Lunch Ticket
  • Current Issue
  • Archive
    • Issues Archive
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
      • Issue 2: Winter/Spring 2013
      • Issue 1: Spring 2012
    • Genre Archive
      • Creative Nonfiction
      • Essays
      • Fiction
      • Flash Prose
      • Interviews
      • Lunch Specials
      • Poetry
      • Translation
      • Visual Art
      • Writing for Young People
  • About
    • Mission Statement
    • Lunch Ticket Staff
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
      • Issue 2: Winter/Spring 2013
      • Issue 1: Spring 2012
    • Achievements
    • Community
    • Contact
  • Weekly Content
    • Friday Lunch Blog
    • Midnight Snack
    • Amuse-Bouche
    • School Lunch
  • Contests
    • Diana Woods Award in CNF
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
      • Issue 5: Summer/Fall 2014
      • Issue 4: Winter/Spring 2014
      • Issue 3: Summer/Fall 2013
    • Gabo Prize in Translation
      • Issue 21: Summer/Fall 2022
      • Issue 20: Winter/Spring 2022
      • Issue 19: Summer/Fall 2021
      • Issue 18: Winter/Spring 2021
      • Issue 17: Summer/Fall 2020
      • Issue 16: Winter/Spring 2020
      • Issue 15: Summer/Fall 2019
      • Issue 14: Winter/Spring 2019
      • Issue 13: Summer/Fall 2018
      • Issue 12: Winter/Spring 2018
      • Issue 11: Summer/Fall 2017
      • Issue 10: Winter/Spring 2017
      • Issue 9: Summer/Fall 2016
      • Issue 8: Winter/Spring 2016
      • Issue 7: Summer/Fall 2015
      • Issue 6: Winter/Spring 2015
    • Twitter Poetry Contest
      • 2021 Winners
      • 2020 Winners
      • 2019 Winners
  • Submissions
  • Search
  • Menu Menu
  • Facebook
  • Instagram
  • Twitter

FOR THE FILMS OF NURI BILGE CEYLAN

May 29, 2018/in Summer-Fall 2018, Translation, Translation / by Geet Chaturvedi, translated by Anita Gopalan

[translated poetry]

He had said, My woman, come to the lamppost when the coldest night arrives / There will
be a rock / Sit on it / Or at least set your heart on it / The fog will envelop you from all
sides / On this canvas of fog, your breath will be visible like sweeps of a paintbrush / Even
in that coldest night you’ll remove your gloves / With your cold hands touch your belly /
Near your navel you’ll find images of my caresses / those you’ll try reading in braille

A shiver will pass through the icy land of your nose

The coldest night comes only once in a year
Our coldest night will come once in our life

 

With my eyes closed I stand here
As promised under the lamppost
Sweeping with my hand a piece of fog
Trying to peer far across

My clothes fight the cold / The damp that descends on them is an experienced fellow /
Says in its slippery wet voice / Go home, girl… Go back home / There will be nights colder
than this / The warmth is presently away on loan

I do not know which night that will be
So I stand here from the first day of winter
My body becomes a thermometer

I hear the sound of someone coming
Whoever is coming is only fog

Whoever is coming will only be fog

My woman,
You’ve gone far away from me
Disappeared even from the sight of my
memory
That I cannot recognise your face now

That I cannot remember you
Just by one face

Things that reminded me of you
Came into being
When you left
This is how I’m bound to our past

Only an outline remains of a cold morning:
A shape filled with dots
Today is an eye
Yesterday gone by, a scene
A hazy h hangs between the two—

The niqab of fog looks good on you

 

 

नूरी बिल्गे जेलान की फिल्मों के लिए

मेरी स्‍त्री, जब सबसे ठंडी रात आएगी, तुम इस लैंपपोस्ट के नीचे आ जाना / यहां एक पत्थर है, तुम
इस पर बैठ जाना / न भी बैठना, तो भी अपने मन को यहां ज़रूर बिठाले रखना / चारों ओर कोहरा
होगा / तुम्हारी सांसें कोहरे के कैनवास पर ब्रश के स्ट्रोक्स की तरह होंगी / सबसे ठंडी रात में भी तुम
अपने दस्ताने उतारोगी और अपने ठंडे हाथों से अपने पेट का स्पर्श करोगी / तुम्हारी नाभि के पास मेरी
छुअन से बनी पेंटिंग्स होंगी / मेरे स्पर्श के चित्र को तुम ब्रेल लिपि में पढ़ोगी

तुम्हारे नाक की हिमभूमि पर सिहरन होगी

सबसे ठंडी रात साल में एक बार आएगी
हमारे जीवन की सबसे ठंडी रात जीवन में सिर्फ़ एक बार आएगी

 

मैं तब से अपनी आंखें मूंदे यहां खड़ी हूं
वादे के मुताबिक़ एक लैंपपोस्ट के नीचे
कोहरे के टुकड़े को हाथों से हटाकर
दूर तक देखने की कोशिश करती हुई

