Lunch Ticket
  • Current Issue
  • Archive
    • Issues Archive
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
      • Issue 2: Winter/Spring 2013
      • Issue 1: Spring 2012
    • Genre Archive
      • Creative Nonfiction
      • Essays
      • Fiction
      • Flash Prose
      • Interviews
      • Lunch Specials
      • Poetry
      • Translation
      • Visual Art
      • Writing for Young People
  • About
    • Mission Statement
    • Lunch Ticket Staff
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
      • Issue 2: Winter/Spring 2013
      • Issue 1: Spring 2012
    • Achievements
    • Community
    • Contact
  • Weekly Content
    • Friday Lunch Blog
    • Midnight Snack
    • Amuse-Bouche
    • School Lunch
  • Contests
    • Diana Woods Award in CNF
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
    • Gabo Prize in Translation
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
    • Twitter Poetry Contest
      • 2021 Winners
      • 2020 Winners
      • 2019 Winners
  • Submissions
  • Search
  • Menu Menu
  • Facebook
  • Instagram
  • Twitter

Day of Rest

May 29, 2015/in Gabo, Gabo, Summer-Fall 2015 / by Alex Dreppec

gabo-finalist_sf2015Day of Rest

Glass-fibred beings
under online drums
in the heat of the bits,
always a ringing in the ears,
more zero than one,
up tonine-one-one,
plug in the socket,
through the night, day in,
day out, night failure,
day failure

power failure.
Dead zone of the electrons.
Leave the cables where they are,
marvel at the video card of the world,
pull the plug of the scribbling,
brake the text messaging,
no yes and no, no veneer,
it’s fine to be
offline.

prose_section_divider

 

 

Ruhetag

Glaszerfasertes Wesen
unter Online-Trommeln
in der Hitze der Bits,
stets ein Klingeln in den Ohren,
mehr null als eins
bis zum Eins-eins-null,
Stecker in der Dose,
die Nacht durch, tagaus,
tagein, Nachtausfall,
Tagausfall,

Funkloch der Elektronen.
Lass’ die Kabel liegen,
bestaune die Grafikkarte der Welt,
zieh’ dem Geschreibsel den Stöpsel,
bremse das Gesimse,
kein Jein, kein Schein, pikfein
offline
sein.

Translator’s Note

I love sound poetry and I believe in the musicality of the written word—which is language-specific to a large extent, certainly if it’s connected with a specific sense or content. Once a translator, a nice old lady, wanted to translate one of my poems. I considered it untrans­la­tab­le myself. I told her that and she was a little offended because she thought I was questioning her abilities. Later, she admitted I was right. Then another translator said my poems were untranslatable. That didn’t surprise me but I became upset because that meant I could not be part of an interesting project for a second time.

I started translating my poems myself. A large part of my poetry is so language-specific that I am the only one who actually has the freedom to “translate” it, which in my case means writing something similar in another language most of the times. To give an example, here’s a little excerpt of “Underpass”, one of my untranslatable poems: “Unnumbered undertones, unbarred unconsciousness, / underachievers, unfertilized unless / under umbrellas, uprising unknowingly, / underpass underdogs unfold unguardedly” (published in “Borderlands. Texas Poetry Review”, 39, 2013). There is a German two-egged twin of this poem with a very similar subject and a very similar atmosphere, but it’s not a translation actually. E.g., almost all of the words are different and the English poem is a little more optimistic.

The poem you will find on these pages is actually an example of my translatable poetry. To translate this one was comparably easy, the German predecessor is written in an unbound language, no metre, no strong sound elements stand between it and its translation. So this one could have been translated by a “real translator.” But once I started to translate my own poems, I continued to do so. I discovered it’s a good opportunity to actively use the English language. It refines my senses for poetry in all its forms in both languages. Moreover, I really have the last word regarding the results without annoying anyone and I have the opportunity to only hand out what I can sign with my name.

