Fatima, the Biloquist: A Transformation Story

In the ’90s you could be whatever you wanted—someone said that on the news—and by 1998 Fatima felt ready to become black, full black, baa baa black sheep black, black like the elbows and knees on praying folk black, if only someone would teach her.

Up to that point, she had existed like a sort of colorless gas, or a bit of moisture, leaving the residue of something familiar, sweat stains, hot breath on the back of a neck, condensation rings on wood, but never a fullness of whatever matter had formed them.

The week she met Violet, Fatima had recited “An Address to the Ladies, by their Best Friend Sincerity” before her eleventh-grade AP English class. She blended her makeup to perfection that morning, but the other students barely looked at her, instead busying themselves by clicking and replacing the lead in mechanical pencils or folding and flicking paper footballs over finger goalposts—even during the part she said with the most emphasis: “Ah! sad, perverse, degenerate race/ The monstrous head deforms the face.” They clapped dull palms for a few seconds as Fatima sulked back to her desk. But they sat up, alert, when Wally “the Wigger” Arnett recited “Incident” and said the word that always made the white kids pay attention.

“You know, I identify with Countee Cullen and all,” Wally, with brown freckles and a floppy brown haircut, finished up. “He was a black man, and he was, like, oppressed for who he was and stuff.”

The hands pounded a hero’s applause as Wally headed back to his seat next to Fatima, looking like he expected a high five. She rolled her eyes at him, but she couldn’t articulate her wrath into something more specific. Later in the morning when Wally asked her for the fourth time that semester whether she listened to No Limit rappers, she nearly lunged at his face. Mrs. Baker sent her to the principal to “cool down” before Fatima’s fingernails could scratch off any of Wally’s freckles.

It wasn’t fair, Fatima thought, that Wally was praised, even mildly popular for his FUBU shirts and Jordans with the tags still on them, yet Fatima was called “ghetto supastar” the one time she outlined her lips with dark pencil. Nor was it fair that she should get a warning from Principal Lee for “looking like she might become violent” when Wally said “nigger” and got applause. She was still thinking about Wally when she first encountered Violet.

They met at the Montclair Plaza, where Fatima had been dropped off by her mother, Monica, along with the warnings that she better not: 1. spend more than she had, 2. use her emergency credit card for non-emergencies, or 3. pick up any riffraff, ruffnecks, or pregnancies while she was there. Number three was highly unlikely—and Fatima knew Monica knew it—but she said it anyway as easily as “stand up straight,” because she had to.

Fatima moped near the Clinique counter with her heavy Discman tucked in a tiny backpack and her headphones wrapped around her neck, trying to decide between one shade of lipstick and another. The college student behind the counter ignored her, chatting with another colleague. In situations like this, Fatima usually bought something expensive just to show the store clerk that she could. A blonde girl with a short bob sauntered up next her and said, “The burgundy is pretty, but you could do something darker.”

When a black girl with natural green eyes and blonde hair and a big chest and bubble butt that wiggle independently of each other tells you that you, with your sable skin and dark hair, are not black enough, sometimes you listen.

Fatima peripherally saw the hair first, so she didn’t expect the rest of the package. A voluptuous—really, that was the only word that would work—girl with a wide nose and black features stood next to her. Fatima had a friend with albinism before in preschool who wore thick red glasses and blushed almost the same color when she wet her pants at nap time once. She recognized in Violet similar features.

“But you could get the same stuff at Claire’s for cheaper,” Violet said. “It’s not like old girl’s trying to help you anyway.”

The clerk, not chastened but amused, moved back to her post and said, “May I help you” in one of those voices that means “get lost.”

“I’m still—” Fatima started.

But the blonde girl spoke again, “We’d like some free samples of some of the lipsticks, that color,” she pointed, reaching over Fatima, to a pot of dark gloss, “and that one.”

“We only give samples,” the clerk said, “to—.”

“To everyone who asks, right?” Violet finished.

The clerk frowned, looked back at her colleague, looked at Violet and Fatima, and frowned again. “I’ll get those ready for you,” she said.

Fatima considered putting her headphones back on and trying to float out of the department store, away from this loud girl with the jarring features and booming voice.

