Our Amuse-Bouche series offers little bites once a month to keep you satiated between issues. Dig into a smorgasbord of genres every third Friday of the month!
[poetry] Freehanding Maps of Minnesota I have called you feather down in my sleep, christened you the verge of memory, painted your rivers in the rain. I have written the scene before I even arrive; The breeze floats just enough to rustle the edges of the paper, lines only tenuously drawn. Do your lakes ever […]
Things That Are is Amy Leach’s whimsical collection of nonfiction essays about the natural world. These essays blend poetry, nonfiction, and nature writing—bending the genre and exploring the boundaries of what form creative nonfiction can take. It’s through the unexpected and illuminating prose that Leach seeks to create a relationship between the reader and the […]
https://lunchticket.org/wp-content/uploads/2017/07/Things_that_Are_300dpi_RGB.jpg386253Jane-Rebecca Cannarellahttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngJane-Rebecca Cannarella2017-07-03 11:09:102019-06-29 15:42:10Writers Read: Things That Are by Amy Leach
[fiction] You don’t know I have a picture of you, because you are dead. Before you were dead, I wondered what it would be like to be trapped in your mouth for eternity, like a wedded Jonah. Whenever you said honey or Leeza or, more likely, Lisa, I would feel the rib cage constrict. I […]
https://lunchticket.org/wp-content/uploads/2017/02/rsz_denisetolan.jpg400300Denise Tolanhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngDenise Tolan2017-06-26 14:42:122019-07-07 23:20:06Spotlight: Because You are Dead
There is a real casual ease by which the poems in Teaching My Mother How to Give Birth present themselves. They are not struggling to find a voice, but are grounded firmly in their style and language. This little chapbook feels solid, weighty, and Shire does a fine job of creating consistency in such a short […]
https://lunchticket.org/wp-content/uploads/2017/06/shirebook1.jpg1360880Joshua Roarkhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngJoshua Roark2017-06-19 14:21:322019-06-29 15:45:09Writers Read: Teaching My Mother How to Give Birth by Warsan Shire
The blurb for the paperback printing of King reveals the title character, our narrator, is canine. But John Berger blurs species lines in this poignant tale of twenty-four hours in the life of the marginalized inhabitants of a French homeless camp. With Berger’s spare, lyric prose, King is granted first person point of view. He […]
https://lunchticket.org/wp-content/uploads/2017/06/king.jpg296204Katelyn Keatinghttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngKatelyn Keating2017-06-05 07:00:122019-06-29 15:46:08Writers Read: King: A Street Story by John Berger
[fiction] What would you do if you weren’t afraid? I walk out to the car in a state of unusual calm. In the house over there, which I share with my husband and son, my husband has just now informed me that he isn’t in love with me anymore, that in fact he is in […]
Night Sky With Exit Wounds is woven from deep threads—the experience of fleeing war and becoming a refugee, migration and the sea, parent-child relationships, and queer sexuality. Life is complex. Layers of emotion, memory, and transformation unite in this journey of one human being. Vuong’s stories and structures made me feel huge possibilities in poetry. […]
https://lunchticket.org/wp-content/uploads/2017/05/nswew.jpg499367Amy Shimshon-Santohttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngAmy Shimshon-Santo2017-05-22 07:00:142019-06-29 15:49:10Writers Read: Night Sky With Exit Wounds by Ocean Vuong
[poetry] I remember the smell of rusty handlebars, of rotten onions, smoke, garlic meatballs, stale fried fish, and clogged toilets. The local train smelled of skin of man and animal, of cheap tobacco and unwashed clothes, the smell of poverty and cold. The peasants carried raffia sacks stuffed with bread, food for chickens, and pigs. […]
https://lunchticket.org/wp-content/uploads/2017/02/ClaudiaSerea.jpg33772537Claudia Sereahttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngClaudia Serea2017-05-15 09:01:022019-06-29 15:50:07Spotlight: I Remember the Smells
Near the end of her abortion memoir Annie Ernaux writes, “…these things happened to me so that I might recount them. Maybe the true purpose of my life is for my body, my sensations and my thoughts to become writing, …causing my existence to merge into the lives and heads of other people” (92). Not […]
