Amuse-Bouche

Gonzalo de la Peña, a forty-year-old schoolteacher from our village, kept crickets in little bamboo cages that he purchased from a roving vendor while visiting the Capitol. He kept the crickets as a hobby, though he had little time for anything but teaching (he was very conscientious) and running an orange juice stand at the market, a tiring job he performed day after day to earn extra money for his family and tedious in-laws [. . .]

You are digging a hole. You’re not sure why, but it suits you. It makes it easier that you like the people you do it with. Not that there’s ever more than one person to a hole—a hole is a completely solitary thing—but the ones digging nearby, you think they make good conversation. […]

We call him Hugo Apollo
a science fictional name
perfect for the first space
he inhabits after birth, [. . .]

“The year when grandma turned one hundred, we 
could not see her. Our pandemic eyes not 
yet sprouted.”

I made a new email to be professional—obviously I couldn’t go around applying for jobs as , and my cousin wasn’t going to keep paying for that domain name anyway. So I picked something regular. I tried my first initial + last name as my username, but bholman was taken. So then I put my first two initials, and presto, I became blholman, employable person. […]

The salon burned down just before they moved in, and Shimmery would always associate the stench of burning plastic with the summer they lived on that hill. Her mom said it was arson, but Shimmery didn’t know who Arson was or what he had against manicures and perms.

The rain sets its liquid feet down on the pavement ahead of me as I waver my way down the block
with one crutch tucked into me like a loved one.[…]

Pastor says we’re all dead inside. That death is akin to riding a seatless bike. That death is the sound of rain and falling. It is the peculiar way mobile Jesus smiles at me from his particle-board cross. It is how my father died drunk and alone
in Hank’s used car lot.

The whistle had filled Yara’s dreams for a long time now—ever since she first heard it in the form of an incoming bullet that lodged itself in her best friend’s ribcage. More than anything she saw or heard that day, it was the whistle that most haunted her. It was the first time she understood that the promise of imminent chaos was always somehow worse than the actual chaos itself.[…]

People need to be seen and heard. There needs to be space where survivors can decide what healing looks and feels like for them. Awakenings is one of those places. That solidarity component is vital. Even if their experiences look different, we must get to the core of what it means to be human.

In fiction, we take things from our own lives and things we hear, and we fictionalize them, and we make them up, and we appropriate them for our own, but somehow I think there’s this feeling with poets sometimes that that’s dishonest when done in a poem, and I don’t think it is.

I see you’ve renounced your birthplace, which is of course your right. You will dream of male sunbirds feeding on nectar mid-air. When they come for you, they will ask about your love’s name, her contours, her address.

The big hitters in the audiobook world have found a beautiful balance between a performance and a conversation with a friend. The people who are most successful acknowledge that this performance is different from acting on the stage or on film, even though many of them have that background.

Disability as entertainment. For entertainment purposes only. For compelling narratives. We give to telethons and walkathons and passionate speechification to keep all disease away… like throwing virgins or dogs—sometimes entire cities—into or under volcanoes to appease the gods.[…]