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Making Reubens

November 23, 2018/in Fiction, Fiction, Winter-Spring 2019 / by Teresa Milbrodt

In the tiny pop-up trailer we have two toaster ovens, a roaster full of meat, and a cooler with the rest of the sandwich fixings. It’s just enough to keep up with the line of customers. Mama has been wanting to make Reubens for the rodeo and powwow for three years, offering something different than the usual Indian tacos, so I said I’d come up from Omaha for the weekend to help assemble sandwiches with sauerkraut and Russian dressing.

“Two more,” Mama calls, then coughs into her elbow. Her asthma and allergies have been acting up worse than usual; then she had chest pains and was diagnosed with Barrett’s esophagus. She won’t tell me about medical bills. I’ve avoided poking through the piles of papers stacked around the kitchen and living room in her trailer.

Mama said she didn’t realize how much she’d missed a good Reuben, though, and since it didn’t seem like anyone was going to open a Jewish delicatessen on the reservation, she figured on bringing one to them.

Mama moved to the reservation when I started university, after years of summer trips to visit an old college friend who lived here. Mama was in love with the space, the wide hills, and over ten years found a job and a husband who was more committed than my dad. She and Papa have been married for fourteen years, and I’ve visited often enough to make their trailer home-ish. Papa took me as a daughter minus a formal adoption. He’s eleven years older than Mama and can be persnickety, but they joke together at breakfast and worry over each other’s health. Papa calls me with her new lists of medications, asking if I can look up the side effects on the Internet.

“I don’t do computers,” he reminds me.

Mama starts another coughing fit, which makes my chest hurt.

“You need to sit down,” I say. I feel like I’m always reminding her to take care of herself. She tries to shake her head and say she’ll be fine, but starts another coughing fit.

Papa has been sitting outside on his lawn chair and chatting with friends, but he pokes his head in the door. “Everything okay in here, Daughter?” His brown eyes hold the same concern as mine. I say Mama needs to take a break, eat a Reuben.

Mama says, “Well, maybe a half.”

I say Papa can handle the money for a bit.

Mama converted to vegetarianism when she was in her mid-twenties, so she raised me on a meatless diet. After moving to the reservation and moving in with Papa, she started eating steak.

“I could only stomach so many salads and baked potatoes,” she says, but Papa likes macaroni with cheese melted on top and the eggplant parmesan that Mama makes. Mama said she didn’t realize how much she’d missed a good Reuben, though, and since it didn’t seem like anyone was going to open a Jewish delicatessen on the reservation, she figured on bringing one to them.

I make a half Reuben for Mama, then Papa takes over her post at the cash box. Mama slumps on a red camp chair in the corner. Papa and I exchange a glance. Mama has been working as a secretary in the humanities department at the tribal college for ten years, but Papa says that a couple weeks ago her boss called him to say she’s forgetting things—to send e-mails and letters and make copies.

“She said maybe your mama should make a doctor’s appointment,” Papa told me on the phone. “She was nice about it, but she sounded worried. She doesn’t want to let your mama go.”

I understand that could happen. I haven’t told Mama about my own dilemmas at the grocery store where I manage the front end, how I’ll have to give Nikki her walking papers for tardiness next week. I know her story—she has two kids and a second job and not the most reliable sitter, but I’ve made all the excuses I can to my boss, who is sympathetic but has corporate over her head. Corporate doesn’t have to give Nikki the news on Monday, kindly allowing me to fire a sweet and agreeable if harried person, but I went up for the promotion to front end manager last year and knew I’d have to hire people and train them and let some go when they ran out of chances. Mama would have never taken a job like that, or she’d quit in protest, but she’s good at sacrificing herself.

When I was twelve and we were walking downtown, we saw this black-and-white beagle mix run out into the middle of the street. Mama didn’t hesitate to sprint after it because a car was coming. She left me screeching at her from the sidewalk, afraid of being orphaned. The car stopped and a guy cussed at her and drove on. Mama picked up the dog and we took it to the shelter and Mama told them to call her if they couldn’t find the owner, but they did two days later.

