Our Amuse-Bouche series offers little bites once a month to keep you satiated between issues. Dig into a smorgasbord of genres every third Friday of the month!
[translated poetry] Thousands of Chinese Acres of Spring When the budding of a tree isn’t closely observed Rapeseed flowers have unfolded the season by their full blossoms The golden dream of the earth thus rolls out under the cloud flowers Is woven in the wind and undulates to the farthest in March Rapeseed flowers have […]
https://lunchticket.org/wp-content/uploads/2018/10/Chen-Du_opt.jpg400267Dong Li, Translated by Chen Duhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngDong Li, Translated by Chen Du2019-01-14 09:57:592019-06-28 17:00:44Á La Carte: The Spring of Rapeseed Flowers
[creative nonfiction] 1: Adab Being with family is the ultimate exercise in learning good adab. There is no simple translation for that Arabic word. Adab. A-da-ba. Turn it around, and you get ba-da-a: beginning. But you live in the West now. Your parents lifted you out of that loving, prickly embrace and introduced you to […]
https://lunchticket.org/wp-content/uploads/2018/10/shah_raidah_headshot_opt.jpg293220Raidah Shah Idilhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngRaidah Shah Idil2019-01-07 10:00:462019-06-28 17:02:29Spotlight: Healing
Valeria Luiselli’s Tell Me How It Ends: An Essay in Forty Questions is indeed an essay responding to the absurdity of 40 certain inquiries. Yet, it is much more than that. The “tell me how it ends” refrain quotes a plaintive request from Luiselli’s daughter, who was five years old when Luiselli served as a […]
https://lunchticket.org/wp-content/uploads/2018/12/tell-me-how-it-ends.jpg596588E.P. Floydhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngE.P. Floyd2018-12-31 09:55:142019-06-28 17:46:05Writers Read: Tell Me How It Ends by Valeria Luiselli
It wasn’t just the one earthquake. It was the one before it as well, which woke me from a sound sleep. The curtains were swinging as if there was a breeze but moving the wrong way, side-to-side, and then I remembered that I kept the windows closed at night because of the mosquitoes. I heard the doorman screaming and that must have got me going […]
https://lunchticket.org/wp-content/uploads/2018/10/4AvenidaJuárez-2-e1540159516275.jpg600697Nicolas Poynterhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngNicolas Poynter2018-12-24 09:57:012019-06-28 17:08:45Spotlight: Cicatrices (Mexico City After the Earthquake)
Ma Rainey on my parade, anyday. Wear suits to that rodeo and yield it your birthing hips. Sway ‘em on stage and own the gaze of them who owned you. Heaven can’t be white when you are nutmeg ground for God. Speak easy to me and rest real hard, tomorrow will be another long one. […]
https://lunchticket.org/wp-content/uploads/2018/12/Koby_Omansky_Headshot_opt.png400300Koby L. Omanskyhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngKoby L. Omansky2018-12-21 00:01:372019-06-28 17:30:00À La Carte: bifurcatin’ blues
Jody Chan is a writer and organizer based in Tkaronto/Toronto. They are the poetry editor for Hematopoeisis, a 2017 VONA alum, and the 2018 winner of the Third Coast Poetry Contest, selected by Sarah Kay. Their first chapbook is forthcoming in 2018 with Damaged Goods Press, and their poetry is published in BOAAT, Looseleaf Magazine, […]
I’ve been awake so long that my computer illuminates the wet of its reservoir with a whisper: The last time I was out on a Friday night I was taking transit on shabbos. It’s against halacha to kill yourself so I’m waiting for Masada, praying for a neighbour to pick my name– To bleed out […]
https://lunchticket.org/wp-content/uploads/2018/09/Syd-Lazarus_opt.jpg400300Syd Lazarushttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngSyd Lazarus2018-12-09 09:56:222019-06-28 19:22:22À La Carte: Olam haBa
Claire Wahmanholm’s debut poetry collection Wilder at times feels like a bedtime story, full of ghostlike beings, ash-blanketed landscapes, corpse-flowers, and Cassandran prophecies echoing through it all. That might sound enchanting and more than a little spooky, but quickly things feel uncomfortably familiar. Isn’t this our world? Are those our voices? Or worse, those of […]
[fiction] It smells the same, even after all these years—the smell of tens of thousands of prayers exhaled above palms pressed to the heart, thousands of bare feet padding into the prayer room, thousands upon thousands of incense sticks lit in front of the same statues, day in and day out. How could this building […]