These images, taken in 2016 in the Pacific Northwest, demonstrate my interest in using tonalities and arrangements to elicit abstract shapes from natural objects. My art photographs utilize isolation of detail as a tactic to focus attention; I enjoy discovering how realistic contents can be grasped in new ways when guided by the discerning camera lens […]
On the face of it, St. Lucy’s Home for Girls Raised by Wolves is a collection of ten short stories, many of which take place on the same island, many of which contain strong elements of magical realism, and all of which employ precise, evocative language. In “Ava Wrestles the Alligator,” against the backdrop of […]
https://lunchticket.org/wp-content/uploads/2017/04/St-Lucys-683x1024.jpg1024683Meg Gaertnerhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngMeg Gaertner2017-04-24 07:00:082019-06-29 15:52:43Writers Read: St. Lucy’s Home for Girls Raised by Wolves by Karen Russell
[fiction] I’m wearing my banana-yellow pantsuit and my best ash-blonde, bob-styled wig. He’s an hour late. One of my fake lashes falls on my lap. The glue still sticky on my eyelid. He yells from outside my window. You up there? I press the eyelashes back in place and stumble out of the apartment and […]
https://lunchticket.org/wp-content/uploads/2017/02/Gessy_Alvarez_opt.jpg400300Gessy Alvarezhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngGessy Alvarez2017-04-17 00:19:082019-06-29 15:53:32Spotlight: The Last Word
Martín Espada, where have you been all of my life? I believe that the universe sends artists, writers and poets gifts of inspiration when they truly need it. Espada is a Latino poet, like me, born in America, who has the eloquence of Walt Whitman and the passionate pulsating spirit of Charles Bukowski. Espada’s poetry […]
https://lunchticket.org/wp-content/uploads/2017/04/martinespadacover.jpg499368Adrian Cepedahttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngAdrian Cepeda2017-04-10 07:00:162019-06-29 15:55:12Writers Read: Vivas to Those Who Have Failed by Martín Espada
late night fireplace hiss; you bury yourself in rumpled quilts; woolen sanctums for solitude. circling your callused chest is a prison and epiphany— mouths and pectorals make a reckless truce to learn the metaphors of symmetry. we slipped one quarter in love and the rest in snow; our crumbling house is beige-mess of carpet string, […]
This collection of poetry opens with epigraphs by Charles Darwin, including one that lists similarities in the “framework of bones” between different animals: fins and hands, vertebrae in giraffes and elephants, “and innumerable other such facts, at once explain themselves on the theory of descent” (11). The poems shift their subjects from animals to humans, […]
Each piece is made from ordinary items such as balls, light fixtures, outdoor flowers and even a jelly fish. The ordinary does not have to stay as such and this collection is meant to challenge the concept of ordinary and take you to the universe of infinite space, where the impossible is possible.
https://lunchticket.org/wp-content/uploads/2017/03/Copy-of-4_Boissonneault-Gauthier_Black_Hole-e1504115466570.jpg534400Karen Boissonneault-Gauthierhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngKaren Boissonneault-Gauthier2017-03-20 08:12:382019-06-29 15:58:33Spotlight: Ordinary Space by Karen Boissonneault-Gauthier
The 2016 edition of The Best American Short Stories, edited by Junot Diaz, plumbs the multiplicity of writing within the English language – and it may be a beacon for the future of the North American canon. The stories contained within this collection represent the vast experience of writing within an “American” life, as opposed […]
https://lunchticket.org/wp-content/uploads/2017/03/bestamericanshort.jpg299260Melissa Benton Barkerhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngMelissa Benton Barker2017-03-13 07:00:442019-06-29 15:59:29Writers Read: The Best American Short Stories edited by Junot Diaz
Ascension When at last it tilted worse to land than leave what happened was this: the birds snipped their gravitational strands. They took two or three or five final wing strokes heavenward and on that momentum traveled, up and out. Kingdom, Phylum, Class: Aves the birds folded splendor, resisted iridescence, overrode any hints of song. […]
