Issue 16: Winter/Spring 2020 | Masthead

Essays

Word from the Editor

The Sign Language Alphabet, in Words

Politics and Art

Fiction

Dog of War

How to Be Royal

The Forgotten Voices

Floating

Capillary Action

A Brief History of Drills

Writing for Young People

Torn Between Two Lives

Sticky Hands, Wild Hair, Bare Feet/ A Sky Right Above/ Father, where is your heart?/ Until death—

Poetry

Waorani Legend (With Appropriation)

My Gardener

Of a Fixed Nature

ednos

Not Yet Five / Mother

Post-Partum Jenga

Lunch Special

Chris Feliciano Arnold, Author

Interviews

Lilliam Rivera, Author

Ingrid Rojas Contreras, Author

Sarah Manguso, Author

Isha Sesay, Journalist and Author

David Groff, Editor

Jaswinder Bolina, Poet and Essayist

R.O. Kwon, Author

Maggie Smith, Poet

Blas Falconer, Poet

Diana Woods Memorial Award in Creative Nonfiction

White Man’s Poison

Love in the Archives

Creative Nonfiction

Decay

Picasso This and That

What I Know to Be True

The Many Uses of Safety Pins

To a Starving Body

Flash Prose

Two Ways

Doll Code

Hematophogous Creatures

Rowboat

The First One

Rainbow’s End

The Habits of Great Predators

Pinned Butterflies

Art

Rock and Refuge: Mixed Media

Caché Owens: Mixed Media

Still Lifelike: Oil Painting

Tandem: Digital Photography

Penchant: Oil Painting

Forbidden Garden: Oil Painting

Mutations: Mixed Media

The Beauty in Us: Graphite and Charcoal

Daydreams: Digital Photography

The Forget Me Nots: Oil Painting

Gabo Prize for Literature in Translation & Multilingual Texts

Remembering Those Whose Names Are Forgotten

Buwaya (Crocodile)

The Alabaster Cup

Translation

The Support Verses, Earliest Sayings of the Buddha/ The Beatitudes

Marrow/ Boat People/ Balsero/ Ritual/ Exequias

It is always raining in our memory/ Untitled/ The Island Drank Up All the Air/ The Sunset

Lampadophoria

The Color of Envy