In Michelle Whittaker’s debut collection, Surge, we begin in the after. After what is not as important as the life lived after trauma—an afterlife. Though we arrive having already crossed this border safe and sound, an epigraph from Susan Sontag reminds us that we’re still dual citizens: passport carriers from “the kingdom of the well” […]
you have to learn to live with emptiness my mother told me I drank water when I was hungry I drank water the way people hustle onto trains rushing to another city the rain begins in one window but always finds its way to all the others your dog scratches at the white couch I […]
Dorothy Chan is the author of Revenge of the Asian Woman (Diode Editions, Forthcoming March 2019), Attack of the Fifty-Foot Centerfold (Spork Press, 2018), and the chapbook Chinatown Sonnets (New Delta Review, 2017). She is the Editor of The Southeast Review. Visit her website at dorothypoetry.com. 10 Questions for Dorothy Chan: 1. What’s the most recent thing you’ve written? I’m currently working on my […]
Ana mainly explores and depicts themes that have a social element, applying elements of tactile reality such as collage and found objects to issues and situations (non-materials, intangibles) to the reality of today’s society. She is interested in exploring how perspectives work with human conditioning […]
https://lunchticket.org/wp-content/uploads/2018/10/Ana-JovanovskaExperiment_with_A_Fictional_Alphabet-Image-1JPG-e1539651515713.jpg600788Ana Jovanovskahttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngAna Jovanovska2018-10-29 10:00:552019-06-28 21:31:49Spotlight: From Text to Abstraction
[creative nonfiction] This is the year I got old. The orthopedist says there is little I can do. Not about growing older—I already know that—but about my left shoulder. It’s not the athletic injury I thought it was, and there’s no definitive cure. It simply has to run its course, he says, dismissively. The only […]
chews on the strange stillness of his quiet unravel. she knows the undoing—like thread—will be slow & always. same as when he first moved inside of me—i remember. the both of us wide open, one exhale after the other scrawled between my legs. the ground sweats against my foot, familiar with the work. all things […]
Living on Sandy Hook Bay in New Jersey gave me a personal stake in global warming. Superstorm Sandy took a devastating toll on our neighborhood and our beach. I completed the Rising Series five years before Sandy. The series helped me to express the fear 9/11 and Hurricane Katrina imprinted on my psyche. Each year as the destruction from storms stretches around the globe […]
Note from a Loving Friend I. For weeks, high school girls giggled, slipped folded notes to each other, their noses pruned, leaving me on the outskirts, alien that I was. True I had my green card, always in my wallet, but still I did not know why I felt alone in their company. I read […]
https://lunchticket.org/wp-content/uploads/2018/09/arora_sonia_headshot_opt.jpg363272Sonia Arorahttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngSonia Arora2018-10-01 09:33:332019-06-28 21:38:05Spotlight: Note from a Loving Friend / Love and Loss in Ludhiana
Sherri Cornett’s German immigrant and pioneer roots are set deep into the homesteads around the small south Texas town of Cuero, where both of her parents grew up, met, and married. By the time she settled in Billings, Montana, in 1993, she had lived in eleven cities and, in some of those, several homes. Out of […]
https://lunchticket.org/wp-content/uploads/2018/08/Sherri-Cornett_Portrait_copper-wire-closeup_bs_opt.jpg400300Interviewed by Kristina Ortizhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngInterviewed by Kristina Ortiz2018-09-24 10:00:122019-06-28 21:39:24Litdish: Sherri Cornett, Artist, Art Curator, Activist
I create art to inspire change. I draw inspiration from artists whose creations are a means to construct dialogue around taboo topics. My art is focused on societal issues that are expressed through painting. Hiding in Plain Sight is a body of work that documents the people of our century, in order for future generations to have an understanding of our present-day experiences. These portraits represent the urban community […]
