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À La Carte: Damage [trigger warning]

September 10, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Jeni McFarland

[fiction] 4 My babysitter is an old bat. Old and mean. She makes me drink water standing by the kitchen table. She won’t let me sit down. After I drink, she pushes me back outside to play. She won’t let me in until lunch at eleven. I play with the other kids in the yard. […]

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Spotlight: ache / therapy session 1

September 3, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Charlotte Covey

ache when you came here, you were a shadow on the wall of the episcopalian church on the water, fourteen hours away. you had your mother’s face and father’s eyes. limbs that bent into edges and straw, skinny red lines frowning across your left wrist. a hunger you couldn’t name yet rustled beneath your ribs. […]

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Litdish: Tami Haaland, Poet

August 27, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Interviewed by Kristina Ortiz

Tami Haaland is the author of three poetry collections, What Does Not Return (2018), When We Wake in the Night (2012), and Breath in Every Room (2001), winner of the Nicholas Roerich First Book Award. She earned a BA and MA in English literature from the University of Montana and a MFA in creative writing and literature from Bennington College. Her work […]

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Bending the Spectrum

August 24, 2018/in Amuse-Bouche 2018, Blog / Sarita Sidhu

A four-letter word that ends in “k.” That’s how my friend, Kristi, used to refer to the color pink. In her youth she was a competitive swimmer, because it was the one sport open to both boys and girls. She writes: “A touch with the fingertips on the kicking feet of the swimmer in front […]

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À La Carte: IN THIS BODY, EVERYTHING ALREADY LOOKS LIKE DEATH

August 20, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Akpa Arinzechukwu

[creative nonfiction] Where did it begin, the pain, the images that haunt me? — La Prieta, Gloria E. Anzaldúa Tyler Clementi was eighteen in 2010. Before he ever became eighteen, he was a toddler. He was a kid with exceptional abilities, and he was known to have taught himself how to play the violin, accompanying […]

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Spotlight: LEMONADE

August 13, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Tucker Leighty-Phillips

Googling flowers that sound country enough to create my own lemon on a step because it is smart to discuss a field of goldenrods rather than the hood flying up on the old eighty-four ford ranger while we were doing seventy on seventy-five because the truck was a lemon held together by bungee cords, electrical […]

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Writers Read: feeld by Jos Charles

August 6, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Jordan Nakamura

The poet Vijay Seshadri said that “the purpose of poetry is to deal with unprecedented experience.” Poets will use unprecedented language, but few have made poems mostly made up of entirely unprecedented words. Jos Charles’s feeld accomplishes just that, living in an invented and unnamed dialect that is as new as it is familiar. Her […]

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Starr Page, I bring YOU Presents, 2017, ink and watercolor, 11 x 14

Spotlight: We the WOMEN of Changing Girls

July 30, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Starr Page

I consider my work a contemplation of the contemporary image. I create through scribbling twisting and interlacing lines creating this mass of interesting shapes. A vital expression is then released and an innovation of an image emerges. I enjoy delving into the psychological portion of my mind through drawing […]

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https://lunchticket.org/wp-content/uploads/2018/07/3_Untitlted-e1530716150635.jpg 828 800 Starr Page https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Starr Page2018-07-30 10:00:582019-06-28 22:14:23Spotlight: We the WOMEN of Changing Girls

À La Carte: another Black Body takes on the role of narrator

July 23, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Maurisa Li-A-Ping

i dream about time i dream, that it loves me that time will give Black Bodies more of itself this poem is about a universe where time runs the world this poem is about a universe where time aint got no time for Black Bodies a universe in which time plays chess with Black Bodies check mate. the speaker of […]

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Litdish: LeVan D. Hawkins, Writer, Poet, Performance Artist

July 16, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Interviewed by Kristina Ortiz

LeVan D. Hawkins is a writer, poet, and performance artist formerly of Los Angeles and based in Chicago. In Chicago, he has appeared at the You’re Being Ridiculous storytelling series at Steppenwolf Theatre, Links Hall, the Homolatte Reading Series, This Much Is True Chicago, OUTspoken!, Fillet-of-Solo-Storytelling Festival, and Center on Halsted. Hawkins’s prose has appeared in […]

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À La Carte: Safe House

July 9, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Angie Blair

[creative nonfiction] “Every year, hundreds of thousands of American families become homeless, including more than 1.6 million children. Even a seemingly minor event can trigger a catastrophic outcome and catapult a family onto the streets.” The National Center on Family Homelessness   December in Philadelphia had closed in fast, with a sudden shift from the […]

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Spotlight: What to Expect When You Become a Bell / Sea Route

July 2, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Laura Ring

What to Expect When You Become a Bell There will be hands. A litany of them. You will be lifted by the saffron cuffs of a temple priest, tuned lip tapped against your sister’s to synchronize every supplicant heart to the beat of rapture. But don’t fear— between blows, something will persist. You will be […]

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Litdish: Ruth Madievsky, Poet

June 25, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Interviewed by Adrian Ibarra