“Here,” Violet said, handing her the dark gloss in its tiny gloss pot.

“You keep it,” Fatima said and started trying to vaporize towards the shoe department.

“It’s for you,” the girl said, following her.

And like that, they were friends—or something to that effect.

*     *     *

It was Violet’s appraisal, “You’re, like, totally a white girl, aren’t you?” that set Fatima into motion. They were eating dots of ice cream that same day at the food court after Violet showed Fatima how to get samples from Estée Lauder, Elizabeth Arden, and MAC. Fatima felt a little like a gangster holding up the reluctant sales girls for their stash, but she had a nearly full bag of swag by then—perfume, lip-gloss, and oil-blotting papers—without spending any of her allowance. It was already too good to be true, so she didn’t feel sad when Violet said “white girl,” but almost relieved by the inevitable.

Fatima had been accused of whiteness and race traitorism before, whenever she spoke up in Sunday school at her AME church or visited her family in Southeast San Diego (Southeast a universal geographical marker for the ghetto), or when a cute guy who was just about to ask her out backed away saying, “You go to private school, don’t you?” It was why she didn’t have any black friends—and why, she worried, she would never have a boyfriend, even a riffraff, to upset her mother.

The allegations upset her but never moved her to any action other than private crying or retreating further into her melancholy belief that her school, Westwood Prep, and her parents’ high-paying jobs had made her somehow unfit for black people. She usually turned her Discman up louder, sinking into the distantly black but presently white sounds of ska and punk, and sang under her breath, “I’m a freak/ I’m a freak” (in the style of Silverchair, not Rick James). At the moment she was especially into listening to Daniel Johns whine, reading Charles Brockden Brown, and daydreaming of a sickly boyfriend like Arthur Mervyn, for reasons limited omniscience can’t or won’t explain. If black people wouldn’t accept her, she would stick to what she knew.

But Violet’s judgment held more heft in her critique—a possibility for transformation. When a black girl with natural green eyes and blonde hair and a big chest and bubble butt that wiggle independently of each other tells you that you, with your sable skin and dark hair, are not black enough, sometimes you listen.

“It’s not that I’m trying to be white. It’s just that’s what I’m around.”

“You don’t have no church friends? You adopted? Your parents white, too?” Violet didn’t seem to want a response. “Where do you stay?”

“With my parents,” Fatima wondered if something was wrong with Violet for asking such a stupid question.

“I mean where do you live?” Violet said.

“Upland,” Fatima said.

“They got black people there. My cousin Frankie lives there,” Violet said, chewing the dots of ice cream in a way that upset Fatima’s teeth. Violet wore a tight white top, cream Dickies, and white Adidas tennis shoes.

“Yes, but not on my street.” Fatima wore a pink cardigan, black Dickies, and skater shoes, Kastels.

Violet paused her crunching and talking for a moment. “You have a boyfriend?”

Fatima shook her head. “Do you?”

“I’m in between options right now. Anyway the last one is locked up in Tehachapi.”

Fatima nodded. She had a cousin who had served time there. He called her bourgie, and she kicked him in the face once, delighting in his fat lip and his inability to hit girls who weren’t his girlfriend or baby mama.

“I’m kidding,” Violet said. “We don’t all get locked up.”

Fatima stuttered.

“I can see I’ma have to teach you a lot of things. You ready?” Violet meant ready to leave the food court, but Fatima meant more when she said, “Yeah, I’m ready.” And thus began her transformation.

*     *     *

If only Baratunde Thurston had been writing when Fatima came of age, she could have learned how to be black from a book instead of from Violet’s charm school. Even a quick glance at Ellison could have saved her a lot of trouble, but she wasn’t ready for that, caught up, as she was, in the dramas of Arthur Mervyn and Carwin the Biloquist and all of them. With Violet’s help, Fatima absorbed the sociocultural knowledge she’d missed, not through osmosis or through more relevant literature, but through committed, structured ethnographical study.