मेरे कपड़े ठंड से लड़ रहे हैं / उन पर जमा हो रहा गीलापन बेहद अनुभवी है / वह गीलापन एक गीली
आवाज़ में ही कहता है / मेरी मानो, घर लौट जाओ / अभी इससे भी ठंडी कई रातें आएंगी / गर्मास
अभी क़र्ज़े पर चढ़ी हुई रहेगी

मुझे नहीं पता, वह कौन-सी रात होगी
मैं सर्दियों की शुरुआत में ही यहां खड़ी हो जाती हूं
मेरी देह तापमान मापने वाला यंत्र बन जाती है

ऐसा लगता है, कोई इस तरफ़ आ रहा है
जो आ रहा है, वह भी कोहरा ही है

मेरी स्‍त्री,
तुम इतनी दूर पहुंच चुकी हो,
स्मृति की दृष्टि से भी ओझल
कि अब तुम्हारा चेहरा नहीं पहचान सकता

तुम्हें सिर्फ़ एक चेहरे से याद भी नहीं कर सकता

इस तरह बनता है अतीत से हमारा रिश्ता
कि जिन चीज़ों को देख तुम्हारी याद आती है
वे चीज़ें तुम्हारे चले जाने के बाद
वजूद में आई थीं

बस एक रेखाचित्र है सर्द सुबह का
एक आकृति है बिंदुओं से बनी हुई
आज एक आंख है
बीता हुआ कल एक दृश्य
दोनों के बीच एक धुंधला-सा ध है—

कोहरे का नक़ाब तुम पर फबता है

 

Translator’s Statement:

The poem “For the Films of Nuri Bilge Ceylan,” part of Geet Chaturvedi’s World Cinema series, appears in his poetry book Nyoonatam Main. It is a fine example of Chaturvedi being more a Borgesian writer who loves to play with intertextuality. He wrote his poems on Cinema after watching and meditating on various master filmmakers’ works. The poem is a delicious smorgasbord of impressions—a kind of conversation or poetic ‘jugalbandi’ held by the poet with the filmmaker—scenes from particular movies enmeshed with the improvised general mood created by the whole cinematic body of the master filmmaker. The poet’s voice keeps changing, at one level talking with the filmmaker, at the other talking with his lover, and at a much deeper level with the system. Fine experiments in incoherent form, the lines of the poem are like characters of a movie. They come as incomplete sentences and tell their incomplete stories. The completeness is derived from the many small incomplete instances that coalesce into one cohesive unit of cinematic beauty.

 

Anita Gopalan is a PEN/Heim Translation Fund Grant recipient. Her translated poetry chapbook, an Anomalous Press winner, is forthcoming in 2018. Her work has appeared in Poetry International, Words without Borders, Two Lines Journal, World Literature Today, Asymptote, PEN America, Drunken Boat, Modern Poetry in Translation, Rhino, and elsewhere.

Geet Chaturvedi (b. 1977) is a writer of contemporary Hindi literature. He has authored seven books, including the highly acclaimed two collections of novellas, and two collections of poetry. His poems have been translated into seventeen languages. He was awarded Bharat Bhushan Agrawal Award for poetry, Krishna Pratap Award for fiction, and named one of “Ten Best Writers” of India by the reputed English Daily Indian Express. After spending sixteen years in journalism as the editor of Dainik Bhaskar, Chaturvedi spends much of his time now working on his novels Kavipriya and Ranikhet Xpress. He lives in Bhopal, India.

 

https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png 0 0 Korilynn Kessler https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Korilynn Kessler2018-05-29 10:00:462019-06-09 17:05:17FOR THE FILMS OF NURI BILGE CEYLAN

Issue Archive

  • Issue 21: Summer/Fall 2022
  • Issue 20: Winter/Spring 2022
  • Issue 19: Summer/Fall 2021
  • Issue 18: Winter/Spring 2021
  • Issue 17: Summer/Fall 2020
  • Issue 16: Winter/Spring 2020
  • Issue 15: Summer/Fall 2019
  • Issue 14: Winter/Spring 2019
  • Issue 13: Summer/Fall 2018
  • Issue 12: Winter/Spring 2018
  • Issue 11: Summer/Fall 2017
  • Issue 10: Winter/Spring 2017
  • Issue 9: Summer/Fall 2016
  • Issue 8: Winter/Spring 2016
  • Issue 7: Summer/Fall 2015
  • Issue 6: Winter/Spring 2015
  • Issue 5: Summer/Fall 2014
  • Issue 4: Winter/Spring 2014
  • Issue 3: Summer/Fall 2013
  • Issue 2: Winter/Spring 2013
  • Issue 1: Spring 2012

Genre Archive

  • Creative Nonfiction
  • Essays
  • Fiction
  • Flash Prose
  • Lunch Specials
  • Poetry
  • Interviews
  • Translation
  • Visual Art
  • Writing for Young People

Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published every Friday.

Today’s course:

Where Are You From?

August 5, 2022/in Blog / Majella Pinto
Read more
https://lunchticket.org/wp-content/uploads/2022/08/DSC01302.jpg 1071 1600 Majella Pinto https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Majella Pinto2022-08-05 08:53:322022-08-09 15:56:53Where Are You From?