Originally from Moldova, Ruth Madievsky is the author of a poetry collection titled Emergency Brake (Tavern Books, 2016). Her poetry and fiction appear in Tin House, The American Poetry Review, Kenyon Review, The Iowa Review, The Rumpus, ZYZZYVA, and elsewhere. She is currently at work on a second poetry collection and book of linked short stories. When […]

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Ray Crest, 2018, Sculpture, Pinewood, Willow, H 55” x W-40” x D- 35”

Spotlight: archiTERRA

June 18, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Marcia Wolfson Ray

“The map is not the territory”-Alfred Korzbyski This quote reveals the physical motivation behind my involvement in creating sculpture. The source of my ideas comes from nature and nature also provides the materials for the pieces themselves. Willow, dog fennel, phragmites, hibiscus, pine bark, bamboo and marsh elder are examples […]

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https://lunchticket.org/wp-content/uploads/2018/05/1_Crest-e1526787151725.jpg 927 600 Marcia Wolfson Ray https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Marcia Wolfson Ray2018-06-18 11:26:092019-06-28 22:22:34Spotlight: archiTERRA

Writers Read: Refuge: A Memoir by Ming Holden

June 4, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Kori Kessler

Ming Holden’s essay collection is an experiment. Equal parts essay, memoir, and poetry, with a dash of fiction, Refuge: A Memoir bends genre to immerse readers into the lives of the refugees and political exiles Holden has worked with throughout her life. From Syria to Kenya to China, Holden explores the circular, repetitive trauma that refugees […]

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Spotlight: Summer of Sola

May 28, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Marie Baleo

[fiction]  Your lips taste of dust and salt. Your baby hairs glisten, limp commas and parentheses. In the mirror, you examine your freckles. You avoid looking at your chest. You dip your foot in the water (too hot), force yourself to keep it in, smothering it with one hand. You sink deeper into the bath, […]

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À La Carte: Barack & Michelle Obama Gone Ghetto #1 and #2

May 21, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / henry 7. reneau, jr.

1. The City on the Hill haunted by all manner of gunshots & protest signs & constricted throats of umbrage. Pundit wolves gnawing at the ballet- slippered sheath of flesh-glazed bones: Poverty is a state of mind. The cloy of fear a cheap perfume-scented cover for panic wafting from corporate person-hoods of deceit & profit […]

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https://lunchticket.org/wp-content/uploads/2018/05/admin-ajax-1.jpeg 400 300 henry 7. reneau, jr. https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png henry 7. reneau, jr.2018-05-21 12:15:332019-06-28 22:25:18À La Carte: Barack & Michelle Obama Gone Ghetto #1 and #2

Spotlight: The End of Cursive / City With Two Exits / Downstream, My Older Brother Holds My Hand

May 14, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Lis Sanchez

The End of Cursive One day, fog rolls up from the pond’s dull mouth, skims our face, dissipates. The songbirds appear misplaced, greedy. How quickly the sparrows drop pathside to scratch for winged seeds lying golden among the goose turds. The fog’s unraveling strands are cursive, you say, scrawled in a vanishing ink. I recall […]

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https://lunchticket.org/wp-content/uploads/2018/03/Updated_Sanchez_PaulGussler_opt.jpg 400 300 Lis Sanchez https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Lis Sanchez2018-05-14 20:34:072019-06-28 22:26:16Spotlight: The End of Cursive / City With Two Exits / Downstream, My Older Brother Holds My Hand

À La Carte: Mukti (Freedom)

May 7, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Sara Siddiqui Chansarkar

[fiction] Kamla has been through labor five times before in the past thirteen years, but the pain is still unforgiving, shaking and splitting her body. The village lady-doctor, Doctorni, fans Kamla’s face with a tattered punkah in the tiny two-room hospital in Bihar, India, and asks the tall nurse to boil some water. The nurse […]

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Spotlight: That Sweet Son of Mine

April 30, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Calder G. Lorenz

[fiction] My father is home. I find his jacket and his cane and his wool hat piled at the door. There is a melted snow path that leads into the house. It’s been a few days since I’ve seen him, but I feel a sense of happiness that he was able to take his morning […]

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À La Carte: On Buying My Mother a Mirror

April 23, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Jess Nieberg

it is three o’clock in the afternoon i am asleep when your principal calls the day has eaten its way through my eyelids you cannot know the little things when you call me i am asleep it is the only thing that stops the crying you cannot know the little things how easily i come […]

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Spotlight: Who is Auntie Jill?

April 16, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Gabriela Denise Frank

[creative nonfiction] “I ain’t got no food in the refrigerator,” Auntie Jill’s voice barks from my phone. As a kid, she terrified me—and still does, at forty-three. I reduce the volume to one bar. We are planning my stay with her in Detroit over Memorial Day. To friends, I’ve dubbed this sojourn a Guilt Trip, […]

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https://lunchticket.org/wp-content/uploads/2018/03/Frankheadshot_opt.jpg 400 300 Gabriela Denise Frank https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Gabriela Denise Frank2018-04-16 07:52:112019-06-28 22:30:25Spotlight: Who is Auntie Jill?

