Amuse-Bouche

Can I find the words I mark electronically without the cluster of stars I draw in margins to show what is important? Can I discover a buried treasure finger-flicking entries on a screen? Can I flip pages for perusal of bright maps on unexpected pages? […]

By definition, the grey area is the mixing of different characteristics or the lack of clearly definable characteristics. In this collection, I have attempted to do both, by merging and mixing three of the things I love most about art. These are: nature, skin tones, and geometry, as a whole, that is found naturally in both. Aesthetically, I have always loved the endlessness of what can be created in the spectrum that is found between black and white.[…]

Anjali Singh, literary agent with Ayesha Pande Literary (APL), started her career in publishing in 1996 as a literary scout, and later worked as an editor with Simon & Schuster, Houghton Mifflin Harcourt, Vintage Books, and as Editorial Director at Other Press. She is best known for having championed Marjane Satrapi’s Persepolis, after stumbling across the original French version on a visit to Paris.[…]

The biscotti slipped first, falling to the floor through the space of her forearm. Next went the cheese, then the crackers. Agitated, she dropped the rest of the assorted bags and packaging and breathed deeply. She knelt down to restack the boxes, starting with the largest and utilizing every angle of her arms and torso to balance each.[…]

Nouns drop from their perches,
seeking a less
hate-driven sentence,
aiming for purpose or purchase
or mere acceptance.

Ashley Lumpkin has been writing since she was seven. She is a poet and started doing slam poetry performance in 2010. She has four poetry collections and a new creative nonfiction collection called I Hate You All Equally […]

You were the villain at tea parties, attacking the blonde society barbies, with skin pale like fragile porcelain and eyes an unblinking blue sky. You were dark as coffee, an uninvited stain on the white rug I played on. I wanted to love you, being a gift from Grandma.

She uses every square inch of the stage when she presents. She can navigate New York City through rush hour traffic and subway closures. She knows where to shop and where to connect with whom, especially in the ever-changing venues of social media.

The mix in his hands, our skin
covered with clay, horse dung,
hay, and water, his hands […]

i would one day be the son of that rich man
with a monocle found in the game of monopoly
id own the entire town beyond pamida
i wouldnt think twice about buying
a pair of expensive designer jeans at the down under shop […]

A change of lesson plan becomes necessary. Ella has handed
round photocopies of the horoscope pages from the Gulf News
(You will learn… You will meet someone… People with this
star sign are courageous…) in heavy silence. Finally, a thin
serious boy called Sami says, “Teacher, this isn’t true. Not from
Islam.” Others nod agreement. They do a multiple-choice
grammar quiz instead.

I strike a match / to burn the
sage / bundle smoke circles /
in every room / of my silent
home…

I miss the jungle’s morning breath. I shall never grasp

I used to bathe in lush vines, the Peace that shelters those

and soak that sing with one set of Words.

The bar is often whether I can put it down. I don’t mean put it down for an hour while I deal with something else, but, “Is this book in my head? Am I thinking about how it’s going to end? Do I want to go back to reading it to the exclusion of other things?” If the answer to these questions is “Yes!” it means the novel has hooked me, that I am feeling an authentic connection to it, that I can see myself working on it and championing it.

He reached over my legs to turn the heater up, then slowly brought his hand back, hovering above my knees. The tattoos on his four knuckles shown towards my mother and me. The words spelled F E A R. I looked away quickly. My mother fingered the door handle.