Live Girls by Beth Nugent is the story of Catherine, twenty-years-old, who abandons her first year of college at a women’s religious university, moves to the nearby city where she takes up residence at a seedy transient hotel, and accepts a job as a ticket seller in a squalid, decaying porn theatre. Catherine is pretty, curiously […]
When business was slow, the curandero would take his skills to the stable to heal horses. To the ladies at the barn, he speaks English, recommending an ointment, but there is no saying it in English. So, he says it in in Spanish: Cebo de Coyote con Aceite de Víbora. To the horses, he speaks […]
“Somebody’s got to bleed if anybody’s going to drink” (164). In his climate-fiction (cli-fi) novel, The Water Knife, Paolo Bacigalupi’s cinematic writing begs to find its way to the big screen where his vast landscapes, dramatic dialogue, and poignant message on water consumption can reach the masses. While his story lands big, juicy punches, Baciglupi’s […]
https://lunchticket.org/wp-content/uploads/2017/02/waterknife.jpeg941631Kim Sabinhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngKim Sabin2017-02-13 07:00:402019-06-29 16:05:56Writers Read: The Water Knife by Paolo Bacigalupi
In the last year, both my mother and father died. They were gone within 42 days of each other, one to a stroke, one to heart failure. These paintings, part of a much larger collection, were attempts to convey feelings of being submerged, of being unable to put words to experience, being unable to surface […]
https://lunchticket.org/wp-content/uploads/2017/02/Steiner_Swimming_with_My_Eyes_Open.jpg480640Donna Steinerhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngDonna Steiner2017-02-06 08:26:042019-06-29 16:06:54Spotlight: Swimming with My Eyes Open
Coal Mountain Elementary is a noteworthy example of investigative poetry, which incorporates data and reportage—including statistics, historical documents, news media, interviews, and images—into, most commonly, lyrical and prose poems. Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric (2004) is a well-known example of the former type as it lets the reader enter the […]
[fiction] Our room is around the back of the motel, away from the highway floodlights. Hiram and Baby are sleeping in the backseat by the time we pull up, and Mama carries Baby while Daddy slings Hiram over his shoulder like a sack of flour. Myself I walk. I’m grown enough to see the motel […]
https://lunchticket.org/wp-content/uploads/2016/08/SJohnstonPic_opt.jpg400300Savannah Johnstonhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngSavannah Johnston2017-01-23 08:59:272019-06-29 16:14:28Spotlight: Shells II by Savannah Johnston
John McPhee writes beautifully. About anything. From conservation and aviation to art and citrus. His voice renders topic irrelevant. Relentless specificity of language is the main attraction. Think pieces can blur the line between journalism and literature. Between the academic and the personal. McPhee is investigative nonfiction’s spirit animal. Even The John McPhee Reader’s ‘70s […]
https://lunchticket.org/wp-content/uploads/2016/12/johnmcpheecover.jpg499334Ari Rosenscheinhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngAri Rosenschein2017-01-16 07:00:172019-08-11 18:04:29Writers Read: The John McPhee Reader by John McPhee
[fiction] I hunt in the morning, because the world makes sense when you watch it beginning. The woods, they wake up like my 5-year-old, Emma. Kind of slowly, fluttering, then suddenly it’s all action everywhere all at once and you can’t keep up. The trees and bushes light up from inside, and then the sun […]
Play it As it Lays is the perfect novel and Maria is a fascinating mix between Lana Del Rey (the old Hollywood glamor, the detached gloom) and Little Edie Beale (the saltine tins, the psychic instability, the domestic disarray), appealing in large part because she is unapologetically herself. As Amy Schumer highlighted through a now-viral sketch, […]
https://lunchticket.org/wp-content/uploads/2016/10/playitasitlays.jpg475316Anna Dornhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngAnna Dorn2017-01-02 07:00:482019-08-11 17:43:01Writers Read: Play it As it Lays by Joan Didion
This work has been selected from an ongoing series, Leisure Seizure.