À La Carte: Pinson Valley

April 9, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Brandon Jordan Brown

Summer of the three-cylindered engine, weeks spent thumping the wheel to tinny songs with a revolver stashed in my trunk. Johnnie on Snake Hill, pouring gas on the armrests of an old recliner, setting it on fire, watching the polyester open like a sore. Off 280, river scum lapping over rocks, their gray faces stained […]

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Spotlight: Incantation for the God Gene

April 2, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Jen Karetnick

Cast away the coins closing your lids. Roll off the stones weighing your limbs. This is what we know: Every Good Book when in doubt is named again. We inherit the sins of our glossolalia, secreting the Divine like sex. The seat of the soul is in the genitals, the road to Mecca, Jerusalem, Damascus […]

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torrin a. greathouse

Litdish: torrin a. greathouse, Poet

March 26, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Interviewed by Adrian Ibarra

torrin a. greathouse (she/her or they/them pronouns) is a genderqueer trans woman & cripple-punk from Southern California. Her work is published or forthcoming in Bettering American Poetry, Muzzle, Redivider, BOAAT, Waxwing, The Offing, Frontier, and Michigan Quarterly Review. She is the author of two chapbooks, Therǝ is a Case That I Ɐm(Damaged Goods, 2017) and boy/girl/ghost (TAR Chapbook Series, 2018). […]

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Eloisa Guanlao, Noli Me Tangere (Stills), 2017-In Production , Digital Documentary Video

Spotlight: Noli Me Tangere

March 19, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Eloisa Guanlao

As an artist and ecologically-minded humanist, I am interested in performing history and historiography through visual means, giving careful consideration to the materials I use. I am currently working on Talk Story, a multifaceted long-term project, spanning four continents and five centuries of territorial expansion and human movement […]

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À La Carte: A People’s History

March 12, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Tom Lakin

[fiction] An overcast day in early November: wolf-gray sky, scraps of cloud pasted above the ragged skyline of the city. Here, half-reclined on a worn green corduroy couch, furred belly bare beneath a struggling hem and a thick braid of drool making a moat of his shirt collar, is Sam, freshly awakened in the living […]

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Spotlight: Education for Bastards / Congregations for Bastards / Auctions for Bastards

March 5, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Michele Leavitt

Education for Bastards Listen—you could be anyone. Other kids say they know their fathers, but marriage? That’s a knot made for plot twists. What’s better than Imagination? And her pedigree’s as full of holes as yours. She stretches across the unknown, she makes new stories, she flies through the galaxies and back. Her best friend […]

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https://lunchticket.org/wp-content/uploads/2018/02/Leavitt-2017_opt-2.jpg 400 300 Michele Leavitt https://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.png Michele Leavitt2018-03-05 09:22:522019-06-28 22:37:33Spotlight: Education for Bastards / Congregations for Bastards / Auctions for Bastards

À La Carte: Daddy’s Girl

February 26, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Cathy Luna

[creative nonfiction] Her father dies three times. The first time, in ‘69, she’s six, and her mother tells her, “They lost him; he’s missing.” But she knows they’ll find him, and he’ll find her, even after her mother packs a folded-over mattress and her three daughters in the back seat of her white VW bug […]

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Doren Damico

Spotlight: Inheriting Post-it Notes

February 19, 2018/in Amuse-Bouche, Amuse-Bouche 2018 / Doren Damico

[poetry] I June 25, 2013 i’m in Mom’s office helping her pack for her new home the last home where she’s going home to die I want you to have this she says handing me a yellow post-it it’s a quote that she wrote “In the end it’s not the years in your life that […]

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Friday Lunch Blog

Friday Lunch! A serving of contemporary essays published the second Friday of every month.

Today’s course:

Being A Girl is Hard

November 28, 2025/in Blog / Shawn Elliott
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Diagnosis: Persisted or Silent Inheritance

November 7, 2025/in Blog / Paula Williamson
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The Queer Ultimatum Made Me Give My Own Ultimatum

September 26, 2025/in Blog / Lex Garcia
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Midnight Snack

Take a bite out of these late night obsessions.

Tonight’s bites:

The Lilac and The Housefly: A Tale of Tortured Romanticism

October 24, 2025/in Midnight Snack / Nikki Mae Howard
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Dig Into Genre

May 23, 2025/in Midnight Snack / Lauren Howard
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The dreams in which I’m (not) dying

April 25, 2025/in Midnight Snack / paparouna
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School Lunch

An occasional Wednesday series dishing up today’s best youth writers.

Today’s slice:

I’ve Stayed in the Front Yard

May 12, 2021/in School Lunch, School Lunch 2021 / Brendan Nurczyk
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A Communal Announcement

April 28, 2021/in School Lunch, School Lunch 2021 / Isabella Dail
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Seventeen

April 14, 2021/in School Lunch, School Lunch 2021 / Abigail E. Calimaran
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Word From the Editor

Editing issue 28, I felt something similar to the way I feel near water: I dove into my own private world. The world above the surface kept roaring, of course. The notifications, deadlines, the constant noise was always there. But inside the work, inside these poems and stories and artwork, there was a quiet that felt entirely mine. A place where I could breathe differently.

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