She immersed herself in slang as rigorously as she would later immerse herself in Spanish for her foreign language exam in grad school; she pored over VIBE Magazine and watched Yo MTV Raps and The Parkers, trying to turn her mouth around phrases with the same intonation that Countess Vaughn used—a sort of combination of a Jersey accent and a speech impediment. When she couldn’t get into those texts, she encouraged herself with old episodes of Fresh Prince that played in constant early-morning and late-afternoon rotation, feeling assured that if Ashley Banks could, after five seasons, become almost as cool as Will, then she could, too. Her new turns of phrase fit her about as bulkily as the puffy powder-blue FUBU jacket she found in a thrift store in downtown Rialto.

Still, she was happy when Violet looked approvingly at it. Pale Violet became the arbiter of Fatima’s blackness, the purveyor of all things authentic. Though she was barely 5’1 and chunky by most standards—nearly obese by Fatima’s—you would think Violet was Pamela Anderson, the way she walked, like a hula doll on a dashboard swinging hips and breasts.

She lived in Fontana, and the distance between their respective houses was fifteen minutes, but only seven if they met halfway, Fatima borrowing her father’s alternate car (the 1993 Beamer, so as not to look ostentatious) and Violet getting a ride from one of her brothers or occasionally driving her mother’s old Taurus. They never met at each other’s houses, lest Fatima’s upper-middle opulence embarrass Violet, and because there was no space for Violet to carve out for herself at her house.

Violet made Fatima a study guide of the top-ten black expressions for rating attractive men, and they worked over the pronunciations together.

  1. Foine
  2. Dang Foine
  3. Hella Foine
  4. Bout it, bout it [as in “Oooh, he bout it, bout it.” This phrase especially required the Countess Vaughn intonation and often included spontaneous bouts of raising the roof].
  5. Hot Diggity, said with a scowl
  6. Dizam!
  7. Hot Diggity Dizam
  8. Ooh, hurt me, hurt me
  9. Phat
  10. Ooohweee

Fatima’s suggestions that “Heavens to Murgatroid” and “Oh my gosh, he is so hot” be added to the list as numbers 11 and 12 respectively, were met with a frown and a threat from Violet that she would revoke Fatima’s study-guide privileges if she persisted with lame interjections. Fatima stifled her joke about the rain in Spain falling mostly on the plains and practiced on, assured that Violet’s tutelage would confer upon her, like Carwin, “a wonderful gift” of biloquism.

Glossaries soon followed.

  1. Hella = a more intense “hecka”
  2. Hecka = a lot/ really; Fatima preferred this to “hella.”
  3. Fisshow = for sure, or as Fatima used to pronounce it, fer shure.
  4. Crunk = crazy, as in “we bout to get crunk up in here.” [Fatima already knew what this meant from an *N’Sync chatroom, where she lurked while girls discussed Justin Timberlake’s frequent use of the term.]
  5. A grip = a lot, as in “I just found a grip of marshmallows in the cupboard.”
  6. Peeps = those cute little marshmallows and also people/ folks
  7. Whoadie = ? [Violet wasn’t sure either, but you were supposed to say it.]
  8. Shawty = like, your girl, or your boo
  9. Boo = your shawty or your girl
  10. Playa = One who gets a lot of women or men [Fatima thought this was a beach, at first].
  11. Playahata = Wally the Wigger
  12. **Nigga = [a word Fatima could not bring herself to say or embrace, no matter how much Violet, VIBE, or others insisted that it was positive, or reappropriated.]
  13. *Gangsta = cool. But also gangster, as in “You’s a gangsta/ No I’m not/ You’s a gangsta/ No I’m not/ You’s a gangsta.” [Not as in “So You Wanna Be a Gangsta” from Bugsy Malone, which Fatima and her younger brother and sister used to sing around the house.]
  14. Ride or Die = a friend who’s down for anything and will stand up for your cause, even unto death.

“So basically,” Fatima summarized, “you want me to turn good things into bad things and vice versa.”

Violet said, “Mostly.”

Fatima tried pumping her shoulders in a brief Bankhead Bounce, but it was obvious she lacked the follow-through and wasn’t ready for dancing yet.

And it was almost like any romantic comedy where the sassy black person moves in with the white people and teaches them how to live their lives in color and put some bass in their voices, only Steve Martin wasn’t in it, no one was a maid or a butler or nanny, and the romance was between two girls, it was platonic, and they were both black this time, but one didn’t look like it, and one didn’t sound like it consistently.