However, there also is a disadvantage: while my English becomes better with every poem and my “lectors” find less and less faults, it is still a foreign language to me. Thus, I have to give all of my poems to English native speakers, sometimes more than once because they discover faults or passages that do not really work, then I correct them and after that, I have to give the new version to another native speaker (I could give it to the same person again, I basically do that so share the burden). The poem you will find on these pages has been proofread by Harold Nash, the comment you are reading right now has been proofread by Lawrence Nicholas. Many thanks to both of them.

Alex DreppecAlex Dreppec, born in 1968 close to Frankfurt as “Alexander Deppert,” studied Psychology and Linguistics and went to Boulder, Colorado for his Ph.D. (finished 2001). German author with hundreds of publications (both poetry and science) in German journals and anthologies, both the most renowned (Der große Conrady—since 2008) and the best-sold among them. “Wilhelm Busch” Prize 2004. Numerous English poems were accepted by Borderlands Texas Poetry Review, Parody on Impression, English Journal, National Council of Teachers of English (USA), Orbis, The Interpreter’s House, The Journal (UK), and others so far.

https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png 0 0 Christopher Pruitt https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Christopher Pruitt2015-05-29 10:14:122016-02-29 17:02:12Day of Rest

Issue Archive

  • Issue 21: Summer/Fall 2022
  • Issue 20: Winter/Spring 2022
  • Issue 19: Summer/Fall 2021
  • Issue 18: Winter/Spring 2021
  • Issue 17: Summer/Fall 2020
  • Issue 16: Winter/Spring 2020
  • Issue 15: Summer/Fall 2019
  • Issue 14: Winter/Spring 2019
  • Issue 13: Summer/Fall 2018
  • Issue 12: Winter/Spring 2018
  • Issue 11: Summer/Fall 2017
  • Issue 10: Winter/Spring 2017
  • Issue 9: Summer/Fall 2016
  • Issue 8: Winter/Spring 2016
  • Issue 7: Summer/Fall 2015
  • Issue 6: Winter/Spring 2015
  • Issue 5: Summer/Fall 2014
  • Issue 4: Winter/Spring 2014
  • Issue 3: Summer/Fall 2013
  • Issue 2: Winter/Spring 2013
  • Issue 1: Spring 2012

Genre Archive

  • Creative Nonfiction
  • Essays
  • Fiction
  • Flash Prose
  • Lunch Specials
  • Poetry
  • Interviews
  • Translation
  • Visual Art
  • Writing for Young People

Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published every Friday.

Today’s course:

Where Are You From?

August 5, 2022/in Blog / Majella Pinto
Read more
https://lunchticket.org/wp-content/uploads/2022/08/DSC01302.jpg 1071 1600 Majella Pinto https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Majella Pinto2022-08-05 08:53:322022-08-09 15:56:53Where Are You From?

The Old Folks’ Home

July 22, 2022/in Blog / Karen Gaul Schulman
Read more
https://lunchticket.org/wp-content/uploads/2022/07/Screen-Shot-2022-07-21-at-5.55.26-PM-e1658444219873.png 1608 1756 Karen Gaul Schulman https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Karen Gaul Schulman2022-07-22 13:21:012022-07-27 10:24:10The Old Folks’ Home

Peace, Love, and a lot of Loud Rock & Roll

June 17, 2022/in A Transfer, Blog / Sunee Lyn Foley
Read more
https://lunchticket.org/wp-content/uploads/2022/06/0F6155F4-C1C9-45E1-BE9D-CA099003FB8E.jpeg 513 474 Sunee Lyn Foley https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Sunee Lyn Foley2022-06-17 14:31:102022-07-18 17:54:10Peace, Love, and a lot of Loud Rock & Roll

More Friday Lunch Blog »

Midnight Snack

A destination for all your late night obsessions.

