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Day of Rest

May 29, 2015/in Gabo, Gabo, Summer-Fall 2015 / by Alex Dreppec

gabo-finalist_sf2015Day of Rest

Glass-fibred beings
under online drums
in the heat of the bits,
always a ringing in the ears,
more zero than one,
up tonine-one-one,
plug in the socket,
through the night, day in,
day out, night failure,
day failure

power failure.
Dead zone of the electrons.
Leave the cables where they are,
marvel at the video card of the world,
pull the plug of the scribbling,
brake the text messaging,
no yes and no, no veneer,
it’s fine to be
offline.

prose_section_divider

 

 

Ruhetag

Glaszerfasertes Wesen
unter Online-Trommeln
in der Hitze der Bits,
stets ein Klingeln in den Ohren,
mehr null als eins
bis zum Eins-eins-null,
Stecker in der Dose,
die Nacht durch, tagaus,
tagein, Nachtausfall,
Tagausfall,

Funkloch der Elektronen.
Lass’ die Kabel liegen,
bestaune die Grafikkarte der Welt,
zieh’ dem Geschreibsel den Stöpsel,
bremse das Gesimse,
kein Jein, kein Schein, pikfein
offline
sein.

Translator’s Note

I love sound poetry and I believe in the musicality of the written word—which is language-specific to a large extent, certainly if it’s connected with a specific sense or content. Once a translator, a nice old lady, wanted to translate one of my poems. I considered it untrans­la­tab­le myself. I told her that and she was a little offended because she thought I was questioning her abilities. Later, she admitted I was right. Then another translator said my poems were untranslatable. That didn’t surprise me but I became upset because that meant I could not be part of an interesting project for a second time.

I started translating my poems myself. A large part of my poetry is so language-specific that I am the only one who actually has the freedom to “translate” it, which in my case means writing something similar in another language most of the times. To give an example, here’s a little excerpt of “Underpass”, one of my untranslatable poems: “Unnumbered undertones, unbarred unconsciousness, / underachievers, unfertilized unless / under umbrellas, uprising unknowingly, / underpass underdogs unfold unguardedly” (published in “Borderlands. Texas Poetry Review”, 39, 2013). There is a German two-egged twin of this poem with a very similar subject and a very similar atmosphere, but it’s not a translation actually. E.g., almost all of the words are different and the English poem is a little more optimistic.

The poem you will find on these pages is actually an example of my translatable poetry. To translate this one was comparably easy, the German predecessor is written in an unbound language, no metre, no strong sound elements stand between it and its translation. So this one could have been translated by a “real translator.” But once I started to translate my own poems, I continued to do so. I discovered it’s a good opportunity to actively use the English language. It refines my senses for poetry in all its forms in both languages. Moreover, I really have the last word regarding the results without annoying anyone and I have the opportunity to only hand out what I can sign with my name.

However, there also is a disadvantage: while my English becomes better with every poem and my “lectors” find less and less faults, it is still a foreign language to me. Thus, I have to give all of my poems to English native speakers, sometimes more than once because they discover faults or passages that do not really work, then I correct them and after that, I have to give the new version to another native speaker (I could give it to the same person again, I basically do that so share the burden). The poem you will find on these pages has been proofread by Harold Nash, the comment you are reading right now has been proofread by Lawrence Nicholas. Many thanks to both of them.

Alex DreppecAlex Dreppec, born in 1968 close to Frankfurt as “Alexander Deppert,” studied Psychology and Linguistics and went to Boulder, Colorado for his Ph.D. (finished 2001). German author with hundreds of publications (both poetry and science) in German journals and anthologies, both the most renowned (Der große Conrady—since 2008) and the best-sold among them. “Wilhelm Busch” Prize 2004. Numerous English poems were accepted by Borderlands Texas Poetry Review, Parody on Impression, English Journal, National Council of Teachers of English (USA), Orbis, The Interpreter’s House, The Journal (UK), and others so far.

https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png 0 0 Christopher Pruitt https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Christopher Pruitt2015-05-29 10:14:122016-02-29 17:02:12Day of Rest

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

How to Kill a Cat, or How to Prepare for CATastrophe

March 10, 2023/in Blog / Meghan McGuire
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The Night I Want to Remember

December 16, 2022/in 2023ws-migration, Blog / Sanaz Tamjidi
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From Paper to the Page

November 18, 2022/in 2023ws-migration, Blog / Annie Bartos
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

Point Break & Top Gun Are More Than Homoerotic Action Movies

March 3, 2023/in Midnight Snack / Michaela Emerson
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Mending the Heart and Slowing Down: Reintroducing Myself to Mexican Cooking

October 7, 2022/in Midnight Snack / Megan Vasquez
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The Worth of a Billionaire’s Words

September 23, 2022/in Midnight Snack / Kirby Chen Mages
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

On Such a Full Sea Are We Now

March 17, 2023/in Amuse-Bouche / Jemma Leigh Roe
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The Russian Train

February 24, 2023/in Amuse-Bouche / Cammy Thomas
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Still Life

October 31, 2022/in Amuse-Bouche / Daniel J. Rortvedt
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Our contributors are diverse and the topics they share through their art vary, but their work embodies this mission. They explore climate change, family, relationships, poverty, immigration, human rights, gun control, among others topics. Some of these works represent the mission by showing pain or hardship, other times humor or shock, but they all carry in them a vision for a brighter world.

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