*     *     *

“They racist up at that school? I can’t stand cocky white people,” Violet said one day while they sat at their usual table, near the flower divider in the mall’s arboretum. Some white guys from Hillwood sat across the way, laughing loudly.

Fatima didn’t like to talk about her school, but everyone in the Inland Empire knew Westwood and Hillwood, their analog and football rival. “I don’t think so,” Fatima said.

“What do you mean you don’t think so? Either something’s racist or it’s not.”

No one at school poked out his tongue and called her that, like they did in the poem Wally read, but Fatima thought about Wally, his affectations, and Principal Lee.

“It’s not always comfortable,” she said. “It can be real awkward, but I’m awkward.”

“You sure are,” Violet laughed, and Fatima laughed, too. She was learning to do more of that, and to wear a kind of self-assuredness with her side-swooped Aaliyah bangs.

Even with her usual levels of discomfort in place, most interactions were easier with Violet. Violet understood things. When she told Violet, for example, the history of her name and how its spirit hovered over Fatima like Jiminy Cricket or a mirror of unholiness—even without an accent or an “h,” wedging her between two religious worlds, both agreeing on her need for chastity and immaculate conduct—Violet said, “Word, that’s deep,” and explained that she, too, felt the weight of her name, because the Johnson family was all single moms and dads with eight kids and three jobs and no peace, and she couldn’t end up like her mother, even if it meant she had to run away and start a new identity one day.

Violet confided that, despite her confidence, she had a complex about her albinism. She could call other black people like Fatima white, but to be called white herself pushed Violet to violent tears. Just ask her ex-boyfriend and her ex-friend Kandice from middle school, who had called her Patty Mayonnaise in a fit of anger and gotten a beatdown that made her wet her pants like Fatima’s preschool friend.

“Why Patty Mayonnaise?” Fatima said.

“You know, from Doug; she was the black girl on the DL who looked white, and mayonnaise is white. It’s a stupid joke.”

“Patty was black?” Fatima said.

“Girl, a whole lot of everybody got black in them,” Violet started.

Fatima had heard some of Violet’s theories before. It was a game they played sometimes on the phone. The list included Jennifer Beals, Mariah Carey, and “that freaky girl from Wild Things,” Denise Richards, and now apparently, Patty Mayonnaise. When Fatima suggested Justin Timberlake, Violet said, “Nah, he’s like that Wally kid at your school.”

The nuances of these and other things Fatima’s best friend since first grade, Emily, just couldn’t understand, no matter how earnestly Emily tried or how many questions she asked, like why they couldn’t share shampoo when she slept over, “What does ‘for us, by us’ mean,” and why Fatima’s top lip was darker than her bottom one.

The thing about the brown top lip and the pink lower one, Fatima had learned after moving between Violet’s guidance and her school life, was that you could either read them as two souls trying to merge into a better self, or you could hide them under makeup and talk with whichever lip was convenient for the occasion.

Fatima picked up some theories on her own, too, without Violet or the literature. The thing about the brown top lip and the pink lower one, Fatima had learned after moving between Violet’s guidance and her school life, was that you could either read them as two souls trying to merge into a better self, or you could hide them under makeup and talk with whichever lip was convenient for the occasion. At school and with Emily, she talked with her pink lip, and with Violet, she talked with her brown one, and that only created tension if she thought too much about it.

Fatima passed the time at school by imagining the time she would spend after school with Violet, who promised to teach her how to flirt better on their next excursion and to possibly, eventually, hook her up with one of her cousins, but not one of her brothers, because “most of them aren’t good for anything except upsetting your mother, if you want to do that.” Fatima did not want to do that.

Now at school when Wally the Wigger looked like he was even thinking about saying something to her, Fatima made a face that warned, “Don’t even look like you’re thinking about saying something to me,” and he obeyed. In her mind, she not only said this aloud, but said it in Violet’s voice.

She didn’t mind the laughter in her parents’ eyes when she tried out a new phrase or hairstyle, because it was all working. There was something prettier about her now, too, and people seemed to see it before Fatima did, because a guy named Rolf at Westwood—a tall brunette in her history class, with whom she’d exchanged a few eye rolls over Wally—asked her for her phone number.

Without pausing to consider anything, she gave it to him.