Tonight’s bites:

QVC-land

May 6, 2022/in A Transfer, Midnight Snack / D. E. Hardy
Read more
https://lunchticket.org/wp-content/uploads/2022/05/Diana-Hardy_QVC_Feature_Photo.png 533 800 D. E. Hardy https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png D. E. Hardy2022-05-06 23:45:322022-07-18 17:54:56QVC-land

Escape Artists at the End of the World

April 29, 2022/in A Transfer, Midnight Snack / Lisa Levy
Read more
https://lunchticket.org/wp-content/uploads/2022/04/waldemar-brandt-eIOPDU3Fkwk-unsplash-scaled-1.jpg 1707 2560 Lisa Levy https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lisa Levy2022-04-29 23:49:582022-06-13 18:34:12Escape Artists at the End of the World

The House in the Middle

April 15, 2022/in A Transfer, Midnight Snack / Megan Vasquez
Read more
https://lunchticket.org/wp-content/uploads/2022/04/alec-douglas-iuC9fvq63J8-unsplash-scaled-1.jpg 2560 1707 Megan Vasquez https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Megan Vasquez2022-04-15 23:45:322022-04-15 23:45:32The House in the Middle

More coming soon!

Amuse-Bouche

Little bites every Monday to whet your appetite!

Today’s plate:

My Mother’s Hands

August 8, 2022/in Amuse-Bouche / Annie Marhefka
Read more
https://lunchticket.org/wp-content/uploads/2022/08/Annie_Marhefka-2-scaled.jpg 2048 2560 Annie Marhefka https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Annie Marhefka2022-08-08 11:55:122022-08-06 12:46:50My Mother’s Hands

Defy Gravity

August 1, 2022/in Amuse-Bouche / Megan Peck
Read more
https://lunchticket.org/wp-content/uploads/2022/08/Megan_02_3-scaled.jpg 2319 2560 Megan Peck https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Megan Peck2022-08-01 11:55:122022-08-01 10:51:29Defy Gravity

Little Shrimp

July 25, 2022/in Amuse-Bouche / Karen Poppy
Read more
https://lunchticket.org/wp-content/uploads/2022/07/Karen_Poppy_Headshot.jpg 800 600 Karen Poppy https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Karen Poppy2022-07-25 11:45:552022-07-25 11:14:12Little Shrimp

More Amuse-Bouche »

School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
Read more
https://lunchticket.org/wp-content/uploads/2021/05/SL-Insta-Brendan-Nurczyk-2.png 1500 1500 Brendan Nurczyk https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Brendan Nurczyk2021-05-12 10:18:392022-02-01 13:24:05I’ve Stayed in the Front Yard

A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
Read more
https://lunchticket.org/wp-content/uploads/2021/04/SL-FB-Isabella-Dail.png 788 940 Isabella Dail https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Isabella Dail2021-04-28 11:34:132021-04-28 11:34:13A Communal Announcement

Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
Read more
https://lunchticket.org/wp-content/uploads/2021/04/SL-Insta-Abigail-E.-Calimaran.png 1080 1080 Abigail E. Calimaran https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Abigail E. Calimaran2021-04-14 11:22:062021-04-14 11:22:06Seventeen

More School Lunch »

Word From the Editor

The variety in this issue speaks not only to the eclectic world we inhabit but to the power of the human spirit. We live in an uncertain world. In the U.S., we’re seeing mass shootings daily. Across the world, we’re still very much in a pandemic, some being trapped in their homes for weeks on end, others struggling to stay alive in hospitals. War continues to wage in Ukraine. Iran and North Korea are working diligently to make nuclear weapons. The list goes on. Still, we have artists who are willing and able to be vulnerable with one another, to share stories and art to help us try and make sense of our world.

More from the current editor »
Current Issue »

Connect With Us

lunchticket on facebooklunchticket on instalunchticket on twitter
Submit to Lunch Ticket

A literary and art journal
from the MFA community at
Antioch University Los Angeles.

Get Your Ticket

We’ll keep you fed with great new writing, insightful interviews, and thought-provoking art, and promise with all our hearts never to share your info with anyone else.

Newsletter Signup
Copyright © 2021 LunchTicket.org. All Rights Reserved. Web design and development by GoodWebWorks.
Scroll to top