Amuse-Bouche

Yan An’s poems are highly experimental, unconventional, and unique according to the standards and traditions of Chinese culture, considering their aesthetic value, contents, philosophical denotations, and meanings. As a pioneer in modern westernized Chinese poetry, Yan An has completely transformed Chinese readers’ concepts and understanding of poetry through his unique views about the universe, life, society, and people.[…]

This is not surgery, but delicate massage, feeling the flour fall into thickening milk, caving into the mix from the sides, birthing like a glacier into that fabulous muck hole, oozing between her fingers as she delicately mixes a quicksand of sorts, widening its territory until the feel is just right. Not too much, not too little.

The hijab had made her feel blessed when she had first been allowed to put it on. She thought she was praising Allah. She knew she was pleasing her father. He had looked at her in a different way that day.[…]

The women from my mother’s generation would have held their hands to their cheeks in shock and dismay. They would have cursed me for acting like a widow when I was fortunate to have a husband, alive and well! They would have whispered darkly about me, the irresponsible married woman who wore the symbol of widowhood so blithely![…]

She has tried opening up about her trauma to people she thought she could trust, but some friends distanced themselves or chided her for not “getting over it” when her story didn’t fit neatly into a survivor narrative. They didn’t want to hear how the twin poisons of abuse and silence seep their way into the body, how even the most processed trauma lies latent.[…]

check under the keyboard because that generation no

try: [my name + sister’s name] he liked me more no

I need to tell the stories of African American people’s history and accomplishments in hope of strengthening and building confidence in the community. I examine the precious moments that have been erased from our timelines and that need to be brought back, such as their backbreaking work and the unforgivable wrongs they endured.[…]

The poetic form has a compressed intensity to it. There’s such a focus. With the essay form, there’s more room to expand upon things. In an essay, I can wander around a little bit more; I can go on a tangent and reconnect with the main focus of the essay later. I like having that room.[…]

I’m one of those poets who gets the most creative satisfaction out of editing. That said, I don’t think I would enjoy working on a poem or group of poems after more than a few months. I tend to tinker until I make myself sick of it.[…]

Allen, TX In a stash of nostalgia my parents keep a piece of orange paper. Typed at the top it reads: “What three things are most important to you?” and underneath in neat rounded writing my teacher transcribed my answer: “God, Jesus, and money.”[…]

My work explores an inner world of stored images and reflects on the shifting space of landscape, narrative, and memory. In the context of globalization, I am interested in how any image conveys a sense of time and place specific to a personal and cultural history; drawing and painting have been the constants on which I rely to investigate these questions […]

And this is when fear grips me the tightest. How can I protect them? How can I keep them safe—[…]

Chief Smiling Officer of the Art Cart, Saba Shahid-Moir, MS, has made it her mission to help those who can’t smile so easily anymore due to complications from Parkinson’s disease […]

My art was born out the quest for perfection, and in every work that I create, I make a realistic drawing of people, showing the emotions they wish we could see through their eyes, with pencils. […]

It takes an inundation to isolate my isolation. I hope you remember―how a moon flooded fields for yellow spirits to rove, how we hastened through terraces into shrubs of pleasure. You: denuder, I: stony road. […]