[fiction] 4 My babysitter is an old bat. Old and mean. She makes me drink water standing by the kitchen table. She won’t let me sit down. After I drink, she pushes me back outside to play. She won’t let me in until lunch at eleven. I play with the other kids in the yard. […]
ache when you came here, you were a shadow on the wall of the episcopalian church on the water, fourteen hours away. you had your mother’s face and father’s eyes. limbs that bent into edges and straw, skinny red lines frowning across your left wrist. a hunger you couldn’t name yet rustled beneath your ribs. […]
Tami Haaland is the author of three poetry collections, What Does Not Return (2018), When We Wake in the Night (2012), and Breath in Every Room (2001), winner of the Nicholas Roerich First Book Award. She earned a BA and MA in English literature from the University of Montana and a MFA in creative writing and literature from Bennington College. Her work […]
A four-letter word that ends in “k.” That’s how my friend, Kristi, used to refer to the color pink. In her youth she was a competitive swimmer, because it was the one sport open to both boys and girls. She writes: “A touch with the fingertips on the kicking feet of the swimmer in front […]
[creative nonfiction] Where did it begin, the pain, the images that haunt me? — La Prieta, Gloria E. Anzaldúa Tyler Clementi was eighteen in 2010. Before he ever became eighteen, he was a toddler. He was a kid with exceptional abilities, and he was known to have taught himself how to play the violin, accompanying […]
https://lunchticket.org/wp-content/uploads/2018/05/Akpa-Arinzechukwu_opt.jpg400300Akpa Arinzechukwuhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngAkpa Arinzechukwu2018-08-20 10:00:212019-06-28 21:52:23À La Carte: IN THIS BODY, EVERYTHING ALREADY LOOKS LIKE DEATH
Googling flowers that sound country enough to create my own lemon on a step because it is smart to discuss a field of goldenrods rather than the hood flying up on the old eighty-four ford ranger while we were doing seventy on seventy-five because the truck was a lemon held together by bungee cords, electrical […]
The poet Vijay Seshadri said that “the purpose of poetry is to deal with unprecedented experience.” Poets will use unprecedented language, but few have made poems mostly made up of entirely unprecedented words. Jos Charles’s feeld accomplishes just that, living in an invented and unnamed dialect that is as new as it is familiar. Her […]
https://lunchticket.org/wp-content/uploads/2018/08/feeld-cover-Jos-Charles.jpg782506Jordan Nakamurahttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngJordan Nakamura2018-08-06 09:40:082019-06-28 22:03:28Writers Read: feeld by Jos Charles
I consider my work a contemplation of the contemporary image. I create through scribbling twisting and interlacing lines creating this mass of interesting shapes. A vital expression is then released and an innovation of an image emerges. I enjoy delving into the psychological portion of my mind through drawing […]
https://lunchticket.org/wp-content/uploads/2018/07/3_Untitlted-e1530716150635.jpg828800Starr Pagehttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngStarr Page2018-07-30 10:00:582019-06-28 22:14:23Spotlight: We the WOMEN of Changing Girls
i dream about time i dream, that it loves me that time will give Black Bodies more of itself this poem is about a universe where time runs the world this poem is about a universe where time aint got no time for Black Bodies a universe in which time plays chess with Black Bodies check mate. the speaker of […]
https://lunchticket.org/wp-content/uploads/2018/02/M.-Li-A_Ping_opt-.jpg400300Maurisa Li-A-Pinghttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngMaurisa Li-A-Ping2018-07-23 09:49:562019-06-28 22:15:31À La Carte: another Black Body takes on the role of narrator
LeVan D. Hawkins is a writer, poet, and performance artist formerly of Los Angeles and based in Chicago. In Chicago, he has appeared at the You’re Being Ridiculous storytelling series at Steppenwolf Theatre, Links Hall, the Homolatte Reading Series, This Much Is True Chicago, OUTspoken!, Fillet-of-Solo-Storytelling Festival, and Center on Halsted. Hawkins’s prose has appeared in […]
https://lunchticket.org/wp-content/uploads/2018/07/admin-ajax.jpeg400300Interviewed by Kristina Ortizhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngInterviewed by Kristina Ortiz2018-07-16 10:05:252019-06-28 22:16:57Litdish: LeVan D. Hawkins, Writer, Poet, Performance Artist