On the drive home Mama realized I was being quiet and apologized, saying she really hadn’t seen the car since she was so focused on the dog. I believed her enough to forgive. Mostly. That was how my mama worked. But as I slather Russian dressing on another slice of bread, I worry what will happen if the asthma gets worse, if the arthritis gets worse, if she could go on disability or if it would be better to have Mama and Papa move closer to me, though neither of them would want to leave here, but what if something happens and she winds up in the hospital—

I believed her enough to forgive. Mostly. That was how my mama worked.

Still, I need to get to the dentist because I know I’m grinding my teeth in my sleep, and I should get to the OB/GYN for my yearly checkup, and monitor my blood pressure on those machines at the pharmacy, and figure out why I have the three-day migraine every month, but I think that’s job stress.

“Good sandwich,” Mama says. “I’m going to use the port-a-potties.”

I nod and watch her ease down the steps, but then she walks more quickly and trips a little but doesn’t fall, and I think Mama, why do you have to move so fast? I turn back to the toaster oven to make sure the bread doesn’t burn, then I hear a woman scream outside and run to the door and see Mama and another lady on the ground and oh God, she fainted, but no, she’s leaning over the woman, rolling her to her back, and I wonder if it’s heat stroke or diabetic shock and if I have hard candy in my purse, which I grab from under the camp chair along with a bottle of water.

By the time I get there, Mama has the lady sitting up, blinking, breathing. She coughs to one side. I hand her the bottled water, and Mama asks if she’s hurting, if she feels dizzy, if she might need insulin. The lady says she hasn’t been drinking enough, it was a dizzy spell, give her a moment. She sips the water and in a second they’re talking about the fair and parade and I remember the bread and go back to the trailer to find it on the cusp of burning, but I pop the lever up in time.

When the sandwiches are finished, I return to Mama outside who lets me offer a hand to help her and the lady off the ground.

“Oh-ho-ho, my knees,” Mama says, smiling to let me know that sometimes she can admit her own frailties. I yell to Papa we are going to the restroom together.

“Don’t you ladies fall in,” he calls as Mama and I walk with my arm around her shoulders.

“She needed to hydrate, I think that was it,” Mama says as we wait outside the big blue boxes. She rubs one hand over the other to soothe her arthritis. “You make a good Reuben.”

“We’ll have to do this again next year,” I say, wanting to think about that more than I want to think about tomorrow, projecting us surely forward in time when there will be more scorching summer days in that tiny trailer making sandwiches, aware that we’re standing on the cusp of fates, but knowing the secret is not to look down.

 

Teresa Milbrodt received her MFA in creative writing from Bowling Green State University. She is the author of two short story collections, Bearded Women: Stories (Chizine Publications), and Work Opportunities: Stories (Portage Press), a novel, The Patron Saint of Unattractive People (Boxfire Press), and a flash fiction collection Larissa Takes Flight: Stories (Booth Books). Her stories, essays, and poetry has been published widely in literary magazines. Read more of her work at http://teresamilbrodt.com/homepage/

Photo Credit: Jeff Wasserboer

https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png 0 0 Lisa Croce https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lisa Croce2018-11-23 11:35:182019-05-01 19:21:17Making Reubens

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

How to Kill a Cat, or How to Prepare for CATastrophe

March 10, 2023/in Blog / Meghan McGuire
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The Night I Want to Remember

December 16, 2022/in 2023ws-migration, Blog / Sanaz Tamjidi
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From Paper to the Page

November 18, 2022/in 2023ws-migration, Blog / Annie Bartos
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

Point Break & Top Gun Are More Than Homoerotic Action Movies

March 3, 2023/in Midnight Snack / Michaela Emerson
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Mending the Heart and Slowing Down: Reintroducing Myself to Mexican Cooking

October 7, 2022/in Midnight Snack / Megan Vasquez
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The Worth of a Billionaire’s Words

September 23, 2022/in Midnight Snack / Kirby Chen Mages
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

On Such a Full Sea Are We Now

March 17, 2023/in Amuse-Bouche / Jemma Leigh Roe
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The Russian Train

February 24, 2023/in Amuse-Bouche / Cammy Thomas
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Still Life

October 31, 2022/in Amuse-Bouche / Daniel J. Rortvedt
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Our contributors are diverse and the topics they share through their art vary, but their work embodies this mission. They explore climate change, family, relationships, poverty, immigration, human rights, gun control, among others topics. Some of these works represent the mission by showing pain or hardship, other times humor or shock, but they all carry in them a vision for a brighter world.

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