It might seem, up to this point, that Fatima simultaneously wore braces, glasses, and forehead acne, when you hardly needed to glance to see the gloss of her black hair or the sheen on her shins, with or without lotion. Fatima knew this truth instinctively, but buried its warmth under the shame of early childhood teasing and a preference for melancholy self-pity. It was more romantic to feel ugly, modest to pretend she couldn’t hold her head just right, unleash her beautiful teeth and make a skeptical man kneel at her skirt’s hem. She just didn’t have the practice, but she was hopeful that she might get it, with Rolf or one of Violet’s cousins, hopeful that the transformation had taken hold.

*     *     *

She had just returned from a movie with Violet—where in the space in front of the theater, not one but two guys had asked for her phone number, though three had asked for Violet’s, pronouncing their approval of her “thickness” with grunts, smiles, and by looking directly at her butt—when her mother said, “You got a phone call, from a boy.”

It couldn’t be one of the boys from theater already; that would make anyone look desperate.

“Who is Rolf?” her mother smiled, “and why didn’t you mention him before?”

Fatima nearly floated up to her bedroom. She thought about calling Violet but called Rolf back instead, waiting the appropriate hour she had rehearsed with Violet for a hypothetical situation such as this.

By now, and with some authenticity, Fatima could intone the accent marks in places they hadn’t been before, recite all the names of all the members of Cash Money, Bad Boy, No Limit, Wu-Tang, Boyz II Men, ABC, BBD, ODB, LDB, TLC, B.I.G., P-O, P-P-A, Ronny, Bobby, Ricky, Mike, Johnny, Ralph, Tony, Toni, and Tone, if she wanted. But when she called Rolf, all they talked about were skateboards and the Smiths, in whose music Fatima had dabbled before Violet.

“The Smiths are way better than Morrissey,” Rolf said. His voice was nasal but deep. Fatima imagined that he was at least 6’7, though she hadn’t stood next to him yet. When she did, he was 6’1.

“You can barely tell the difference since Morrissey’s voice is so overpowering,” she said with her pink lip.

“No, but The Smiths’ stuff is way darker,” Rolf said. “You should hear the first album. Then you’ll get it. I’ve got it on vinyl.”

“Okay,” Fatima waited.

She noticed that he didn’t invite her over to listen or offer to lend her the album, but he did call back two days later and ask if she wanted to hang out over the weekend, “like at the mall or something, see a movie?”

Fatima counted to twelve, as per the rules (the universal ones, not just Violet’s) and said, “Yeah, that’d be cool.” She almost left the “l” off the end of the word, but caught herself. “Which mall?”

“Where else?” Rolf said. “The Montclair Plaza.”

This would be her first date, and though that was the kind of thing to share with a best friend, especially one with more experience, Fatima felt—in some deep way that hurt her stomach—that Violet didn’t need to know about Rolf, not yet at least. She would keep her lips glossed and parted, her two worlds separate.

*     *     *

The week leading up to the date, Fatima tried to play extra cool, asking Violet more questions than usual when they spoke on the phone. Neither of the guys from the movie theater had called Fatima, but one of Violet’s three had asked Violet out, and she was “letting him stew for a while before I let him know. Anyway, we’re supposed to check out Rush Hour this weekend.”

“This weekend?” Fatima said.

“This weekend.”

“I told my parents I would babysit this weekend, I forgot,” Fatima lied, feeling a bit like a grease stain on a silk shirt.

“Since when?” Violet pushed.

“We can go next weekend, or during the week,” Fatima said, and changed the subject.

Before they got off the phone, Violet said, “I guess I’ll call Mike back then, and tell him I’m free after all.”

*     *     *

Fatima wasn’t embarrassed of Violet or of Rolf, but she wasn’t good at managing.  She was relieved, then, when their first and second dates went without a hitch—and ended with a gentle but sort of blank kiss—and even more relieved that Rolf was okay with seeing each other during the week so that Fatima wouldn’t have to explain to Violet why she suddenly had other plans on Fridays and Saturdays.

“Tell me more about your other friends,” Rolf had said on the phone one night, when Fatima was starting to think she might love him. He knew Emily from school, and he knew about her family and had met her parents and siblings by then, though she still hadn’t met his. He knew she went to an AME church. He knew she was black.

