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What Happened to Nan?

November 1, 2015/in Poetry, Poetry, Winter-Spring 2016 / by Patri Wright

(1)

When sleep comes the cortège stops by cairns,
tugs the silver cord, nearly always with ravens.

Only here, snapped back to white chairs, dew,
do I recover details—umbrella faces,

black suits, cousins, hatchbacks, clunk shut.
A day off school, same uniform, blazer apt.

Puce curtains close. Organ music. Brother’s hand
round my elbow. His only touch, never since.

Curtains shut, hymn books, mahogany pews,
priest’s robe. I knew nothing of the electric trolley,

nothing of the antechamber, ID tag, oven,
adjustment of gas, spray to prevent flashbacks;

nothing of the raking of ash, how it’s
the thigh-bone, the skull, that remain as cakes.

Uncle cowed by the casket, looking once, not long;
there scorched, already, the after-image.

(2)

Waking—on the wall, the hospice, curious
how they got her ring off, who that was, the ring

that dug its way in, what marriage meant. She said
they’d have to amputate, was the only way.

Who kept the book of condolence, sent light
to career through catkins, starring the eiderdown?

Her thoughts mended, there to remember us
by. She must hold this smile, her favourite

of three. Or might she actually forget?
As she went of course through walls, up and out.

I asked such naive questions, and was shown
a red admiral moored on a Volvo. ‘She’s there

returned.’ So soon, I thought. And what of us,
that limitless repertoire of love, was it stored

under antennae?, or was it circling somewhere
close?, or, unsaid till now, lost with her warmth.

Patri WrightPatri Wright was born in Manchester, England in 1979 and completed a PhD in English at the University of Manchester. In 2014, Wright graduated with an MA in poetry from the same university. He has been shortlisted for the 2015 Bridport Prize, and poems from his pamphlet Nullaby have been published in several magazines including Agenda, Allegro, Brittle Star, and London Grip. He is a lecturer at The Open University and teaches Creative Writing.

https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png 0 0 Josh Roark https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Josh Roark2015-11-01 13:59:062016-02-29 17:02:07What Happened to Nan?

Issue Archive

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Genre Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Being A Girl is Hard

November 28, 2025/in Blog / Shawn Elliott
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Diagnosis: Persisted or Silent Inheritance

November 7, 2025/in Blog / Paula Williamson
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The Queer Ultimatum Made Me Give My Own Ultimatum

September 26, 2025/in Blog / Lex Garcia
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
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Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
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The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

Three Poems

February 6, 2026/in Amuse-Bouche / Reynie Zimmerman
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Three Poems

January 30, 2026/in Amuse-Bouche / Jen Karetnick
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I Try So Hard Not to Bite Off His Tongue & One Poem

November 21, 2025/in Amuse-Bouche / Sheree La Puma
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https://lunchticket.org/wp-content/uploads/2025/11/La-Puma_headshot.jpg 1599 881 Sheree La Puma https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Sheree La Puma2025-11-21 11:00:222025-12-11 17:48:51I Try So Hard Not to Bite Off His Tongue & One Poem

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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Editing issue 28, I felt something similar to the way I feel near water: I dove into my own private world. The world above the surface kept roaring, of course. The notifications, deadlines, the constant noise was always there. But inside the work, inside these poems and stories and artwork, there was a quiet that felt entirely mine. A place where I could breathe differently.

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