Elena Ferrante’s The Days of Abandonment explores a woman trying to survive the emotional storm after her husband leaves her. While thin on plot, the specificity of the character study strikes a universal chord. The brutal and ugly honesty is striking, off-putting, and at times self-indulgent, but the character always remains true, which makes her […]
On a heavy Saturday in June, Steven and I wait for strangers to pound through my mother’s front door, but the strangers never come. Exclamation points, dotting our Craigslist posts like lollipops, have failed to lure buyers for the Vintage, Mint Condition! Italian provincial dining room set! and the Like New! Singer Sewing machine. No […]
Writer’s block. We’ve all experienced it. Sometimes we force ourselves through it. Wait it out. Try a writing prompt, take a break for coffee or something to eat. And sometimes it’s stickier than that. Now, you can’t get a word down. You’re staring at the white page. Maybe a revision? Maybe you should start over—like, […]
A Thin Season (For a young man beheaded for listening to Western pop tunes in his father’s grocery store) It is a thin season culling the air of blue breath choked sudden as a sword at the throat of a young infidel the forbidden pop tune of his innocence still playing in the annals of […]
Children of the Days: A Calendar of Human History consists of a series of 366 vignettes, one for each day of the Roman calendar year, not noticeably related to one another, which create a mosaic of fractured memories of human history. The volume continues the late Uruguayan writer Eduardo Galeano’s Hegelian approach to understanding and articulating Latin […]
I am interested in different forms of communication (verbal, written, body language, etc). I generally paint the female form in uncomfortable positions and circumstances to see if an idea, emotion, or critique can be communicated using bodies, symbols, and titles. People are gregarious by nature. We are not meant for solitary existence. Our need to affectively communicate with each other […]
What I Brought Back Peace Corps Lesotho, 1980-82 I brought images of a motorcycle, a tsetututu, sputtering down pot-holed roads to a village where men stuff mint in their nostrils, women stretch their mouths in ululation, boys extend legs in Bruce Lee moves, and babies are secured on mothers’ backs by blankets with airplane designs. […]
My last living memory is of my husband carrying my half-conscious body away from the thick heat and clinging wetness of the rice field. Something has bitten my right heel, leaving a crescent of bloody marks. He places me on our cart, jumps on, and prods Sakhi, our cow, into a jingling trot. Sweat and […]
A Field Guide for Immersion Writing is Robin Hemley’s non-fiction methodological primer for writers on immersion journalism. In this compilation, Mr. Hemley covers a gamut of approaches to tackling immersion-writing projects, using examples of his work and other writers’ works to apply the mechanics of the narrative process. His techniques cover advice for undertaking and refining […]
Moorings Suppose you say water. We’re on the boat, making for Babson Island, one of three tiny beach slabs that connects at high tide. We set anchor, mark the drift, account for wind, row to the shallows. This place has sand dollars. You find some, bring them to me. I will wrap them in tissue […]
On the Friday following the deaths of Alton Sterling and Philando Castile, Chinaka Hodge performed selections from her newly released poetry book, Dated Emcees, at 826LA to benefit the literacy organization. With poems honoring Jordan Davis, references to Trayvon Martin and Oscar Grant, and tributes to Tupac and Biggie, Hodge has no shortage of words for […]
The train ride from Osaka to Arashiyama took an hour. Noriko rested her head against her husband’s shoulder and drifted off into a light sleep. She was exhausted from long days working at the Tesagara Tea Room and taking care of their two-year-old son, Eiji. Disembarking at the station, Ichiro instructed the cab driver to […]
In “On Convention,” Margot Singer is less interested in defining what creative nonfiction is, and more interested in what it is doing and what it can do. She seeks to understand the evolving nature of the art of the genre, and how it blurs the lines between the “conventions,” of good writing—an imitation of mimetic […]
Each Time We Enter Costco I cannot help myself. I have to say, “See that? Free hearing tests!” To which I add, “Can’t hear me?” He ignores that, so, “Eh? Eh? What’s that?” His brittle bearing flashes mad. The cart gets filled in silence. Stuff we do not need in ludicrous amounts: pintos, potato chips, […]
The great thing about graphic memoirs is that they tell a story with pictures and somehow capture a feeling or an expression that no words can explain. It’s tricky, though. Because the association that a graphic novel is a story of cartoons, the expectation is that the subject matter is fiction. With a graphic memoir, the […]