[creative nonfiction] “Every year, hundreds of thousands of American families become homeless, including more than 1.6 million children. Even a seemingly minor event can trigger a catastrophic outcome and catapult a family onto the streets.” The National Center on Family Homelessness December in Philadelphia had closed in fast, with a sudden shift from the […]
https://lunchticket.org/wp-content/uploads/2018/05/BLAIR2_opt.jpg400300Angie Blairhttps://lunchticket.org/wp-content/uploads/2021/12/lunch-ticket-logo-white-text-only.pngAngie Blair2018-07-09 10:15:422019-06-28 22:18:17À La Carte: Safe House
Á La Carte: The Spring of Rapeseed Flowers
/in Amuse-Bouche, Amuse-Bouche 2019 / Dong Li, Translated by Chen Du[translated poetry] Thousands of Chinese Acres of Spring When the budding of a tree isn’t closely observed Rapeseed flowers have unfolded the season by their full blossoms The golden dream of the earth thus rolls out under the cloud flowers Is woven in the wind and undulates to the farthest in March Rapeseed flowers have […]
Spotlight: Healing
/in Amuse-Bouche, Amuse-Bouche 2019 / Raidah Shah Idil[creative nonfiction] 1: Adab Being with family is the ultimate exercise in learning good adab. There is no simple translation for that Arabic word. Adab. A-da-ba. Turn it around, and you get ba-da-a: beginning. But you live in the West now. Your parents lifted you out of that loving, prickly embrace and introduced you to […]
Writers Read: Tell Me How It Ends by Valeria Luiselli
/in Amuse-Bouche, Amuse-Bouche 2018 / E.P. FloydValeria Luiselli’s Tell Me How It Ends: An Essay in Forty Questions is indeed an essay responding to the absurdity of 40 certain inquiries. Yet, it is much more than that. The “tell me how it ends” refrain quotes a plaintive request from Luiselli’s daughter, who was five years old when Luiselli served as a […]
Spotlight: Cicatrices (Mexico City After the Earthquake)
/in Amuse-Bouche, Amuse-Bouche 2018 / Nicolas PoynterIt wasn’t just the one earthquake. It was the one before it as well, which woke me from a sound sleep. The curtains were swinging as if there was a breeze but moving the wrong way, side-to-side, and then I remembered that I kept the windows closed at night because of the mosquitoes. I heard the doorman screaming and that must have got me going […]
À La Carte: bifurcatin’ blues
/in Amuse-Bouche, Amuse-Bouche 2018 / Koby L. OmanskyMa Rainey on my parade, anyday. Wear suits to that rodeo and yield it your birthing hips. Sway ‘em on stage and own the gaze of them who owned you. Heaven can’t be white when you are nutmeg ground for God. Speak easy to me and rest real hard, tomorrow will be another long one. […]
Litdish: Jody Chan, Poet
/in Amuse-Bouche, Amuse-Bouche 2018 / Janet RodriguezJody Chan is a writer and organizer based in Tkaronto/Toronto. They are the poetry editor for Hematopoeisis, a 2017 VONA alum, and the 2018 winner of the Third Coast Poetry Contest, selected by Sarah Kay. Their first chapbook is forthcoming in 2018 with Damaged Goods Press, and their poetry is published in BOAAT, Looseleaf Magazine, […]
À La Carte: Olam haBa
/in Amuse-Bouche, Amuse-Bouche 2018 / Syd LazarusI’ve been awake so long that my computer illuminates the wet of its reservoir with a whisper: The last time I was out on a Friday night I was taking transit on shabbos. It’s against halacha to kill yourself so I’m waiting for Masada, praying for a neighbour to pick my name– To bleed out […]
Writers Read: Wilder by Claire Wahmanholm
/in Amuse-Bouche, Amuse-Bouche 2018 / Jordan NakamuraClaire Wahmanholm’s debut poetry collection Wilder at times feels like a bedtime story, full of ghostlike beings, ash-blanketed landscapes, corpse-flowers, and Cassandran prophecies echoing through it all. That might sound enchanting and more than a little spooky, but quickly things feel uncomfortably familiar. Isn’t this our world? Are those our voices? Or worse, those of […]
Spotlight: Pranam
/in Amuse-Bouche, Amuse-Bouche 2018 / Gargi Talukder[fiction] It smells the same, even after all these years—the smell of tens of thousands of prayers exhaled above palms pressed to the heart, thousands of bare feet padding into the prayer room, thousands upon thousands of incense sticks lit in front of the same statues, day in and day out. How could this building […]
Writers Read: Surge by Michelle Whittaker
