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Three Poems

November 6, 2025/ M. Cynthia Cheung

Granada

Here, a thin silk canopy,
avenues where orange blossoms bruise
under sun. We sit in the courtyard, distant
mountains gleaming behind your wasted face.
How long since your tongue could taste
iron in meltwater, your fingers deft
enough to pluck a pomegranate seed
without bursting? What I imagine
is vanishing—language
you will take beyond the peaks.
I should not blame silence
on the dead—nor ruin of pleasure—
but who else to blame?
For all the pain in this world, you say,
I love this life. Light traverses
your face, translucent.
We hold stillness in our hands, listen
to fountains speak.

The Adversary

        after Agha Shahid Ali

I track a scorpion—deathstalker—in the heat-ridden night.
It spins venom only at night.

You play innocence so well, with such precision. No need to hide
your thoughts—your selves await in amethyst nights.

Variable Antares—two stars circling—redder, profound.
Are they Greek? Arabic? No one knows but angels of night.

An angel is a trick of light, a sting: beautiful as it falls.
Like Satan, I too will finesse the angels all through the night.

Each venom bites its own way. Would you rather scyllatoxin
or Charybdis’? Both claim they’re besotted by night.

Defenseless as a demi-god, my grief drags a wing
over our eyes. You say it’s just illusion: our nights

of sweat, reckless blood. Still, our heartbeats flash
in synchrony through fluorescent nights.

It’s only pain. My dreams practice small deaths, find
their own black holes. O this electric and eternal night—

Babur Longs for Kabul

Sing again of the first time I lit upon him, his voice in the city’s afternoon market, and he, sensing my gaze, turned. How he suffered me to contemplate him, already Beloved! He made no secret that he despised my bashfulness. Not even ointments applied to my body diminished the pain. On holy days, in the manner of the afflicted, I carried fresh melons and plums and in tiny plazas, waited for slivers of heat to fade. Alone, I would hear his approach, eager, his hand sudden against my back. How many times can one flee a homeland? Breath of lotus makes me weep. Fountains, smashed. What return? We cannot return. Solstice to year’s end, daybreak existed for his glancing away.

spoilt calligraphy

unstoppered glass     clouds

overtake song

M. Cynthia Cheung is the author of Common Disaster (Acre Books, 2025). Her poems can be found in AGNI, Gulf Coast, The Massachusetts Review, Pleiades, and swamp pink, among others. She is the recipient of the Robert H. Winner Award from the Poetry Society of America. She practices internal medicine in Texas.

Issue Archive

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Genre Archive

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Being A Girl is Hard

November 28, 2025/in Blog / Shawn Elliott
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Diagnosis: Persisted or Silent Inheritance

November 7, 2025/in Blog / Paula Williamson
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The Queer Ultimatum Made Me Give My Own Ultimatum

September 26, 2025/in Blog / Lex Garcia
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
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Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
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The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
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Amuse-Bouche

Little bites every third Friday to whet your appetite!

Today’s plate:

I Try So Hard Not to Bite Off His Tongue & One Poem

November 21, 2025/in Amuse-Bouche / Sheree La Puma
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Those from sadness – Found Poem

November 14, 2025/in Amuse-Bouche / Yirui Pan
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My Town

October 31, 2025/in Amuse-Bouche / Shoshauna Shy
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Editing issue 28, I felt something similar to the way I feel near water: I dove into my own private world. The world above the surface kept roaring, of course. The notifications, deadlines, the constant noise was always there. But inside the work, inside these poems and stories and artwork, there was a quiet that felt entirely mine. A place where I could breathe differently.

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