“I guess my other best friend, besides Em, is Violet,” Fatima said.

“Violet,” Rolf repeated. “Cool name. She’s not at Westwood, is she?”

“No, public school.”

“Ah,” Rolf said, in a tone which Fatima interpreted as neutral.

“She’s my girl.” She stopped herself from saying Ace boon coon. “We hang out a lot on the weekends, actually.”

“How come you never mentioned her before?”

“I don’t know,” Fatima felt her mouth lying again, moving somehow separately from her real voice. “She’s kind of shy. She got teased a lot.”

“Oh, that’s too bad,” Rolf said.

“They called her Patty Mayonnaise,” Fatima said, and she didn’t know why she was still talking.

“Don’t tell anybody this, but I always thought Patty was cute on Doug,” Rolf said and shifted to talking about all of his favorite cartoons. Fatima exhaled.

Over time they grew to joke, a little awkwardly, about Fatima’s position at school, as one of two black girls. She asked Rolf if this was a thing for him or if she was his first black girlfriend, because they had labels by now.

“I don’t see color,” he said. “I just saw you. Like, one day there you were.”

Violet would say that colorblind people were the same ones who followed you in the store and that Rolf’s game was hella corny. Fatima remembered the lifelessness, before Violet, of feeling like a colorless gas and tried, in spite of a dull ache, to take Rolf’s words as a compliment.

*     *     *

The conventions of such a transformation dictate that a snaggletooth, broken heel, or some other inconvenience threatens to throw the recently realized heroine back to her former life. That snaggletooth, for Fatima, was either Rolf or Violet, depending on how you looked at things, and Fatima wasn’t sure how she did.

When she saw Violet, on April 4th—after hiding her relationship with Rolf for three months—approaching from across the Lobby of Edwards Cinema with Mike’s arm around her waist, Fatima’s first instinct was to grab Rolf’s hand and steer him towards the exit. But Violet was already calling her name.

This wasn’t the natural order of things, for these separate lives to converge. Other factors aside, the code went hos before bros, school life before social life, family before anyone else. But Rolf was both school and social, and Violet both social and nearly family, and Fatima’s math skills couldn’t balance this equation.

“I knew I saw you,” Violet said to Fatima once she got close. “Who is this?”

“Rolf, Violet. Violet, Rolf,” Fatima said, “and Mike.”

Mike smiled, and Rolf smiled, and they shook hands, but neither young woman saw the guys, their eyes deadlocked on each other.

“Ha, so this is Violet,” Rolf said, ignoring or misreading Fatima’s firm grip on his arm. “Even your black friends are white, too,” Rolf laughed.

“I was gonna tell you—” Fatima started to say to Violet.

“Wait, Patty Mayonnaise, I get it now,” Rolf said aloud, then, “Oops, I,” and both women scowled at him.

Fatima made a sound that could be interpreted as either a guffaw or a deep moan.

Then she turned back to Violet, she couldn’t make any sounds, only open and close her mouth several times. She didn’t mean to hurt her; some things had just come out, and other things she hadn’t told Violet because she wasn’t sure which lip she was supposed to use, her voice was over there and then over there, and she was ventriloquizing what she’d learned all at once, but from too many places and all at the wrong time.

Violet didn’t say anything or make Fatima wet her pants—and perhaps one of those options might have been better for Fatima; she just grabbed Mike’s arm and walked away.

And like that, Fatima was a vapor again, but something darker, like a funnel cloud, or black smoke that mocked what had already been singed.

Nafissa Thompson-SpiresNafissa Thompson-Spires earned a PhD from Vanderbilt University and an MFA in Creative Writing at the University of Illinois at Urbana-Champaign (UIUC). Her short story “Heads of the Colored People: Four Fancy Sketches, Two Chalk Outlines, and No Apology” won Story Quarterly’s 2016 Fiction Prize, judged by Mat Johnson, and is forthcoming in the magazine’s winter issue. Her work has also appeared in East Bay Review, Compose, Blinders, FLOW, The Feminist Wire, and other publications. She currently works as a Visiting Assistant Professor of Creative Writing and African-American Studies at UIUC.