/in Amuse-Bouche, Amuse-Bouche 2018 / Erica Charis-MollingIn Michelle Whittaker’s debut collection, Surge, we begin in the after. After what is not as important as the life lived after trauma—an afterlife. Though we arrive having already crossed this border safe and sound, an epigraph from Susan Sontag reminds us that we’re still dual citizens: passport carriers from “the kingdom of the well” […]
Spotlight: Immigrant
/in Amuse-Bouche, Amuse-Bouche 2018 / Shuly Xóchitl Cawoodyou have to learn to live with emptiness my mother told me I drank water when I was hungry I drank water the way people hustle onto trains rushing to another city the rain begins in one window but always finds its way to all the others your dog scratches at the white couch I […]
Litdish: Dorothy Chan, Poet
/in Amuse-Bouche, Amuse-Bouche 2018 / Kristina OrtizDorothy Chan is the author of Revenge of the Asian Woman (Diode Editions, Forthcoming March 2019), Attack of the Fifty-Foot Centerfold (Spork Press, 2018), and the chapbook Chinatown Sonnets (New Delta Review, 2017). She is the Editor of The Southeast Review. Visit her website at dorothypoetry.com. 10 Questions for Dorothy Chan: 1. What’s the most recent thing you’ve written? I’m currently working on my […]
Spotlight: From Text to Abstraction
/in Amuse-Bouche, Amuse-Bouche 2018 / Ana JovanovskaAna mainly explores and depicts themes that have a social element, applying elements of tactile reality such as collage and found objects to issues and situations (non-materials, intangibles) to the reality of today’s society. She is interested in exploring how perspectives work with human conditioning […]
À La Carte: IDIOPATHY
/in Amuse-Bouche, Amuse-Bouche 2018 / Laurie Ember[creative nonfiction] This is the year I got old. The orthopedist says there is little I can do. Not about growing older—I already know that—but about my left shoulder. It’s not the athletic injury I thought it was, and there’s no definitive cure. It simply has to run its course, he says, dismissively. The only […]
Spotlight: my sister-wife
/in Amuse-Bouche, Amuse-Bouche 2018 / Faylita Hickschews on the strange stillness of his quiet unravel. she knows the undoing—like thread—will be slow & always. same as when he first moved inside of me—i remember. the both of us wide open, one exhale after the other scrawled between my legs. the ground sweats against my foot, familiar with the work. all things […]
Spotlight: Rising
/in Amuse-Bouche, Amuse-Bouche 2018 / Shari EpsteinLiving on Sandy Hook Bay in New Jersey gave me a personal stake in global warming. Superstorm Sandy took a devastating toll on our neighborhood and our beach. I completed the Rising Series five years before Sandy. The series helped me to express the fear 9/11 and Hurricane Katrina imprinted on my psyche. Each year as the destruction from storms stretches around the globe […]
Spotlight: Note from a Loving Friend / Love and Loss in Ludhiana
/in Amuse-Bouche, Amuse-Bouche 2018 / Sonia AroraNote from a Loving Friend I. For weeks, high school girls giggled, slipped folded notes to each other, their noses pruned, leaving me on the outskirts, alien that I was. True I had my green card, always in my wallet, but still I did not know why I felt alone in their company. I read […]
Litdish: Sherri Cornett, Artist, Art Curator, Activist
/in Amuse-Bouche, Amuse-Bouche 2018 / Interviewed by Kristina OrtizSherri Cornett’s German immigrant and pioneer roots are set deep into the homesteads around the small south Texas town of Cuero, where both of her parents grew up, met, and married. By the time she settled in Billings, Montana, in 1993, she had lived in eleven cities and, in some of those, several homes. Out of […]
Spotlight: Hiding in Plain Sight
/in Amuse-Bouche, Amuse-Bouche 2018 / Jerrell GibbsI create art to inspire change. I draw inspiration from artists whose creations are a means to construct dialogue around taboo topics. My art is focused on societal issues that are expressed through painting. Hiding in Plain Sight is a body of work that documents the people of our century, in order for future generations to have an understanding of our present-day experiences. These portraits represent the urban community […]
À La Carte: Damage [trigger warning]