Theres a lot of weird stuff out there, some of the objects were created to promote long gone businesses, abandoned building projects or doomed theme parks. Some of it is simply an act of whimsy. […]
Fred Moten’s writing is being lost. Or found. Or the kind of lost you want—the wind whipping through trees in Alabama or words that come in meaningful bursts, though you are unsure of the meaning or the source of the bursts. You reel in a mad maelstrom of feeling, entirely precognitive but at once familiar, […]
https://lunchticket.org/wp-content/uploads/2016/08/Feel-Trio-Cover.png259350Alex Simandhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngAlex Simand2016-12-19 15:36:372019-08-11 17:49:52Writers Read: The Feel Trio by Fred Moten
In the introduction to his essay anthology, About This Life: Journeys on the Threshold of Memory, Barry Lopez describes becoming a writer and finding his voice. He writes of the universality of story in all cultures, a binding theme in this collection: “Stories do not give instruction, they do not explain how to love a companion […]
https://lunchticket.org/wp-content/uploads/2016/10/abouthislife.jpg499325Katelyn Keatinghttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngKatelyn Keating2016-11-28 07:00:352019-08-11 17:21:16Writers Read: About This Life by Barry Lopez
Spotlight: Freehanding Maps of Minnesota / Canción Bilingüe
/in Amuse-Bouche, Amuse-Bouche 2017 / Irene Vasquez[poetry] Freehanding Maps of Minnesota I have called you feather down in my sleep, christened you the verge of memory, painted your rivers in the rain. I have written the scene before I even arrive; The breeze floats just enough to rustle the edges of the paper, lines only tenuously drawn. Do your lakes ever […]
Writers Read: Things That Are by Amy Leach
/in Amuse-Bouche, Amuse-Bouche 2017 / Jane-Rebecca CannarellaThings That Are is Amy Leach’s whimsical collection of nonfiction essays about the natural world. These essays blend poetry, nonfiction, and nature writing—bending the genre and exploring the boundaries of what form creative nonfiction can take. It’s through the unexpected and illuminating prose that Leach seeks to create a relationship between the reader and the […]
Spotlight: Because You are Dead
/in Amuse-Bouche, Amuse-Bouche 2017 / Denise Tolan[fiction] You don’t know I have a picture of you, because you are dead. Before you were dead, I wondered what it would be like to be trapped in your mouth for eternity, like a wedded Jonah. Whenever you said honey or Leeza or, more likely, Lisa, I would feel the rib cage constrict. I […]
Writers Read: Teaching My Mother How to Give Birth by Warsan Shire
/in Amuse-Bouche, Amuse-Bouche 2017 / Joshua RoarkThere is a real casual ease by which the poems in Teaching My Mother How to Give Birth present themselves. They are not struggling to find a voice, but are grounded firmly in their style and language. This little chapbook feels solid, weighty, and Shire does a fine job of creating consistency in such a short […]
Writers Read: King: A Street Story by John Berger
/in Amuse-Bouche, Amuse-Bouche 2017 / Katelyn KeatingThe blurb for the paperback printing of King reveals the title character, our narrator, is canine. But John Berger blurs species lines in this poignant tale of twenty-four hours in the life of the marginalized inhabitants of a French homeless camp. With Berger’s spare, lyric prose, King is granted first person point of view. He […]
Spotlight: My Sweet Amygdala
/in Amuse-Bouche, Amuse-Bouche 2017 / Emma Sloley[fiction] What would you do if you weren’t afraid? I walk out to the car in a state of unusual calm. In the house over there, which I share with my husband and son, my husband has just now informed me that he isn’t in love with me anymore, that in fact he is in […]
Writers Read: Night Sky With Exit Wounds by Ocean Vuong
/in Amuse-Bouche, Amuse-Bouche 2017 / Amy Shimshon-SantoNight Sky With Exit Wounds is woven from deep threads—the experience of fleeing war and becoming a refugee, migration and the sea, parent-child relationships, and queer sexuality. Life is complex. Layers of emotion, memory, and transformation unite in this journey of one human being. Vuong’s stories and structures made me feel huge possibilities in poetry. […]
Spotlight: I Remember the Smells
/in Amuse-Bouche, Amuse-Bouche 2017 / Claudia Serea[poetry] I remember the smell of rusty handlebars, of rotten onions, smoke, garlic meatballs, stale fried fish, and clogged toilets. The local train smelled of skin of man and animal, of cheap tobacco and unwashed clothes, the smell of poverty and cold. The peasants carried raffia sacks stuffed with bread, food for chickens, and pigs. […]
