of the sea. If I tell them most “shark fins” seen offshore actually belong to sunfish, the magical dead thing before us becomes a normal dead thing, and they’ll lose interest and forget. Leaving it this way, there will be talk, discussion, possibly the start of a dialogue. Even sea monsters choke to death on plastic. When Godzilla’s body washes ashore, strangled by a weave of soda bottles, fishing nets, and grocery bags, maybe they’ll understand. But for now they have this sunfish, and me, and the possibility that they are witnessing something rare and fantastic, despite how common place it actually is.

 

Corey Farrenkopf is a Cape Cod based writer and librarian. His work has appeared in Catapult, JMWW, Blue Earth Review, Gravel, Hawaii Pacific Review, and elsewhere. He is represented by Marie Lamba of the Jennifer De Chiara Literary Agency. To read more visit his website at CoreyFarrenkopf.com or follow on twitter at @CoreyFarrenkopf.

https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png 0 0 Lisa Croce https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lisa Croce2018-11-23 11:35:312018-11-24 11:38:03Plastic

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Genre Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published every Friday.

Today’s course:

Where Are You From?

August 5, 2022/in Blog / Majella Pinto
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The Old Folks’ Home

July 22, 2022/in Blog / Karen Gaul Schulman
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Peace, Love, and a lot of Loud Rock & Roll

June 17, 2022/in A Transfer, Blog / Sunee Lyn Foley
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Midnight Snack

A destination for all your late night obsessions.

Tonight’s bites:

QVC-land

May 6, 2022/in A Transfer, Midnight Snack / D. E. Hardy
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Escape Artists at the End of the World

April 29, 2022/in A Transfer, Midnight Snack / Lisa Levy
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The House in the Middle

April 15, 2022/in A Transfer, Midnight Snack / Megan Vasquez
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More coming soon!

Amuse-Bouche

Little bites every Monday to whet your appetite!

Today’s plate:

My Mother’s Hands

August 8, 2022/in Amuse-Bouche / Annie Marhefka
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Defy Gravity

August 1, 2022/in Amuse-Bouche / Megan Peck
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Little Shrimp

July 25, 2022/in Amuse-Bouche / Karen Poppy
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

The variety in this issue speaks not only to the eclectic world we inhabit but to the power of the human spirit. We live in an uncertain world. In the U.S., we’re seeing mass shootings daily. Across the world, we’re still very much in a pandemic, some being trapped in their homes for weeks on end, others struggling to stay alive in hospitals. War continues to wage in Ukraine. Iran and North Korea are working diligently to make nuclear weapons. The list goes on. Still, we have artists who are willing and able to be vulnerable with one another, to share stories and art to help us try and make sense of our world.

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