The Old Folks’ Home

July 22, 2022/in Blog / Karen Gaul Schulman
Read more
https://lunchticket.org/wp-content/uploads/2022/07/Screen-Shot-2022-07-21-at-5.55.26-PM-e1658444219873.png 1608 1756 Karen Gaul Schulman https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Karen Gaul Schulman2022-07-22 13:21:012022-07-27 10:24:10The Old Folks’ Home

Peace, Love, and a lot of Loud Rock & Roll

June 17, 2022/in A Transfer, Blog / Sunee Lyn Foley
Read more
https://lunchticket.org/wp-content/uploads/2022/06/0F6155F4-C1C9-45E1-BE9D-CA099003FB8E.jpeg 513 474 Sunee Lyn Foley https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Sunee Lyn Foley2022-06-17 14:31:102022-07-18 17:54:10Peace, Love, and a lot of Loud Rock & Roll

More Friday Lunch Blog »

Midnight Snack

A destination for all your late night obsessions.

Tonight’s bites:

QVC-land

May 6, 2022/in A Transfer, Midnight Snack / D. E. Hardy
Read more
https://lunchticket.org/wp-content/uploads/2022/05/Diana-Hardy_QVC_Feature_Photo.png 533 800 D. E. Hardy https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png D. E. Hardy2022-05-06 23:45:322022-07-18 17:54:56QVC-land

Escape Artists at the End of the World

April 29, 2022/in A Transfer, Midnight Snack / Lisa Levy
Read more
https://lunchticket.org/wp-content/uploads/2022/04/waldemar-brandt-eIOPDU3Fkwk-unsplash-scaled-1.jpg 1707 2560 Lisa Levy https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lisa Levy2022-04-29 23:49:582022-06-13 18:34:12Escape Artists at the End of the World

The House in the Middle

April 15, 2022/in A Transfer, Midnight Snack / Megan Vasquez
Read more
https://lunchticket.org/wp-content/uploads/2022/04/alec-douglas-iuC9fvq63J8-unsplash-scaled-1.jpg 2560 1707 Megan Vasquez https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Megan Vasquez2022-04-15 23:45:322022-04-15 23:45:32The House in the Middle

More coming soon!

Amuse-Bouche

Little bites every Monday to whet your appetite!

Today’s plate:

My Mother’s Hands

August 8, 2022/in Amuse-Bouche / Annie Marhefka
Read more
https://lunchticket.org/wp-content/uploads/2022/08/Annie_Marhefka-2-scaled.jpg 2048 2560 Annie Marhefka https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Annie Marhefka2022-08-08 11:55:122022-08-06 12:46:50My Mother’s Hands

Defy Gravity

August 1, 2022/in Amuse-Bouche / Megan Peck
Read more
https://lunchticket.org/wp-content/uploads/2022/08/Megan_02_3-scaled.jpg 2319 2560 Megan Peck https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Megan Peck2022-08-01 11:55:122022-08-01 10:51:29Defy Gravity

Little Shrimp

July 25, 2022/in Amuse-Bouche / Karen Poppy
Read more
https://lunchticket.org/wp-content/uploads/2022/07/Karen_Poppy_Headshot.jpg 800 600 Karen Poppy https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Karen Poppy2022-07-25 11:45:552022-07-25 11:14:12Little Shrimp

More Amuse-Bouche »

School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
Read more
https://lunchticket.org/wp-content/uploads/2021/05/SL-Insta-Brendan-Nurczyk-2.png 1500 1500 Brendan Nurczyk https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Brendan Nurczyk2021-05-12 10:18:392022-02-01 13:24:05I’ve Stayed in the Front Yard

A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
Read more
https://lunchticket.org/wp-content/uploads/2021/04/SL-FB-Isabella-Dail.png 788 940 Isabella Dail https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Isabella Dail2021-04-28 11:34:132021-04-28 11:34:13A Communal Announcement

Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
Read more
https://lunchticket.org/wp-content/uploads/2021/04/SL-Insta-Abigail-E.-Calimaran.png 1080 1080 Abigail E. Calimaran https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Abigail E. Calimaran2021-04-14 11:22:062021-04-14 11:22:06Seventeen

More School Lunch »

Word From the Editor

The variety in this issue speaks not only to the eclectic world we inhabit but to the power of the human spirit. We live in an uncertain world. In the U.S., we’re seeing mass shootings daily. Across the world, we’re still very much in a pandemic, some being trapped in their homes for weeks on end, others struggling to stay alive in hospitals. War continues to wage in Ukraine. Iran and North Korea are working diligently to make nuclear weapons. The list goes on. Still, we have artists who are willing and able to be vulnerable with one another, to share stories and art to help us try and make sense of our world.

More from the current editor »
Current Issue »

Connect With Us

lunchticket on facebooklunchticket on instalunchticket on twitter
Submit to Lunch Ticket

A literary and art journal
from the MFA community at
Antioch University Los Angeles.

Get Your Ticket

We’ll keep you fed with great new writing, insightful interviews, and thought-provoking art, and promise with all our hearts never to share your info with anyone else.

Newsletter Signup
Copyright © 2021 LunchTicket.org. All Rights Reserved. Web design and development by GoodWebWorks.
Scroll to top