My “Peoplescapes” are colorful and exaggerated narratives about the condition of today’s world. Our culture is designed to ignore certain fundamental truths, causing great obstacles to our continuing existence. Addressing these issues by capturing moments of ordinary life confronting us all, while sharply observing and commenting, I’m able to shine a light on these subjects […]
In Reeling Through Life: How I Learned to Live, Love and Die at the Movies, Tara Ison taps into her subconscious and squeezes out a rich stream of life lessons. Weaving her personal stories together with scenes from iconic films, Ison reflects on the “influence of film on [her] own authenticity” (5) and specifically examines […]
Longing, as dirge The wood in warp and disrepair has had its share of everything. Never drinking not even rye and absinthe puddled sickly on this old porch. No, the sazerac’s candy burn fails to impress this sagging terrace— it smolders on as coal beneath the eves. Although my foot glances toward his thigh and […]
The palm-of-the-hand stories anthologized in this collection span decades of Yasunari Kawabata’s life, from 1923-1972, and far pre-date the recent moniker “flash fiction,” though they could be classified now using that label. Most of these stories are realistic, detailing families at home, strangers on the train, and past lovers’ meeting by chance. There are a […]
Bonnie started stripping the moment her bedroom door latched behind her. She undid her blouse buttons. The white fabric stuck to her back, and she peeled it off and let it crumple to the floor. She tossed it so that it sat in a small, sweaty mountain in the corner of her room. Next to […]
The much talked about Between The World and Me by Ta-Nehisi Coates is about murder—the murder of black people by white people in a country that has thrived, since its inception, on the abuse of black bodies. This thriving is economic, but it is also cultural and, therefore, part of our identity as Americans. Over […]
Lift Up here even a slim wind sets the outstretched jib singing, but that doesn’t bother me any more than the crane’s height or cab’s close quarters. The way my son tells it, you’d think I lift a hundred tons on my back every day and build those buildings with my bare hands. I say […]
I was hoping that at some point I would figure out what this book is about—maybe you are too. – from The Art of Recklessness: Poetry as Assertive Force and Contradiction by Dean Young (p. 153) It’s difficult to digest all of The Art of Recklessness into an annotation, probably by design. Writer Dean Young often loses the reader with lines […]
In one year, my father died in a crash due to complications of diabetes; I had two surgeries reserved for women 20 years my senior; and I became the guardian for my 92-year-old Grandmother Emma, in the end stages of dementia. My mother, and each of her eight siblings, had diabetes and high blood pressure by age 50, bunions by 55, some form of cancer by 60. […]
LA-based writer Wendy C. Ortiz writes about her loss of innocence in her debut memoir Excavation, which has received rave reviews since its 2014 release. Ortiz’s writing is rife with figurative language like simile, metaphor, personification, parallel structure, alliteration, and repetition, but it is also incredibly self-reflective. Whether it’s the temporal distance that gives her […]
On September 26, 2009, at about a quarter past one in the morning, while outside, a cloudy night sky was closing in on Padua, he, lying on his king-sized futon next to his profoundly asleep wife, was shaken by a violent cough. Eyes staring into the dark bedroom, he was overcome by the age-old fear […]
The Ecstatic is Victor Lavalle’s intriguing debut novel cataloguing two months in the life of Anthony James, a 23-year-old horror-movie loving, obese, unstable, socially inept, obsessed with cleaning, sometimes-schizophrenic, college dropout. Anthony’s narrative begins on September 25, 1995, when he is abruptly rescued from “living wild in his apartment” (3) in Central New York and hauled […]
Rebecca Solnit gets the title for her work The Faraway Nearby from Georgia O’Keefe. “From the faraway nearby” was how O’Keefe would sign letters to the people she loved after moving from New York City to rural New Mexico. Says Solnit, “It was a way to measure physical and psychic geography together” (108). It is […]
I started firewalking after seeing a picture of a monk burn himself to death, but of course it’s more complicated than that. The monk came to history class where we were studying Vietnam, talking about what a mistake it had been, and about the protests against the war, in our country, and over there, where they […]
Alejo Carpentier’s The Kingdom of This World is a historical fiction novel set between the 1750s and 1810s, encompassing the time frame of the Haitian revolution. Carpentier creates an alternative history to the popular narrative of Toussaint L’Ouverture. The story is narrated by Ti Noël, an uneducated slave of the French plantation owner, M. Lenormand […]
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