Writers Read: Happening by Annie Ernaux
/in Amuse-Bouche, Amuse-Bouche 2017 / Michelle TempletonNear the end of her abortion memoir Annie Ernaux writes, “…these things happened to me so that I might recount them. Maybe the true purpose of my life is for my body, my sensations and my thoughts to become writing, …causing my existence to merge into the lives and heads of other people” (92). Not […]
Spotlight: Northwest Coast Structures
/in Amuse-Bouche, Amuse-Bouche 2017 / Jayne MarekThese images, taken in 2016 in the Pacific Northwest, demonstrate my interest in using tonalities and arrangements to elicit abstract shapes from natural objects. My art photographs utilize isolation of detail as a tactic to focus attention; I enjoy discovering how realistic contents can be grasped in new ways when guided by the discerning camera lens […]
Writers Read: St. Lucy’s Home for Girls Raised by Wolves by Karen Russell
/in Amuse-Bouche, Amuse-Bouche 2017 / Meg GaertnerOn the face of it, St. Lucy’s Home for Girls Raised by Wolves is a collection of ten short stories, many of which take place on the same island, many of which contain strong elements of magical realism, and all of which employ precise, evocative language. In “Ava Wrestles the Alligator,” against the backdrop of […]
Spotlight: The Last Word
/in Amuse-Bouche, Amuse-Bouche 2017 / Gessy Alvarez[fiction] I’m wearing my banana-yellow pantsuit and my best ash-blonde, bob-styled wig. He’s an hour late. One of my fake lashes falls on my lap. The glue still sticky on my eyelid. He yells from outside my window. You up there? I press the eyelashes back in place and stumble out of the apartment and […]
Writers Read: Vivas to Those Who Have Failed by Martín Espada
/in Amuse-Bouche, Amuse-Bouche 2017 / Adrian CepedaMartín Espada, where have you been all of my life? I believe that the universe sends artists, writers and poets gifts of inspiration when they truly need it. Espada is a Latino poet, like me, born in America, who has the eloquence of Walt Whitman and the passionate pulsating spirit of Charles Bukowski. Espada’s poetry […]
Spotlight: Shadow
/in Amuse-Bouche, Amuse-Bouche 2017 / Maayan Averylate night fireplace hiss; you bury yourself in rumpled quilts; woolen sanctums for solitude. circling your callused chest is a prison and epiphany— mouths and pectorals make a reckless truce to learn the metaphors of symmetry. we slipped one quarter in love and the rest in snow; our crumbling house is beige-mess of carpet string, […]
Writers Read: Kingdom Animalia by Aracelis Girmay
/in Amuse-Bouche, Amuse-Bouche 2017 / Lauren KinneyThis collection of poetry opens with epigraphs by Charles Darwin, including one that lists similarities in the “framework of bones” between different animals: fins and hands, vertebrae in giraffes and elephants, “and innumerable other such facts, at once explain themselves on the theory of descent” (11). The poems shift their subjects from animals to humans, […]
Spotlight: Ordinary Space by Karen Boissonneault-Gauthier
/in Amuse-Bouche, Amuse-Bouche 2017 / Karen Boissonneault-GauthierEach piece is made from ordinary items such as balls, light fixtures, outdoor flowers and even a jelly fish. The ordinary does not have to stay as such and this collection is meant to challenge the concept of ordinary and take you to the universe of infinite space, where the impossible is possible.
Writers Read: The Best American Short Stories edited by Junot Diaz
/in Amuse-Bouche, Amuse-Bouche 2017 / Melissa Benton BarkerThe 2016 edition of The Best American Short Stories, edited by Junot Diaz, plumbs the multiplicity of writing within the English language – and it may be a beacon for the future of the North American canon. The stories contained within this collection represent the vast experience of writing within an “American” life, as opposed […]
Spotlight: Ascension / Whale / Post-Apocalyptic Lotus
/in Amuse-Bouche, Amuse-Bouche 2017 / Janet MalotkyAscension When at last it tilted worse to land than leave what happened was this: the birds snipped their gravitational strands. They took two or three or five final wing strokes heavenward and on that momentum traveled, up and out. Kingdom, Phylum, Class: Aves the birds folded splendor, resisted iridescence, overrode any hints of song. […]
Writers Read: Live Girls by Beth Nugent
/in Amuse-Bouche, Amuse-Bouche 2017 / Tim CummingsLive Girls by Beth Nugent is the story of Catherine, twenty-years-old, who abandons her first year of college at a women’s religious university, moves to the nearby city where she takes up residence at a seedy transient hotel, and accepts a job as a ticket seller in a squalid, decaying porn theatre. Catherine is pretty, curiously […]