/in Amuse-Bouche, Amuse-Bouche 2018 / Jeni McFarland[fiction] 4 My babysitter is an old bat. Old and mean. She makes me drink water standing by the kitchen table. She won’t let me sit down. After I drink, she pushes me back outside to play. She won’t let me in until lunch at eleven. I play with the other kids in the yard. […]
Spotlight: ache / therapy session 1
/in Amuse-Bouche, Amuse-Bouche 2018 / Charlotte Coveyache when you came here, you were a shadow on the wall of the episcopalian church on the water, fourteen hours away. you had your mother’s face and father’s eyes. limbs that bent into edges and straw, skinny red lines frowning across your left wrist. a hunger you couldn’t name yet rustled beneath your ribs. […]
Litdish: Tami Haaland, Poet
/in Amuse-Bouche, Amuse-Bouche 2018 / Interviewed by Kristina OrtizTami Haaland is the author of three poetry collections, What Does Not Return (2018), When We Wake in the Night (2012), and Breath in Every Room (2001), winner of the Nicholas Roerich First Book Award. She earned a BA and MA in English literature from the University of Montana and a MFA in creative writing and literature from Bennington College. Her work […]
Bending the Spectrum
/in Amuse-Bouche 2018, Blog / Sarita SidhuA four-letter word that ends in “k.” That’s how my friend, Kristi, used to refer to the color pink. In her youth she was a competitive swimmer, because it was the one sport open to both boys and girls. She writes: “A touch with the fingertips on the kicking feet of the swimmer in front […]
À La Carte: IN THIS BODY, EVERYTHING ALREADY LOOKS LIKE DEATH
/in Amuse-Bouche, Amuse-Bouche 2018 / Akpa Arinzechukwu[creative nonfiction] Where did it begin, the pain, the images that haunt me? — La Prieta, Gloria E. Anzaldúa Tyler Clementi was eighteen in 2010. Before he ever became eighteen, he was a toddler. He was a kid with exceptional abilities, and he was known to have taught himself how to play the violin, accompanying […]
Spotlight: LEMONADE
/in Amuse-Bouche, Amuse-Bouche 2018 / Tucker Leighty-PhillipsGoogling flowers that sound country enough to create my own lemon on a step because it is smart to discuss a field of goldenrods rather than the hood flying up on the old eighty-four ford ranger while we were doing seventy on seventy-five because the truck was a lemon held together by bungee cords, electrical […]
Writers Read: feeld by Jos Charles
/in Amuse-Bouche, Amuse-Bouche 2018 / Jordan NakamuraThe poet Vijay Seshadri said that “the purpose of poetry is to deal with unprecedented experience.” Poets will use unprecedented language, but few have made poems mostly made up of entirely unprecedented words. Jos Charles’s feeld accomplishes just that, living in an invented and unnamed dialect that is as new as it is familiar. Her […]
Spotlight: We the WOMEN of Changing Girls
/in Amuse-Bouche, Amuse-Bouche 2018 / Starr PageI consider my work a contemplation of the contemporary image. I create through scribbling twisting and interlacing lines creating this mass of interesting shapes. A vital expression is then released and an innovation of an image emerges. I enjoy delving into the psychological portion of my mind through drawing […]
À La Carte: another Black Body takes on the role of narrator
/in Amuse-Bouche, Amuse-Bouche 2018 / Maurisa Li-A-Pingi dream about time i dream, that it loves me that time will give Black Bodies more of itself this poem is about a universe where time runs the world this poem is about a universe where time aint got no time for Black Bodies a universe in which time plays chess with Black Bodies check mate. the speaker of […]
Litdish: LeVan D. Hawkins, Writer, Poet, Performance Artist
/in Amuse-Bouche, Amuse-Bouche 2018 / Interviewed by Kristina OrtizLeVan D. Hawkins is a writer, poet, and performance artist formerly of Los Angeles and based in Chicago. In Chicago, he has appeared at the You’re Being Ridiculous storytelling series at Steppenwolf Theatre, Links Hall, the Homolatte Reading Series, This Much Is True Chicago, OUTspoken!, Fillet-of-Solo-Storytelling Festival, and Center on Halsted. Hawkins’s prose has appeared in […]
À La Carte: Safe House
/in Amuse-Bouche, Amuse-Bouche 2018 / Angie Blair[creative nonfiction] “Every year, hundreds of thousands of American families become homeless, including more than 1.6 million children. Even a seemingly minor event can trigger a catastrophic outcome and catapult a family onto the streets.” The National Center on Family Homelessness December in Philadelphia had closed in fast, with a sudden shift from the […]