Spotlight: Eso
/in Amuse-Bouche, Amuse-Bouche 2017 / Jimena BurnettWhen business was slow, the curandero would take his skills to the stable to heal horses. To the ladies at the barn, he speaks English, recommending an ointment, but there is no saying it in English. So, he says it in in Spanish: Cebo de Coyote con Aceite de Víbora. To the horses, he speaks […]
Writers Read: The Water Knife by Paolo Bacigalupi
/in Amuse-Bouche, Amuse-Bouche 2017 / Kim Sabin“Somebody’s got to bleed if anybody’s going to drink” (164). In his climate-fiction (cli-fi) novel, The Water Knife, Paolo Bacigalupi’s cinematic writing begs to find its way to the big screen where his vast landscapes, dramatic dialogue, and poignant message on water consumption can reach the masses. While his story lands big, juicy punches, Baciglupi’s […]
Spotlight: Swimming with My Eyes Open
/in Amuse-Bouche, Amuse-Bouche 2017 / Donna SteinerIn the last year, both my mother and father died. They were gone within 42 days of each other, one to a stroke, one to heart failure. These paintings, part of a much larger collection, were attempts to convey feelings of being submerged, of being unable to put words to experience, being unable to surface […]
Writers Read: Coal Mountain Elementary by Mark Nowak
/in Amuse-Bouche, Amuse-Bouche 2017 / Juliann AllisonCoal Mountain Elementary is a noteworthy example of investigative poetry, which incorporates data and reportage—including statistics, historical documents, news media, interviews, and images—into, most commonly, lyrical and prose poems. Claudia Rankine’s Don’t Let Me Be Lonely: An American Lyric (2004) is a well-known example of the former type as it lets the reader enter the […]
Spotlight: Shells II by Savannah Johnston
/in Amuse-Bouche, Amuse-Bouche 2017 / Savannah Johnston[fiction] Our room is around the back of the motel, away from the highway floodlights. Hiram and Baby are sleeping in the backseat by the time we pull up, and Mama carries Baby while Daddy slings Hiram over his shoulder like a sack of flour. Myself I walk. I’m grown enough to see the motel […]
Writers Read: The John McPhee Reader by John McPhee
/in Amuse-Bouche, Amuse-Bouche 2017 / Ari RosenscheinJohn McPhee writes beautifully. About anything. From conservation and aviation to art and citrus. His voice renders topic irrelevant. Relentless specificity of language is the main attraction. Think pieces can blur the line between journalism and literature. Between the academic and the personal. McPhee is investigative nonfiction’s spirit animal. Even The John McPhee Reader’s ‘70s […]
Spotlight: Tapetum
/in Amuse-Bouche, Amuse-Bouche 2017 / Hannah Ford[fiction] I hunt in the morning, because the world makes sense when you watch it beginning. The woods, they wake up like my 5-year-old, Emma. Kind of slowly, fluttering, then suddenly it’s all action everywhere all at once and you can’t keep up. The trees and bushes light up from inside, and then the sun […]
Writers Read: Play it As it Lays by Joan Didion
/in Amuse-Bouche, Amuse-Bouche 2017 / Anna DornPlay it As it Lays is the perfect novel and Maria is a fascinating mix between Lana Del Rey (the old Hollywood glamor, the detached gloom) and Little Edie Beale (the saltine tins, the psychic instability, the domestic disarray), appealing in large part because she is unapologetically herself. As Amy Schumer highlighted through a now-viral sketch, […]
Spotlight: Selections from Leisure Seizure
/in Amuse-Bouche, Amuse-Bouche 2016 / Bob DeBrisThis work has been selected from an ongoing series, Leisure Seizure.
Theres a lot of weird stuff out there, some of the objects were created to promote long gone businesses, abandoned building projects or doomed theme parks. Some of it is simply an act of whimsy. […]
Writers Read: The Feel Trio by Fred Moten
/in Amuse-Bouche, Amuse-Bouche 2016 / Alex SimandFred Moten’s writing is being lost. Or found. Or the kind of lost you want—the wind whipping through trees in Alabama or words that come in meaningful bursts, though you are unsure of the meaning or the source of the bursts. You reel in a mad maelstrom of feeling, entirely precognitive but at once familiar, […]
Writers Read: About This Life by Barry Lopez
/in Amuse-Bouche, Amuse-Bouche 2016 / Katelyn KeatingIn the introduction to his essay anthology, About This Life: Journeys on the Threshold of Memory, Barry Lopez describes becoming a writer and finding his voice. He writes of the universality of story in all cultures, a binding theme in this collection: “Stories do not give instruction, they do not explain how to love a companion […]